Quantcast
Connect with us

Music

Retro Review: Pink Floyd ‘The Wall’

Published

on

Again we dive into the music of the past with another edition of Bloody-Disgusting’s Retro Review. This months review is on the Pink Floyd’s ‘The Wall’, an album that is still in the top five best-selling albums of all time. Chronicling the story of a man rising to the top only to fall to the extreme bottom. This album changed my appreciation of music and what it meant to really invest oneself into the listening process. So check after the jump for a more detailed look into the 11th studio album from prog-rock giants Pink Floyd.

pinkfloydthewallcover

To talk about the production of this album, you have to remember that this was recorded without any digital assistance. The entire recording process was analog, which adds a great deal of warmth but also doesn’t hide or mask a lot of the subtleties that digital can cover up. Taking this into account, the production quality of ‘The Wall’ is still astounding and a pure joy to listen to. There are more instruments and layers than I can possibly go over but each layer sounds beautiful, rich and is mixed in wonderfully. The album also has an amazing amount of dynamics throughout: Many times, your ear strains to hear each gentle note, each subtle synthesizer tone. Then, there are the times where you are blasted with distorted guitars, thick bass and megaphone vocals. ‘The Wall’ is nothing short of a musical journey where each track is yet another step towards the climactic finale.
The impact of ‘The Wall’ is beyond far-reaching. There have been countless imitations as well as scores of bands citing ‘The Wall’ as one of the inspirations for their work, and yet none have such weight or gravitas to their name. The album was so popular that a movie was made where all of the dialogue and all of the audio were tracks from the album. Although not praised universally, the film is overall held in generally a favorable eye and is something I like to pop in at least once a year. 
Personally, when I bought this album at 15, I knew that I was in for something amazing; I just had no idea that I was about to listen to something that would speak to me on so many levels. I learned the songs on guitar so that I could one day hope to write something as powerful. I listened to the album on drives, in my room, between classes. Honestly, it took me about 6 months for the album to leave my CD player. I still on occasion will open up iTunes, start up ‘In The Flesh’ and leave it going until ‘Outside The Wall’ finishes. 
The Final Word: ‘The Wall’ is an album that runs through the spectrum of human emotions and takes you along each step of the way. If for some reason you still haven’t listened to the entire album in one sitting, do yourself a favor and get some good headphones, lay back and get lost in this timeless masterpiece.

Managing editor/music guy/social media fella of Bloody-Disgusting

Click to comment

Music

GUNSHIP Debuts ‘Time After Time’ Music Video Featuring Unseen ‘Whistle’ Footage

Published

on

Whistle Gunship video "Time After Time"

Synthwave outfit GUNSHIP has released a new official music video this morning for their cover of Cyndi Lauper’s “Time After Time” featured on the soundtrack to Corin Hardy’s (The Nun, The Hallow) supernatural horror film Whistle.

To bring it full circle, Corin Hardy directs the music video himself, incorporating previously unseen footage from Whistle. More specifically, the new music video features an extended sequence from the film.

This collaboration builds on GUNSHIP’s longstanding relationship with Hardy, who previously contributed vocals to the band’s track “Cthulhu.”

“Working with Corin is a total dream,” said GUNSHIP. “He’s an old friend who we bonded with over our love for cinema and music, and we were honored to have our song featured in the film. After the Whistle premiere, we were chatting over a pint, and he told us about a beautiful pseudo ‘one shot’ sequence he was heartbroken to lose in the final film. We suggested resurrecting it and using it as a music video. Corin got it immediately, and the result is perfect. It’s heartbreaking, haunting and pure 80s noir soaked.”

Corin Hardy added: “I wanted Whistle to feel like a horror movie I might have watched around the late 1980s, alongside films like A Nightmare on Elm Street, The Lost Boys, and The Breakfast Club. Films steeped in teen-angst and heightened feelings. Music was such a huge part of creating the romance of those cinematic worlds. Gunship’s synth-drenched cover of Cyndi Lauper’s ‘Time After Time’ was always top of my list. Their unique heart-on-your-sleeve sound was the perfect choice for a key moment in the movie. To come together post-release and create this extended music video is simply the cherry on top. Dan, Al & Al (Gunship) have provided the film a real companion piece in the world of Whistle… it makes me want my MTV again!”

It’s a fitting collaboration, as music serves a narrative purpose in Whistle. Music, the director told Bloody Disgusting, was a means of immersing viewers in this world and its characters’ perspectives. Hardy even touched on this particular track: “So in a way, the music you’ll listen to is effectively what Chrys is listening to, which is her dad’s record collection. Then there are other songs like the Gunship track, which is a Cyndi Lauper cover, which is more like Rel’s [Sky Yang] music. It comes in when we have a sequence in Rel’s romantic heartbreak moment. So yeah, I made a character list of who might be listening to what.”

Whistle sees a misfit group of unwitting high school students confronted with mortality when they blow a cursed Aztec Death Whistle, setting a terrifying chain of events in motion.

Dafne Keen (Logan, The Acolyte“), Sophie Nélisse (“Yellowjackets”), Sky Yang (Rebel Moon), Jhaleil Swaby (“Supergirl”), Ali Skovbye (Grizzly Night, “Firefly Lane”), Percy Hynes White (“Wednesday”), Michelle Fairley (“Game of Thrones”), and Nick Frost (Shaun of the Dead).

The supernatural teen horror movie is available to stream on Shudder now.

Continue Reading