Quantcast
Connect with us

Movies

Yeti (V)

“This latest entry into the unendingly cheesy—yet undeniably fun—Maneater Series, begs the question what if a batch of rugged college football players and a few sexy female friends survived a deadly airplane crash in the Himalayan mountains only to discover that they are now being hunted by the legendary abominable snowman? “

Published

on

This latest entry into the unendingly cheesy—yet undeniably fun—Maneater Series, begs the question what if a batch of rugged college football players and a few sexy female friends survived a deadly airplane crash in the Himalayan mountains only to discover that they are now being hunted by the legendary abominable snowman?

That’s right; it’s ALIVE with a snow monster! Replete with all the key plot points of the 1993 film about the incredible true story of the 1972 Uruguayan Rugby team, YETI has a horrible plane crash, survivors struggling as they wait for a rescue, the terror and unyielding hunger that ultimately drives the teammates to consume the flesh of their fallen counterparts and to top it off, distastefully adds in a hairy Himalayan beast to further complicate an already nightmarish situation.

It boggles the mind that screenwriter Rafael Jordon and Director Paul Ziller (SWARMED) never considered the implications of transforming this story into fodder for a campy movie of the week. What’s even more disheartening is that despite all my better senses, I found YETI, once again, to be a lightweight, enjoyable uber-dorky monster movie courtesy of the Sci-Fi Channel.

Sure, the film has plot holes large enough to fly a pair of airplanes through. Let’s start with the fact that while the fuselage and innumerable other totaled parts of the smoldering wreckage are burning all around them; the cast of characters spends 10-minutes of the film searching for matches and bemoaning the need to start a fire! Seriously! Also, prior to the spectacular crash sequence (are you catching some sarcasm there?) the plane flies into a hellacious storm of black clouds and lightning crashes. But, despite the doom and gloom weather outside (and a few shaky camera angles for good measure) the interior of the plane’s cabin seems about as bright and sunshiney as a Johnny Nash song. And…. don’t forget my favorite part, which involves the rescue team—led by 21 Jump Street alumni Peter DeLusie (who despite being close enough to see the survivors of the plane crash through his binoculars) decides to make camp for the night, leaving just enough time for the monster to attack the few remaining football players, which provides us with a head-stompingly good death sequence for WRONG TURN 2 actress Crystal Lowe.

Still, despite all the problems with the script and, once again, a barrage of bizarre digital effects work, these Sci-fi Channel originals (and all the films in the Maneater Series) have their hearts worn out on their Saturday Day Morning Cartoon sleeves. These films are candy coated nuggets of Velveeta love and you’d have to be a pretty cold-hearted genre fan to nitpick the idiocy of a film that presents itself in any other way. Yeah, the blind optimist in me still thinks that one day, I’m gonna stick in the next HIVE or BLOOD MONKEY and it’s gonna turn out to be better than JAWS, but the reality is (and you know this as well as I do) that it’s never gonna happen. So, since we’ve cleared that one up, just sit back and relax, grab a cold beer, some beef jerky and a fuzzy pillow and thank your lucky stars that you’re home on the couch and not trapped in the snow with the fury of the YETI!

Click to comment

Movies

‘The End of Oak Street’ – New Official Posters Unleash Dinosaurs in Suburbia

Published

on

Director David Robert Mitchell (It Follows) is back this summer with dinosaurs-in-suburbia mystery box movie The End of Oak Street, and new official posters have arrived.

Check out the brand new The End of Oak Street posters below and look for the sci-fi/horror movie in theaters August 14, 2026 from Warner Bros. and producer J.J. Abrams.

Anne Hathaway and Ewan McGregor come face-to-face with a monstrous threat in The End of Oak Street, which looks like M. Night Shyamalan with retro-style Amblin vibes.

As Mitchell explained to Entertainment Weekly, inspirations for the film include Jurassic ParkThe Twilight Zone, PoltergeistThe Valley of Gwangi, and M. Night Shyamalan’s Signs.

The End of Oak Street is set in the early 1980s…

In the film, “After a mysterious cosmic event rips Oak Street from suburbia and transports their neighborhood to someplace unknown, the Platt family soon discovers that their very survival depends on them sticking together as they navigate their now unrecognizable surroundings.”

Maisy Stella and Christian Convery also star.

The film is written and directed by David Robert Mitchell and produced by J.J. Abrams, Hannah Minghella, Jon Cohen, David Robert Mitchell, Matt Jackson and Tommy Harper. The executive producers are Chris Bender, Jake Weiner, Joanne Lee and Leeann Stonebreaker.

David Robert Mitchell’s team behind the camera for WB’s The End of Oak Street includes director of photography Michael Gioulakis, production designer Maya Shimoguchi, editor John Axelrad, composer Michael Giacchino and costume designer Erin Benach.

Continue Reading