Editorials
We Attended ‘The Devil’s Carnival’ Premiere, Here’s What You Can Expect
This past thursday The Devil’s Carnival had its world premiere at the Laemmle Royal Theater in Santa Monica. Before the show a line of gothic carnie cosplayers snaked around the block from the building’s entrance – no doubt fans of Darren Lynn Bousman and his previous cult hit, Repo: The Genetic Opera.
The Devil’s Carnival wasn’t only premiering at the event, it was embarking on a 40 plus date road show that will see it – and members of its cast and crew – traveling the countryside and taking their circus to as many theaters as possible. Whatever you may think of Repo or this film, at least they provide experiences that are impossible to download.
Terrance Zdunich, who co-wrote Repo, also wrote the music for Carnival with Saar Hendelman. Zdunich stars alongside Bill Moseley, Briana Evigan, Emilie Autumn, J. Larose, Alexa Vega, Ogre, Paul Sorvino, Marc Senter, Sean Patrick Flanery and Slipknot’s The Clown.
In the film, “sinners are invited to a theme park where they endure the repetition of their transgressions. What chances do a conniving kleptomaniac, a gullible teenager, and an obsessed father stand when facing their own moral failings? Lucifer and his colorful cast of singing carnies invite you to grab a ticket to The Devil’s Carnival to find out!”
Head inside for a rundown of the event and some words from Bousman, Zdunich and the cast.
It should be noted that The Devil’s Carnival is an indie film in pretty much every sense of the world. From the nature of its financing, the way it came together creatively and the harsh conditions under which it was filmed, there was very little in the way of “luxury” to be had during the process of bringing it to the screen.
Speaking to Bousman, “We greenlit this on January 1st. It was supposed to be a 15 minute short with three songs at that point. By January 10th we expanded it to 10-15 songs and the cast had expanded from 5 people to 20 people. And – by the way – we didn’t get any more money. The amount of money was always the same, we just made it bigger anyway. I think what we were able to pull off for little to nothing is pretty remarkable.”
When it came to the topic of the roadshow he was also excited, it will bring this film to far more film patrons that the theatrical releases of 11-11-11 and Mother’s Day or pretty much anything he’s done since Repo four years ago. “I have this movie on more screens than my last three movies combined. And that, to me, is just disgusting. But it’s cool at the same time. It showed me that I don’t need someone to tell me what I can or can’t do anymore. This is the least marketable movie ever, but we were able to do it because we believed in it.”
When I spoke to Zdunich, who co-wrote the music and also plays Lucifer, he filled me in on the creative process behind the tunes. “The film runs about 60 minutes, and 32 of those minutes are music. So, for me, it really started with finding these archetypes and then finding the music to fit them. And I went from there.”
Nor was the production without some good old desert vandalism. Per producer Sean E. Demott, “These local kids broke into the dressing rooms when no one was watching and ran away with tons of hard drives. We literally had half of our crew chasing them down the road at two in the morning. We finally caught them and they had stashed the sh*t in a house. It was like an episode of “Cops” that landed on our set. ”
The elements themselves were also grueling. Bill Mosely, who plays The Magician in the film, joked that he’s still concerned about his health. “It was very cold and dusty. I may end up with the brown lung. Circus lung. But I enjoyed it. It’s always a pleasure to get back with the ‘Repo” bunch.”
While the film The Devil’s Carnival only runs 55 minutes, there’s much more to the experience than the film itself. The crew behind the roadshow has done everything they can to provide the audience with a carnival atmosphere short of assembling a ferris wheel in the parking lot.
Burlesque dancers take a cue from Lady Gaga and her fire spewing brazier as they dance to Marilyn Manson. Contortionists writhe across the stage. If you’re in costume – you’re called up to the front to take part in the cosplay contest. Repo nuts are also in for a treat – as a nearly 20 minutes behind the scenes look at that film’s production also unspools before Carnival. It gives you a fairly good luck at the atmosphere that’s created when everyone’s pulling together trying to make one of these gonzo musicals and it’s way more entertaining than your average EPK.
Warning to would-be pirates – perhaps my favorite part of the night is where they make the audience stand up and pledge not to pirate or upload the film. The audience is encouraged to police each other for douchebag activity, and if you’re caught you just may get punched in the nuts. Their words, not mine.
You can check out the rest of the dates on the roadshow and buy your tickets here.
Editorials
‘Bloodstone: Subspecies II’ Revisited: A Bigger, Bolder Follow-Up to Full Moon’s Vampire Cult Classic
Horror sequels are a peculiar thing. In most cases, follow-ups to scary movies tend to retread the same formula with different victims and more over-the-top scares. This is because audiences tend to be more interested in the antagonists of these pictures than anything else, with even main characters becoming disposable when the time comes to produce a sequel.
That’s why some of the most memorable horror sequels are the ones that actually manage to hold onto interesting survivors from previous films while also pushing the story forward instead of having the same thing happen again to a different group of people. From Scream 2 to Dream Warriors (and arguably even The Exorcist III: Legion), there are quite a few of these innovative sequels to go around.
However, if there’s one franchise that deserves more attention when discussing bigger and better continuations that make the most of episodic filmmaking, it has to be Ted Nicolaou’s Subspecies.
The Full Moon classic spawned an indie horror icon, but bizarre sequel Bloodstone: Subspecies II is even more beloved than its predecessor.
Building a Bigger Vampire Saga
While the film itself takes place almost immediately after the events of the first movie, Bloodstone only entered production a couple of years after the release of the original as both Charles Band and Nicolaou weighed the pros and cons of returning to Romania to continue the series. In an effort to maximize efficiency, the team decided to invest in a trilogy where parts II and III, now fully written by Nicolaou, would be filmed simultaneously over the course of a single grueling shoot.
Much like the first Subspecies, Bloodstone’s low budget meant that the filmmakers once again had to cut corners and re-use as many of their resources as possible. Thankfully, the process was much easier this time around as Nicolaou, with the help of Romanian cinematographer Vlad Paunescu and his wife Oana, became more acquainted with local customs and made new friends. Shooting abroad still came with its own unique set of challenges due to a lack of translators and the occasional safety concerns, but the crew managed to make things work by filming things guerrilla-style and setting up shop in abandoned caves and real medieval ruins.
The director’s newfound contacts, coupled with the relative success of the first movie, meant that he was basically given free rein over an assortment of shooting locations usually considered off-limits for indie horror. That’s why Bloodstone features insanely ambitious lighting and effects work even during scenes shot in the middle of a bustling Bucharest. The filmmakers went so far as to project Radu’s Nosferatu-like shadows over local monuments as if he were a Romanian boogeyman, an idea that was actually encouraged by local cinephiles.
In fact, many of the more elaborate scenes here had originally been planned for the first movie before being discarded due to the lack of available resources. It was only with the support of Romanian fans and filmmakers that Bloodstone was able to give Radu a chance to be even more menacing the second time around.
Michelle’s Transformation Takes Center Stage
However, when it came to the American part of the crew, not everyone was able or willing to return for another round of Romanian adventuring. That’s why Radu’s human-loving half-brother Stefan (Michael Watson) is unceremoniously killed off at the beginning of the film while the role of Michelle had to be recast. Denice Duff took over for Laura Mae Tate, with the character now being joined by her sister, Rebecca, played by Melanie Shatner (yes, that Shatner).
In the finished film, we follow Michelle as she awakens to her new life as a vampire and discovers that Radu has murdered her lover. Struggling with grief and her newfound bloodlust, Michelle contacts her sister overseas, with Rebecca soon travelling to Romania on an ill-advised rescue mission. Meanwhile, Radu (Anders Hove) reaches out to his undead Mummy (Pamela Gordon, underneath heavy layers of impressive makeup effects) and promises to deliver her the coveted Bloodstone artifact while also making Michelle his eternal consort.
Revisiting the movie, I was impressed with how introspective this story is when compared to the original. The sequel assumes that you’re already familiar with the previously established characters, so the story wastes no time in exploring the immediate aftermath of the previous film’s events. From Michelle’s reluctant transformation into a creature of the night to Radu’s obvious mommy issues, Nicolaou is way more interested in pushing these characters into new and uncharted territory rather than recycling existing plot points.
Practical Effects and Gothic Atmosphere Still Impress
Yet, much like the first film, it’s Romania itself that makes the movie worth watching. The ruins of Castle Vladislav are even more majestic now, and visiting the moody streets of Bucharest with its surprisingly punk-rock nightlife made for a nice change of pace when compared to the original film’s quiet village setting. Once again, the abundance of interesting locations makes the movie feel much more expensive than it really is, with the filmmakers surrounding our characters with a living, breathing environment that would be impossible to recreate in a studio.
The increased freedom also allowed Nicolaou to flex his filmmaking muscles and tackle more ambitious blocking/composition in the sequel. The low budget and tropey script mean that the visuals don’t always work, but it’s consistently clear that this neo-expressionist style could only come from a passionate team attempting to pay homage to the shadowy horror classics of yesteryear. If the retro atmosphere isn’t enough for you, there’s enough practical gore here to satisfy even the most demanding of horror hounds!
Radu himself is also far more interesting now that Hove is more comfortable working alongside an international crew, with the actor having gone on record explaining that, while he spent more time drinking vodka than working while shooting the first movie, the sequel was a much more creatively satisfying experience for everyone involved. The character’s relationship with his abusive Mummy is also a highlight of the expanded mythology, especially since the practical effects that bring her to life are just as freaky now as they were back in ’93.
My only real gripe with the horror elements of the picture comes from the glaring absence of the diminutive stop-motion minions from the first film, though I guess the surprisingly entertaining addition of Professor Popescu (Michael Denish) and his archeological antics mostly make up for that.
Bloodstone: Subspecies II is obviously the middle chapter of a trilogy, with the ending feeling a lot less definitive than its predecessor as several plot threads are left to dangle in the wind, but I appreciate how the flick explores new ground while remaining faithful to nearly all the ideas that made the original such a good time. While I don’t think it’s as big of an improvement over the first movie as some fans make it out to be, Bloodstone is definitely worth revisiting if you’re a fan of old-fashioned vampire yarns.
Tune in next time for the thrilling conclusion to this initial trilogy, Bloodlust: Subspecies III!
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