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Watch a Chilling Nightmare Sequence from ‘Babadook’ Director’s ‘The Nightingale’ [Exclusive]

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Halloween may be over but the treats keep coming. The Babadook director Jennifer Kent‘s (interview) acclaimed revenge tale The Nightingale (read our review) hits streaming today.

Now on both Hulu and VOD platforms, the film is set in Tasmania in 1825 and boasts Aisling Franciosi’s Gotham-nominated performance as a 21-year-old Irish female convict who witnesses a harrowing crime at the hands of a lieutenant (Sam Claflin) and his cronies. Unable to find justice, she takes an Aboriginal male tracker (Baykali Ganambarr) with her through the hellish wilderness to seek revenge on the men.

Bloody Disgusting has an exclusive clip from a nightmare sequence in which Franciosi’s character is haunted by visions of her past and present as she struggles with grief, disbelief, and rage.

Bloody Disgusting’s Meredith Borders wrote in her review that:

The Nightingale is so gorgeously, urgently shot, so pressing and important, that a film set in 1820s Tasmania feels as current and present as possible.”

“The film is a study on violence and what a violent mind and therefore a violent society can do to damage the human spirit,” Kent told Variety earlier this year. “It’s about how we can evolve through and beyond that violence. For me The Nightingale is about love — not in a schmaltzy way — but its power to allow us to evolve as human beings.”

Horror movie fanatic who co-founded Bloody Disgusting in 2001. Producer on Southbound, V/H/S/2/3/94, SiREN, Under the Bed, and A Horrible Way to Die. Chicago-based. Horror, pizza and basketball connoisseur. Taco Bell daily. Franchise favs: Hellraiser, Child's Play, A Nightmare on Elm Street, Halloween, Scream and Friday the 13th. Horror 365 days a year.

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‘The Invisible Man 2’ – Elisabeth Moss Says the Sequel Is Closer Than Ever to Happening

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Universal has been having a hell of a time getting their Universal Monsters brand back on a better path in the wake of the Dark Universe collapsing, with four movies thus far released in the years since The Mummy attempted to get that interconnected universe off the ground.

First was Leigh Whannell’s The Invisible Man, to date the only post-Mummy hit for the Universal Monsters, followed by The Last Voyage of the Demeter, Renfield, and now Abigail. The latter three films have attempted to bring Dracula back to the screen in fresh ways, but both Demeter and Renfield severely underperformed at the box office. And while Abigail is a far better vampire movie than those two, it’s unfortunately also struggling to turn a profit.

Where does the Universal Monsters brand go from here? The good news is that Universal and Blumhouse have once again enlisted the help of Leigh Whannell for their upcoming Wolf Man reboot, which is howling its way into theaters in January 2025. This is good news, of course, because Whannell’s Invisible Man was the best – and certainly most profitable – of the post-Dark Universe movies that Universal has been able to conjure up. The film ended its worldwide run with $144 million back in 2020, a massive win considering the $7 million budget.

Given the film was such a success, you may wondering why The Invisible Man 2 hasn’t come along in these past four years. But the wait for that sequel may be coming to an end.

Speaking with the Happy Sad Confused podcast this week, The Invisible Man star Elisabeth Moss notes that she feels “very good” about the sequel’s development at this point in time.

“Blumhouse and my production company [Love & Squalor Pictures]… we are closer than we have ever been to cracking it,” Moss updates this week. “And I feel very good about it.”

She adds, “We are very much intent on continuing that story.”

At the end of the 2020 movie, Elisabeth Moss’s heroine Cecilia Kass uses her stalker’s high-tech invisibility suit to kill him, now in possession of the technology that ruined her life.

Stay tuned for more on The Invisible Man 2 as we learn it.

[Related] Power Corrupts: Universal Monsters Classic ‘The Invisible Man’ at 90

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