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Album Review: Triptykon ‘Eparistera Daimones’

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A few weeks ago saw the release of Triptykon’s debut album, ‘Eparistera Daimones’, the first original work from Tom Gabriel Warrior since Celtic Frost’s ‘Monotheist’ came out in 2006. Those of you who may not know metal history should know that Tom G. is widely considered to be one of the founders of the death metal growing vocal style. Through Hellhammer, Celtic Frost and now with Triptykon, Tom G. is able to give fans and listeners some of the most evil sounding music out there. 

eparistera_daimones
Check after the jump for the rest of the review!

“Satan! Savior! Father!” These are the first lyrics you hear in the first song, ‘Goetia’, and boy does it immediately set the mood. The song starts out with a single overdriven guitar that plays single notes that delay into obscurity, creating an atmosphere that is foreboding and unsettling. When the lyrics come in, Tom G. almost snarls them into the microphone, sounding somewhat like a demon himself, delivering the most unholy of messages. The song shifts from fast, double bass tempos to slow, pounding rhythms and has evil chromatic riffs that are punctuated with well-timed accents. 
The production on this album is very solid yet has an almost aged quality about it. It’s a bit hard to describe but something about how the instruments sound calls to mind some 90’s and even early 00’s black/death metal albums. The drums sound very organic and are mixed very well, complementing the thick, crushing guitars. Tom G.’s vocals are mixed in maybe just the slightest bit too soft as I found myself struggling to understand him sometimes when he sang with clean vocals. When, in later tracks, keys come into play, they sound natural and pleasant. Also, the addition of angelic vocals from Simone Vollenweider (who also sang on ‘Monotheist’) adds a striking contrast to the demonic vocals of Tom G. 
This is an album that I have to be in a very special mood to want to hear. I need to want a bleak, terrifying landscape to aurally assault me. I need to want to feel evil wash over me with each song. The only real way to describe it is that this is the music that I would expect to hear should I ever find myself being sacrificed to Satan. 
4 out of 5 skulls. 

Managing editor/music guy/social media fella of Bloody-Disgusting

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GUNSHIP Debuts ‘Time After Time’ Music Video Featuring Unseen ‘Whistle’ Footage

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Whistle Gunship video "Time After Time"

Synthwave outfit GUNSHIP has released a new official music video this morning for their cover of Cyndi Lauper’s “Time After Time” featured on the soundtrack to Corin Hardy’s (The Nun, The Hallow) supernatural horror film Whistle.

To bring it full circle, Corin Hardy directs the music video himself, incorporating previously unseen footage from Whistle. More specifically, the new music video features an extended sequence from the film.

This collaboration builds on GUNSHIP’s longstanding relationship with Hardy, who previously contributed vocals to the band’s track “Cthulhu.”

“Working with Corin is a total dream,” said GUNSHIP. “He’s an old friend who we bonded with over our love for cinema and music, and we were honored to have our song featured in the film. After the Whistle premiere, we were chatting over a pint, and he told us about a beautiful pseudo ‘one shot’ sequence he was heartbroken to lose in the final film. We suggested resurrecting it and using it as a music video. Corin got it immediately, and the result is perfect. It’s heartbreaking, haunting and pure 80s noir soaked.”

Corin Hardy added: “I wanted Whistle to feel like a horror movie I might have watched around the late 1980s, alongside films like A Nightmare on Elm Street, The Lost Boys, and The Breakfast Club. Films steeped in teen-angst and heightened feelings. Music was such a huge part of creating the romance of those cinematic worlds. Gunship’s synth-drenched cover of Cyndi Lauper’s ‘Time After Time’ was always top of my list. Their unique heart-on-your-sleeve sound was the perfect choice for a key moment in the movie. To come together post-release and create this extended music video is simply the cherry on top. Dan, Al & Al (Gunship) have provided the film a real companion piece in the world of Whistle… it makes me want my MTV again!”

It’s a fitting collaboration, as music serves a narrative purpose in Whistle. Music, the director told Bloody Disgusting, was a means of immersing viewers in this world and its characters’ perspectives. Hardy even touched on this particular track: “So in a way, the music you’ll listen to is effectively what Chrys is listening to, which is her dad’s record collection. Then there are other songs like the Gunship track, which is a Cyndi Lauper cover, which is more like Rel’s [Sky Yang] music. It comes in when we have a sequence in Rel’s romantic heartbreak moment. So yeah, I made a character list of who might be listening to what.”

Whistle sees a misfit group of unwitting high school students confronted with mortality when they blow a cursed Aztec Death Whistle, setting a terrifying chain of events in motion.

Dafne Keen (Logan, The Acolyte“), Sophie Nélisse (“Yellowjackets”), Sky Yang (Rebel Moon), Jhaleil Swaby (“Supergirl”), Ali Skovbye (Grizzly Night, “Firefly Lane”), Percy Hynes White (“Wednesday”), Michelle Fairley (“Game of Thrones”), and Nick Frost (Shaun of the Dead).

The supernatural teen horror movie is available to stream on Shudder now.

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