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The Top 10 Doomsday Horror Films!

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Humankind’s fascination with its own extinction has led to some of the most popular and enduring cinematic nightmares ever put to film. Not only is it a cathartic experience to witness the fragile mortality of the entire human race coming to a frightening end before our very eyes (while wrapped safely in the warm cocoon of the local Cineplex), it’s also very often a cerebral one. What could be more thought-provoking than the very reminder that we’re not as invincible as we often go through our lives pretending to be? Luckily for us, we’ve had a wealth of ambitious filmmakers tackle a variety of doomsday scenarios in inventive (and sometimes gut-bustingly hilarious) ways. Will any of their movies lead to humankind changing its destructive tendencies? Doubtful. Listen, the apocalypse is bound to go down eventually, maybe in your lifetime. To prepare yourself, check out my list of the Top Ten Doomsday Horror Films ever made. Armageddon ain’t gonna be as much fun in real life as it is in the movies, but taking in a few of these picks might help ease the transition.

The Top 10 Doomsday Horror Films

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Humankind’s fascination with its own extinction has led to some of the most popular and enduring cinematic nightmares ever put to film. Not only is it a cathartic experience to witness the fragile mortality of the entire human race coming to a frightening end before our very eyes (while wrapped safely in the warm cocoon of the local Cineplex), it’s also very often a cerebral one. What could be more thought-provoking than the very reminder that we’re not as invincible as we often go through our lives pretending to be? Luckily for us, we’ve had a wealth of ambitious filmmakers tackle a variety of doomsday scenarios in inventive (and sometimes gut-bustingly hilarious) ways. Will any of their movies lead to humankind changing its destructive tendencies? Doubtful. Listen, the apocalypse is bound to go down eventually, maybe in your lifetime. To prepare yourself, check out my list of the Top Ten Doomsday Horror Films ever made. Armageddon ain’t gonna be as much fun in real life as it is in the movies, but taking in a few of these picks might help ease the transition.

10. Night of the Comet (1984)


I’m including this movie not for its remarkable quality, but purely for its `80s-era cheese factor. Get a load of this premise: Two Valley girls survive an apocalyptic event brought on by a rogue comet passing into Earth’s atmosphere, only to be confronted by the sizable number of the walking dead left in its wake. Luckily, their father was in the Army and taught the girls how to kick some major ass. Think Buffy the Vampire Slayer, only with zombies and totally heinous `80s hairstyles. Oh yeah, it also has a bitchin’ shopping montage set to Cyndi Lauper’s “Girls Just Wanna Have Fun”. Lucky for cult-movie lovers everywhere, this one finally became available on DVD back in 2007 after toiling for years in VHS obscurity.

9. The Happening (2008)


That’s right, motherf*ckers. I’m on record as being one of the three people that actually enjoyed The Happening. First off, the Darwinian premise (what if Mother Earth started fighting back against our destructive human ways?) isn’t as dumb as everyone made it out to be. Sure, plants aren’t scary, but that’s not what’s supposed to be scary about it. What’s scary is construction workers throwing themselves off of buildings, en masse, and women sticking themselves in the neck with hairpins in the middle of Central Park. In other words, people losing their shit on a massive scale. The way people criticized this movie, you’d think the plants grew fangs and started chasing people. Listen, think what you want to think. To me, this is M. Night’s best outing since The Sixth Sense.

8. Invasion of the Body Snatchers (1978)


The 1956 original is an undisputed classic, but this 1978 version of the tale really milks the horror inherent in the premise for all it’s worth. The first half-hour is a supremely effective exercise in paranoia-building, as San Franciscans everywhere come forward with claims that their friends and loved ones have become emotionally-unrecognizable versions of their former selves. It goes on to boast some spectacularly creepy scenes, not to mention the shock ending to end all shock endings. Of all doomsday scenarios, this is the one that comes with the most psychological heft. Sure, comets and tidal waves are scary to think about, but what if everyone you knew suddenly started acting like the dead-eyed, emotionally vacant cast of “The Hills”? Creepy.

7. 28 Weeks Later (2007)


Somewhat shockingly, director Juan Carlos Fresnadillo managed to craft a more-than-worthy follow-up to Danny Boyle’s nail-biting original, when all we could have reasonably hoped for was a mildly diverting but watered-down-by-the-studio, bigger-budget sequel. Not only does this entry boast more action than the first film, it also doesn’t lose sight of what made 28 Days Later so compelling in the first place – genuinely satisfying character relationships. Sure, it utilizes the tired cliché of bringing in the military and blowing more shit up that has been the bane of so many sequels, but Fresnadillo catches you up so fully in his vision that it hardly matters. While it doesn’t quite reach the full-blooded, humanistic heights of 28 Days, it comes pretty damn close.

6. Planet Terror (2007)


Robert Rodriguez got the low-budget feel of `70s grindhouse cinema just right with this splatter-movie throwback, which pits a machine-gun-legged go-go-dancer (a perfectly cast Rose McGowan) and an assorted cast of other assorted badasses against a horde of zombies transformed by the release of a deadly biochemical agent. Rodriguez employs liberal doses of tongue-in-cheek humor very effectively, but it functions less as spoof than homage to the ultra-low budget exploitation films of yore. More than anything, it’s a seriously entertaining ride that boasts a dead-on, hilarious post-apocalyptic denouement. Tip: watch it in tandem with Death Proof, Tarantino’s equally compelling film that followed Rodriguez’s in the original theatrical release.

5. Night of the Living Dead (1968)


I really do prefer Dawn of the Dead to Night, if only for its more ample gore content, but this first entry in the series is nearly as good. It feels a little dated now, and some of the acting is downright awful, but the grainy, low-budget feel without a doubt makes this the downright creepiest of all the Living Dead films. The sparseness of the setting also adds to the sense of unease that Romero so expertly captures here, and succeeds in creating the sort of lo-fi atmosphere-building that has largely been lost in modern-day, handheld-centric filmmaking. Budding directors, listen up: enough with this “shaky-cam” bullshit. Let’s get back to making real movies, the kind that won’t send people running to the bathroom to puke their guts out from motion sickness.

4. The Mist (2007)


Another movie made in the last ten years? Blasphemy! Listen, I love the old standbys as much as the next guy, but there are a few new kids in town that deserve a little recognition. The Mist is one of those. A flop upon its release in 2007, Frank Darabont’s almost uniformly-excellent apocalyptic nightmare deserved a bigger audience. The creatures expelled from the titular mist are frighteningly vivid, Lovecraft-ian creatures (love those skull-headed wasps), and the end-of-the-world scenario (not to mention the ending) is one of the grimmest you’re likely to encounter. Trust me, you’ll be thinking about it for days afterward.

3. Dawn of the Dead (1978)


I’m sure many horror fans would take me to task for placing George Romero’s piece de resistance beneath 28 Days Later and Shaun, but too bad – you want it in the top slot, write your own damn list. Listen, Dawn of the Dead is still awesome more than 30 years later, a distinction that Boyle and Wright’s films can’t claim. In addition, its satirical jabs still resonate, possibly even more strongly than they did in 1978. It’s zombie movie as mass-consumerism metaphor, but even more importantly it’s a horror lover’s dream – wildly entertaining, scary, and gory as hell. I don’t know about you, but if the zombie apocalypse ever does happen, I’m so heading for the mall.

2. Shaun of the Dead (2004)


Shaun of the Dead, Edgar Wright’s vigorously entertaining zombie-comedy masterwork, is one of those left-field, doesn’t-get-its-due-until-DVD crowd-pleasers that only comes around once in a blue moon. Kudos to me for being there opening weekend, and laughing my ass off while simultaneously pitying the suckers who’d shelled out their hard-earned cash for that Julianne Moore snooze-fest The Forgotten (which opened the same weekend) in the next theater over. Laugh for laugh and scare for scare, Shaun of the Dead is the best horror-comedy I’ve ever seen, and so it deserves its high ranking here. I also blame it for nearly ruining my enjoyment of Zombieland when I saw it a couple weeks ago -Wright just couldn’t help but set the bar unreasonably high for this sort of thing.

1. 28 Days Later (2002)


Maybe it’s just because I’m a morbid son of a bitch, but give me 28 Days Later over Slumdog Millionare any day. Where the hell was the Academy – which heaped so much praise on Danny Boyle’s overhyped fatalistic drama – when this post-apocalyptic masterpiece was released? Oh yeah, they were too busy turning up their noses at genre films (as usual). Listen, this is at the top of my list for a reason. Not only is it an ingeniously calibrated exercise in fear, it’s also a bleakly beautiful and startlingly immediate vision of a world gone mad. Not to mention, it’s authentically touching and thought-provoking, and loads more subtle than Slumdog, which peddled Oprah-certified, superficial nonsense to an inexplicably adoring public. – Chris Eggertsen

Editorials

The 10 Most Disturbing Moments in ‘Evil Dead Burn’ [Spoilers]

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WARNING: The following contains major spoilers for Evil Dead Burn.

Fans of The Evil Dead franchise have become accustomed to an excess of gore. From the low-fi horror of Sam Raimi’s 1981 original and the slapstick comedy of Army of Darkness to Fede Álvarez’s 2013 remake, which literally ends in a rain of blood, grotesque dismemberment and comedic violence are as important to an Evil Dead film as the outline of Bruce Campbell’s iconic jaw.

Sébastien Vaniček‘s franchise installment, Evil Dead Burn, follows suit with wall-to-wall violence and set pieces built around extreme carnage. As the Deadites rise once again, Alice (Souheila Yacoub) must fight to the death against her possessed in-laws hell-bent on punishing her for their family’s sins. 

Co-written by Vaniček and Florent Bernard, Evil Dead Burn follows the ill-fated Price family, descendants of Dr. Benjamin Price who discovered an ancient dagger capable of sending Kandarian demons back to hell. Newly uncovered from its protective spell, this dagger has called to the evil dead and led them to the family’s ramshackle home. Keeping plot to a bare minimum, Vaniček fills nearly every scene with powerful Deadites and their dastardly acts as they torture the Prices to find the weapon. Horrific moments like a woman drinking hot wax from a lit candle and a shocking post-credits child murder don’t even crack the top ten of disgusting, painful, and disturbing carnage that floods the film.

In any other franchise, we would be listing the film’s most gruesome kills. But fans of Evil Dead know that when we’re talking about the Necronomicon, mere death is only the beginning. 


10 ) Deadites Burn

Though Burn checks off all the Evil Dead boxes, its story is a franchise anomaly. Rather than possessing anyone who crosses their path, Vaniček’s Deadites have set their sights specifically on an unwitting clan, intent on recovering the powerful dagger. Resurrected from a nearby lake, Deadite Jessica (Greta van den Brink) informs us of this plan while murdering the eldest Price son. Will (George Pullar) is speeding down a deserted road when he slams into the malevolent demon standing in the middle of the road. After his car rolls off the deserted road, he awakens to find himself upside down, a strange woman lodged in his cracked windshield. 

As he desperately tries to reach his phone, Jessica slowly twists her head, tearing the skin of her distended neck. Completely detached from her shattered body, the demon’s head rolls out the window and begins chanting a Kandarian curse. Will’s car bursts into flames as Jessica vows to seek out the rest of his family. While burning alive, Will learns that he is merely the first on a deadly hitlist filled with the people he loves most. 


9) Dinner from Hell

Despite a remarkably streamlined plot, Vaniček hints at the Price family’s extensive dysfunction. An uncomfortable dinner erupts in aggression as they gather for lunch after Will’s funeral. Mother Susan (Tandi Wright) berates her recently widowed daughter-in-law while father Edgar (Erroll Shand) — already under Kandarian influence — blames younger son Joseph (Hunter Doohan) for his eldest son’s death. No one is safe as long-held tensions break through to the surface and family secrets ricochet through the air. 

With Edgar behaving erratically, Alice and Thya (Luciane Buchanan), Joseph’s girlfriend, try to move sharp objects out of his reach. But Edgar manages to get a hold of a fork and turns his rage on the family dog. As he stabs Max repeatedly in the face, Joseph tries to pull his father away. Both are injured in the struggle and rush to the hospital, leaving Susan and Alice to deal with the corpse. A horrific moment of animal cruelty, this scene sets up a no-holds-barred film in which anyone can be brutalized. But perhaps most disturbing is the viciousness already lurking in this troubled family, barely concealed resentments that existed long before the Kandarian threat. 


8 ) Bathroom Brawl

As Deadites possess the Price family, Alice barricades herself in an upstairs bathroom. She reluctantly shields her mother-in-law, despite Susan’s atrocious behavior. Almost immediately, Alice regrets this decision when the woman reveals the depths of her hatred. She rejects clear evidence of Will’s domestic abuse, continuing to blame Alice for their troubled marriage. Leaning her cheek against a scalding hot radiator, Susan submits to Kandarian possession and becomes a Deadite before our eyes. Though disturbing on its face, she seems to choose possession over an honest reckoning of her family’s dark secrets.  

Now a Deadite, Susan attacks Alice with broken shards of the toilet bowl and wraps the shower curtain around her head. Scampering across the ceiling, she hangs her daughter-in-law by the neck with the plastic sheet as Alice desperately gasps for air. With only her hand free, Alice gouges Susan’s face with a safety razor, finally managing to break herself free. As Deadite Susan taunts her from the corner, Alice revs up a brush trimmer and plunges the circular blade into her shoulder and chest. We cheer for Alice as she finally pushes back against Susan’s passive-aggressive disdain.


7) The Pen is Mightier

In a sea of blood-splattered dismemberment, one scene is so tense that it makes us squirm despite its lack of visual gore. With the family’s ailing matriarch possessed, Deadite Polly (Maude Davey) attacks Alice in the upstairs hallway, pressing her face against the bush trimmer’s still blade. Insisting that Alice has caused Will’s death, Polly invites the grieving woman to avenge her child by turning on the power tool. An instant before her mother-in-law can send the blade tearing into her cheek, Alice manages to escape by jamming a shard of glass into Polly’s eye. But not before the elderly demon can deliver a cringe-worthy injury. 

Though Alice struggles with all her might, Polly slowly drives a fountain pen into the younger woman’s ear canal. Ringing blots out all other sounds as Alice’s face twists in pain. We imagine a tiny object bursting through our own eardrums, puncturing the soft tissue lying beneath. Though Alice tries to extract the pen, she only succeeds in breaking it off, leaving half of the quill buried in her ear. She will eventually use tweezers to remove the tip, sparking another moment of deafening agony.  


6) Chekhov’s Dishwasher

As Susan prepares for the aforementioned family meal, Vaniček drops a delicious bit of foreshadowing. While the grieving mother thaws frozen food, she absently fills an old dishwasher whose door has long since busted its latch. Reminiscent of a scene from Final Destination, the faulty appliance falls open, leaving a shelf full of gleaming forks and knives suspended a foot above the floor, just waiting for their moment to strike. After returning from a fatal incident we’ll discuss in a moment, Deadite Thya returns to the Price home, hell-bent on retrieving the powerful knife. 

As she advances on Joseph, the frightened son retreats to the kitchen and brandishes a carving knife, subtly nodding to an ultra-violent kitchen scene in Álvarez’s Evil Dead. But Thya will not be deterred. Advancing on her boyfriend, the Deadite startles him into tripping on the outstretched door and impaling himself on the upturned utensils. She presses Joseph further onto the blades while he plunges a corkscrew into her throat. But even this will not stop the maniacal demon, who rips her throat open with the wine tool, dripping her blood over Joseph’s upturned face. Adding insult to injury, she marvels at his willingness to kill the woman he professed to love, casting a pall over their entire relationship. Not only gruesome and excruciatingly tense, but this moment plays into Joseph’s insecurities as the failed son of this disturbed family. 


5 ) On the Lake

Evil Dead Burn begins on a seemingly peaceful lake overrun with lurking Kandarian demons. Jared (Keanu Karim) is trying to enjoy a quiet day of fishing but can’t stop his friend Leo (Victory Ndukwe) from answering the phone. Along the dock, Jared notices a bite on Leo’s reel and eventually pulls up a severed head savvy viewers may recognize from Lee Cronin’s 2023 sequel Evil Dead Rise. Moments later, Jared finds himself ensnared by reels, hooks digging into the corner of his mouth and eyelid. As the fishing line wraps around his neck, he’s dragged, screaming, into the lake. 

Leo returns in the pouring rain and sees Jared desperately calling for help. He quickly boats out to save his friend, but a mysterious force pulls him down into the depths. Leo finally drags Jared back into the boat, only to see that his body has been cut in half, intestines spilling out of his bisected waist. As he struggles to make sense of this carnage, Deadite Jessica emerges from the lake and capsizes the boat, her clenched demon hands causing the water to boil. Though Leo manages to swim to shore, his skin is a blistered and bubbly mess. Deadite Jessica absently steps on his hand, easily peeling away flesh like overcooked meat. This jaw-dropping opener not only sets the stage for a brutal film, but situates the story in franchise lore while simply explaining the Deadites’ return.  


4) Car Trouble

The shocking trailer to Evil Dead Burns shows the aftermath of a vicious attack. As Deadite Thya crosses the family threshold, the camera reveals a car’s headrest still impaling her face. But this devastating sight merely hints at the cruel circumstances of her actual death. Incapacitated in the disastrous family dinner, Edgar slumps in the backseat while Joseph tends to his wounds. Though seemingly incapacitated, the possessed father snaps to attention and wraps his seatbelt around Thya’s neck, pushing against the back of her seat. Joseph holds a gun to his father’s head, but can’t bring himself to pull the trigger. 

As Thya tries to escape the car, Edgar viciously slams the door, severing four of her fingers. She manages to trigger a fire extinguisher, filling the car with cloudy white chemicals and giving Joseph a chance to escape. But Thya is not so lucky. Trapped in the car, she screams as Edgar pummels her with a detached headrest, stabbing the poles through her neck and face. Joseph watches from a safe distance as his father beats his girlfriend to death, knowing he was unable to save her life. 


3) Head Shots

evil dead burn review

When Deadite Thya comes stumbling back home, Joseph believes he’s seen the worst. Unfortunately, his misery is only beginning. After fighting off his newly-sadistic undead girlfriend, he tries to flee with his surviving family, only to find Deadite Edgar blocking his path. Flanked by Deadite Max, Edgar taunts his son by insisting that he should be dead in Will’s place and confirming the young man’s greatest fears. Edgar then does what Joseph could not and shoots himself in the head. 

The family screams in horror at this devastating sight, then freezes in stunned silence as Edgar does not fall. Grinning, the maniacal father shoots himself twice more, blowing gaping holes in the sides of his head. For the rest of the film, Deadite Edgar will terrorize his family with these unthinkable wounds, even tempting his wife with a bloody kiss. Vaniček mixes emotional devastation with gore as Joseph must watch his father’s suicide while confronting the truth of his own ineptitude. 


2) Down Through the Chimney

Along with references to the beloved Ash (Campbell), it’s become tradition for an Evil Dead film to reference the franchise’s signature weapon. But Vaniček subverts our expectations when Edgar’s chainsaw is out of gas. Instead, Alice employs a rusty bush trimmer to fight off her Deadite mother-in-law. Unfortunately, the extended weapon only shreds her flesh, leaving the monstrous woman still able to fight. Trapped in the attic, Alice must clamber out of an upper window with Deadite Susan hot on her heels. 

Having dropped the ceremonial knife off the third-story roof, Alice has no choice but to improvise. Toting the bush trimmer, she inches her way down the chimney, pausing to turn halfway down. As Susan follows her daughter-in-law down the chute, Alice turns on the bush trimmer and waits for impact. Vaniček brings us into the living room as buckets of blood and dismembered body parts begin to rain down over the hearth. It’s the kind of moment Evil Dead fans love, gleefully gory carnage via an unexpected power tool.  


1 ) Goodbye Stranger

Despite this plethora of grisly gore, Vaniček’s final act tops the list while delivering a poignant beat of empowerment. With the house on fire and the Deadites subdued, we believe that Alice is finally safe. But as she watches the Price home burn to the ground, the corpse of her husband walks out of the flames. He taunts her memories of their abusive marriage, insisting that she stayed because she likes the pain. Demanding the sacred weapon, Deadite Will chases Alice to a construction site and into an open hydraulic press. In the fall, Alice impales her ankle on a massive spike, leaving her trapped as the pit fills with boiling hot tar.  

But Alice finds the strength to save herself and pulls her ankle off the bloody spike. She distracts Will with a decoy knife, then pummels his chest with a jackhammer. Exacerbating her emotional pain, Deadite Will reminds her of his love. But it seems that Alice has had enough. She stabs him with the ceremonial blade, then crushes his head as it turns to ash. It’s a well-earned moment of empowerment as our final girl vanquishes her most powerful demon.

Vaniček’s crowd-pleaser continues the Evil Dead trend of gleefully crude massacres. Two extra scenes hint at a continuation of this gruesome massacre, promising more brutality in films to come. 

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