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Behemoth’s Nergal Is Out Of The Hospital

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After losing Ronnie James Dio, Peter Steele, and with Chi Cheng still in a semi-conscious state, it’s always a joy to hear that an ailing musician is doing better. Behemoth’s Nergal is out of the hospital, four weeks after receiving a bone marrow transplant. Below are some messages from Nergal.

“Hey! What’s up! At last – one could say. After almost half a year of treatment in various hospitals, several cycles of chemotherapy, irradiation and a bone marrow transplant, I have been finally released home in a pretty fuckin’ good condition. I’m feeling ok, taking the intensity of treatment under consideration. That was not an easy period of my life, but, as I envisioned, I left the hospital victorious. I never considered any other options, but anyway, there were rough moments too… At this point I must express my thanks to the people who made all of those downs fairly bearable. My parents – thank you. You deserve a monument for all your love and patience. Dorotka, thank you for your heroic attitude, love and support. I can’t forget Doda’s fans, who made a gigantic effort for me and other ill people. You rule! Absolutely fantastic Behemoth fans from all over the world were organizing various events to make people aware of what leukemia is. To all of you out there – my deepest respect! Thank you – the real heroes – Prof. Hellmann, Dr. Piekarska, Dr. Knopinska, Doc. Giebel, Prof. Hołowiecki and all the nurses of the hematology division of the Medical Academy in Gdansk and the Oncology Clinic in Gliwice for all the professionalism and great hearts. My band mates for all the friendship and never-ending support. All my friends for sticking to me throughout the whole period of my illness. The list is too long to mention you all, but remember, you have special place in my heart.”

Nergal will now go through a recovery which will last for several months. During this time he will stay in his flat in one of the Gdansk’s districts.

“Although the whole treatment went really good, as well as the bone marrow transplant and the post-transplant period, the next several months is the time when I must really take care of myself. Of course I will have plenty of time to recover, think about the strategy and my return to the stage – which approaches imminently (laughs). First of all however I must rebuild my physical condition… apart from that, I hunger for playing, I haven’t been playing the guitar for a half of year now! Really much to catch up, but also a huge motivation and a desire to work again at the same time. This year will be a really important one for me and the band!”

Managing editor/music guy/social media fella of Bloody-Disgusting

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“He Walks By Night” – Listen to a Brand New John Carpenter Song NOW!

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John Carpenter music

It’s a new day, and you’ve got new John Carpenter to listen to. John Carpenter, Daniel Davies and Cody Carpenter have released the new track He Walks By Night this morning, the second single off their upcoming album Lost Themes IV: Noir, out May 3 on Sacred Bones Records.

Lost Themes IV: Noir is the latest installment in a series that sees Carpenter releasing new music for John Carpenter movies that don’t actually exist. The first Lost Themes was released in 2015, followed by Lost Themes II in 2016 and Lost Themes III: Alive After Death in 2021.

Sacred Bones previews, “It’s been a decade since John Carpenter recorded the material that would become Lost Themes, his debut album of non-film music and the opening salvo in one of Hollywood’s great second acts. Those vibrant, synth-driven songs, made in collaboration with his son Cody Carpenter and godson Daniel Davies, kickstarted a musical renaissance for the pioneering composer and director. With Lost Themes IV: Noir, they’ve struck gold again, this time mining the rich history of the film noir genre for inspiration.

“Since the first Lost Themes, John has referred to these compositions as “soundtracks for the movies in your mind.” On the fourth installment in the series, those movies are noirs. Like the film genre they were influenced by, what makes these songs “noirish” is sometimes slippery and hard to define, and not merely reducible to a collection of tropes. The scores for the great American noir pictures were largely orchestral, while the Carpenters and Davies work off a sturdy synth-and-guitar backbone.

“The trio’s free-flowing chemistry means Lost Themes IV: Noir runs like a well-oiled machine—the 1951 Jaguar XK120 Roadster from Kiss Me Deadly, perhaps, or the 1958 Plymouth Fury from John’s own Christine. It’s a chemistry that’s helped power one of the most productive stretches of John’s creative life, and Noir proves that it’s nowhere near done yielding brilliant results.”

You can pre-save Lost Themes IV: Noir right now! And listen to the new track below…

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