Movies
The Deadly Spawn
“The death dealing and monster action is when Deadly Spawn is at its best. Running at a lean 70-something minutes, it cuts out all the boring stuff and gets right to what it’s good at: chewing bodies up and spitting them out.”
Blu-ray Review
They don’t make movies like The Deadly Spawn anymore, or rather, they don’t make them well. Douglas McKeown’s one and only directorial effort is an unabashed love letter to the invasion flicks of the 50’s, amped up with buckets of blood, guts, and incredible puppetry. While all of that is great, the reason The Deadly Spawn really works is because it never tries to be anything more than it is. It’s not trying to be a sweeping character piece, it’s not trying to shoehorn in psychological thriller crap, and it doesn’t have this big, mighty message it’s trying to get across; no, Deadly Spawn is a fun monster movie with a really great creature whose whole purpose is to eat, kill, and destroy, and it wears it proudly on its sleeve.
The creature hitches a ride on a meteorite and after taking out two campers, makes its way to the cellar of a nearby house. At first, its merely content picking off the unfortunate inhabitants that make their way downstairs, but eventually it leaves the cellar and lays siege to the house, biting off heads and ripping bodies apart. And if that isn’t horrific enough, it also has an army of big tadpoles with razor sharp teeth.
The Deadly Spawn tries its hand at some characterization early on by giving Charles (Charles Hildebrandt) an interest in special effects and monster movies much like Tommy Jarvis in The Final Chapter and Pete (Tom DeFranco) a scientific mind – both of which come in handy, of course. Once it tries to move beyond that, by doing things like conducting a really awkward child psych session in the living room, it basically drops the plot and gets straight to the madness.
The death dealing and monster action is when Deadly Spawn is at its best. Running at a lean 70-something minutes, it cuts out all the boring stuff and gets right to what it’s good at: chewing bodies up and spitting them out. It’s a special effects extravaganza with a really elaborate monster puppet – moving with realistic enough fluidity – and a great synth score, and that’s all it wants to be. God bless The Deadly Spawn.
A/V
The Deadly Spawn was shot in 16mm with several different film stocks (then blown up to 35mm for theatrical distribution), so Elite Entertainment’s 1080p presentation can only look as good as the source material, which is to say, not very good at all. This was my first time watching the film, so I can’t comment on how it compares to the DVD, but the Blu-ray has numerous problems, including several instances where the picture and sound completely bottom out, leaving a blank screen. Some scenes are grain heavy, while appear to have been scrubbed with DNR, and there are scratches throughout the film. Reds come through strongly, but characters look sickly in some parts, and there is no variation in blacks whatsoever; nighttime outdoor scenes are a mess, and there’s little in the way of shadowing. The 2.0 LCPM track is a mess too, with the awesome synth score coming through nicely while the dialogue sounds like a faint whisper – save for the creature, who gets his due.
Special Features
Special Introduction by Producer Ted A. Bohus (1:19) – Bohus shows off some neat memorabilia, including a hand-puppet (!), in this very brief intro.
Commentary – Bohus and editor Marc Harwood have a really lively chat about the film, no thanks to their chemistry and Bohus’ sense of humor, which transforms pretty much every extra on the disc from average to amusing. The guys chat about set stories, the multiple designs and changes the creature went through, the numerous continuity errors (hey, at least they’re good sports about it!), and, of course, the wonderful, wonderful puppetry and special effects. Definitely worth a listen if you’re big into low-budget filmmaking, or just want a few laughs.
Alternate Opening (4:43) – Aside from a blander title sequence, there’s very little difference between this and the theatrical version.
Casting and Gags (35:57) – Rehearsal footage of the cast and crew, culled from a black and white VHS recording. It seems improvised for the most part and everyone seems to be having a blast, but at thirty-five minutes, it’s a little taxing to sit through.
Bloopers and Outtakes (4:56) – A collection of behind-the-scenes footage, featuring make-up tests, a few goofs, and a look at some of the special effects magic that makes Deadly Spawn the fun creature feature it is. There’s no audio, which is a shame as it would’ve been interesting to hear some commentary on the raw footage, and it’s way too short.
Local News Segments (40:32) – A collection of clips and interview segments from local news channels, highlighting Bohus and his filmography. He’s got a great sense of humor, so the interviews are fun to watch, though the collection doesn’t focus on Deadly Spawn too much – Metamorphosis gets a lot of coverage, which looks like a blast to watch.
Take One (24:58) – Harwood drops some knowledge on a cable access show about low-budget filmmaking, and introduces some Deadly Spawn clips and trailers.
Visit with the Deadly Spawn (8:39) – A short visit with an unnamed special effects artist, who shows off his odd sense of humor in addition to some sculpts and puppets. He finally gets to the Deadly Spawn puppet after rambling for a few minutes, and his visit to the basement is sadly short-lived.
There’s also a very long slideshow that features a lot of cool behind-the-scenes photos of the creature and production, and a preview of an upcoming comic book that, based on the few pages included, looks like it explains the origin of the creature. Out of all the special features (minus the commentary), these are the only ones that look slick and polished, since everything else looks like it was taken from VHS masters – there’s tracking problems in some, and parts of commercials between news segments in another!
Film: 3.5/5
Blu-ray: 2.5/5
Movies
7 New Horror Movies Releasing This Week Including ‘Lockbox’
The holiday weekend means a light week for new horror releases, but it does bring the return of Dark Castle Entertainment to select theaters. It’s being joined by 6 new horror movies.
Here’s all the new horror releasing June 29, 2026 – July 3, 2026!
For daily reminders about new horror releases, be sure to follow @HorrorCalendar.

You wished for it. The highest-grossing horror movie of the year (so far), Curry Barker’s Obsession, arrived on Digital on June 30.
In Curry Barker’s theatrical debut Obsession, after breaking the mysterious One Wish Willow to win his crush’s heart, a hopeless romantic finds himself getting exactly what he asked for but soon discovers that some desires come at a dark, sinister price.
Michael Johnston (“Teen Wolf”), Inde Navarette (“Superman & Lois”), Cooper Tomlinson (“That’s a Bad Idea,” Milk & Serial), Megan Lawless (The Death That Awaits), and Emmy Award-nominee Andy Richter (“Conan,” Elf) star.

Based on a story by director James Kondelik (Behind The Walls) and a screenplay by Canadian writer Victor Rose, survival thriller Pitfall headed home to Digital on June 30. Family is murder in this Cineverse release.
In Pitfall, a young man becomes separated from his friends in the woods and plunges into a ten-foot pit lined with spikes, impaling his leg and leaving him helpless. As reality sinks in and his situation grows dire, he realizes the fall wasn’t an accident.
The film stars Richard Harmon (Final Destination: Bloodlines), Alexandra Essoe (The Pope’s Exorcist), and UFC champion Randy Couture (The Expendables) as the ruthless killer who stalks his prey in the woods. Marshall Williams (The Ice Road), Jordan Claire Robbins (The Umbrella Academy), and Matt Hamilton (Murder for Sale) also star.

The Amityville IP leans into Jaws with Amityville Shark House, just in time for the Fourth of July holiday too, as it released on Digital June 30.
Will Collazo Jr. (Amityville Thanksgiving) and Shawn C. Phillips (Amityville Karen) co-direct from a script they wrote with Julie Anne Prescott.
In the movie, after discovering an ominous shark idol hidden beneath the decaying floorboards, Richard unknowingly awakens an ancient and savage force. As the entity begins to merge with him, a quiet coastal town descends into blood-soaked chaos.
With each victim claimed, the monstrous predator grows stronger, fueling a cult’s belief that their dark god has been reborn. Now, the race is on to stop the carnage before evil consumes everything in its path.
Phillips and Prescott also star alongside Tasha Tacosa, Maritza Brikisak, Gigi Gustin (The Retaliators), Adam Marino, and Carl Solomon.

Available on Digital, Blu-ray, and DVD as of June 30 is Jacked, directed by John Fucile from a script he co-wrote with Simon Fraser.
The synopsis: “Set in the summer of 1987, JACKED follows two small-town teenagers whose day at the lake turns into a fight for survival after their car breaks down and they encounter a violent stalker.”
Marla Jean Robison, Tom Koch, Anthony Cipriani, Wynn Reichert, Kam Perez and Bella Marie star.

Get ready to work up a killer sweat and maybe spill some blood with Slashercise, a workout meets slasher hybrid that arrived exclusively on Bloodstream on July 1.
Written and directed by Ama Lea (Deathcember), the retro-styled feature follows “a masked killer known only as Meathead as he stalks the fitness clubs of Los Angeles, turning workout sessions into blood-soaked nightmares. As the city’s top trainers are picked off one by one, a group of determined fitness fanatics must fight back before they become the next bodies on the mat.”
Vanessa Decker (Stiletto), John Bloom (The Last Drive-In With Joe Bob Briggs), Spencer Charnas (Ice Nine Kills), Sarah French (Blind), Kelli Maroney (Night of the Comet), Sarah Nicklin (V/H/S/Halloween), Diana Prince (The Last Drive-In With Joe Bob Briggs), Jared Rivet (The Once and Future Smash), Felissa Rose (Sleepaway Camp), Tiffany Shepis (Victor Crowley), and Lisa Wilcox (A Nightmare on Elm Street 4: The Dream Master) star.

After a record-breaking box office run, A24 and director Kane Parsons’ feature debut is heading back to theaters with bonus footage. AMC Theatres is unleashing Backrooms: Everything Must Go Editiontoday, July 3.
In the film written by Will Soodik, the owner of Cap’n Clark’s Ottoman Empire discovers a strange doorway in the basement of the furniture showroom. He sets out to explore the mysterious, liminal space, walking headfirst into a creepypasta nightmare.
Chiwetel Ejiofor and Renate Reinsvestar.
AMC describes this release as a “theatrically exclusive post-credit” with additional footage from Kane Parsons. Expect 16 minutes of bonus footage, with the new version clocking in at 2 hours and 6 minutes.
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The Last Exorcism director Daniel Stamm and Dark Castle Entertainment are back with Lockbox, in select theaters July 3. It adapts Soren Narnia‘s Knifepoint Horror Podcast story “Winthrop” by Emmy-winning playwright Justin Yoffe.
In Lockbox, “Seeking peace after her mother’s death, Ellen retreats to a rural town and takes in her severely traumatized cousin Winthrop. Their fragile domestic balance shatters when an erratic neighbor warns that Winthrop is dangerous. As strange phenomena escalate, Ellen must put everything on the line to defend Winthrop from a dangerous otherworldly entity determined to track him down.”
Lou Taylor Pucci (Touch Me, Evil Dead), Carla Gugino (The Haunting of Hill House, Gerald’s Game, The Fall of the House of Usher) and Katharine Isabelle (Ginger Snaps, Backrooms) star.
This week’s new release roundups are presented by Lockbox.
Be careful who you let in. Carla Gugino and Lou Taylor Pucci star in Lockbox, only in select theaters this Friday. Get tickets.

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