Connect with us

Editorials

Special Feature: Real Exorcism Case Studies Part 2

Published

on

In anticipation of the release of Warner Bros. Pictures’ The Rite, a religious horror film opening wide on January 28th, we now present to you part 4 (the second of this segment) of B-D’s ongoing series on exorcism. In this article we put the spotlight on two more real-life cases of alleged demonic possession, one of which inspired author William Peter Blatty to write The Exorcist. The other is a much more obscure but nonetheless just as sensational incident that occurred at a small Catholic school in South Africa during the early 1900s. Whether you believe in the Devil or not, both are fascinating case studies that should at the very least send a few shivers down your spine.
Roland Doe/Robbie Mannheim

Year: 1949

Place: Washington, D.C./St. Louis, Missouri

While 1973’s The Exorcist is generally hailed as one of the most terrifying films ever made, few people realize it is based on the real case of a 13-year-old alternately known as either Roland Doe or Robbie Mannheim (we’ll call him Robbie for the purposes of this article). The strange story began just outside Washington, D.C., where Robbie lived with his parents and grandmother. The family began reporting strange occurrences surrounding the boy that started sometime in late 1948 or early 1949. Phenomena included scratching sounds on the walls and under Robbie’s mattress, the violent shaking of the boy’s bed, and furniture moving on its own in his presence. Robbie’s behavior also started to deteriorate; he became physically violent and even defecated on the walls of his family’s home. He also appeared to have an aversion toward sacred objects.

Robbie was taken by his parents to both a medical doctor and a psychiatrist, neither of whom could find anything physically or mentally wrong with him. Desperate, they turned to their local Lutheran minister, Reverend Schulz, who requested that Robbie spend the night at his home to see if he himself could observe any of the bizarre anomalies. The Reverend reported later that while Robbie was there, the bed he slept in began shaking so violently that Schulz was forced to remove him from it. In addition to other freak events, including Robbie being violently ejected from a chair he was sitting in, Schulz became convinced that something supernatural was afoot and directed the boy’s parents to the Catholic Church, who he said “ha[d] ways” of dealing with cases like Robbie’s.

Robbie’s parents did as instructed and took him to St. James, the local Catholic church, and met with a young priest named Friar Albert Hughes. Hughes became convinced there was something evil about the 13-year-old after a telephone flew off his desk while they were talking; he also claimed that Robbie spoke to him in Latin, a language the boy had never studied, and that the temperature in his office had dropped several degrees when Robbie entered. After convincing the local archbishop of the boy’s possession, Hughes was cleared to perform an exorcism and reserved a room at nearby Georgetown University Hospital. It is alleged that only a few minutes into the ritual, Robbie became violent and stabbed the priest with a broken-off bedspring, after which he was released from the hospital. Hughes, who reportedly required 100 stitches as a result of the incident, reportedly never made another attempt to clear Robbie of his “possession”.

Back at home, Robbie’s bizarre behavior continued, culminating in a screaming fit in the bathroom during which the word “Louis” supposedly appeared in welts that sprang up on his chest. When Robbie’s mother asked him if the message meant “St. Louis”, where the family had several relatives, she then claimed that the word “Yes” had appeared on his stomach. It was around this time Robbie’s parents became convinced that the soul of Robbie’s spiritualist aunt in St. Louis, who had recently died and with whom Robbie had experimented with an Ouija board, had taken possession of his body. Feeling they’d run out of options, they relocated to St. Louis to see if perhaps returning there would help to quell Robbie’s “demons”. In St. Louis, one of Robbie’s cousins, who was currently attending the Jesuit-affiliated St. Louis University, spoke with one of her professors, Friar Raymond Bishop, about the strange events. Fr. Bishop then contacted another local priest, Friar William Bowdern, and the two traveled to the home where Robbie was staying to evaluate him for demonic possession.

Convinced after their visit that the boy was indeed possessed by an evil force, the priests met with the local archbishop, who after some prodding finally gave permission for Bowdern to perform an exorcism. With a team of nine Jesuit priests and a total of 48 witnesses, Robbie was subjected to the exorcism rite 30 times over a period of six weeks, during which the boy reportedly struck out violently, spat at great lengths across the room, spoke in a low, demonic voice, and mimed masturbation. His bed also allegedly shook uncontrollably, with words such as “evil” and “hell” spontaneously sprouting up on his skin. After the last exorcism was completed, witnesses reported the sound of a loud thunderclap or shotgun blast as the boy spasmed uncontrollably one last time before finally returning to normal. The adult Robbie (whose true identity has remained closely guarded) apparently grew up to become an ordinary, healthy adult and apparently has no memory of what happened.

Clara Germana Cele

Year: 1906/07

Place: Umzinto, South Africa

One day in 1906 at Marianhill mission school in Umzinto, South Africa, Father Erasmus Horner came to hear a strange and troubling confession from one of the young Catholic students there – she’d made a pact with the Devil. The student was 16-year-old Clara Germana Cele, known by the nuns as an ordinary, if somewhat unpredictable, young black girl who’d been orphaned by her parents as an infant and attended the school since the age of four. While the confession was quickly forgotten, in the following weeks Clara began engaging in erratic behavior – behavior that graduated to insane levels on August 20, 1906, when the startled sisters at the school witnessed Clara tearing at her clothes, growling like an animal, and engaging in conversation with seemingly invisible beings. At one point she is reported to have said: “Sister, please call Father Erasmus. I must confess and tell everything. But quick, quick, or Satan will kill me. He has me in his power! Nothing blessed is with me; I have thrown away all the medals you gave me.” And later: “You have betrayed me. You have promised me days of glory, but now you treat me cruelly.”

Clara’s bizarre outbursts continued. Nuns reported that the girl’s skin would burn when sprinkled with holy water, and that she would act disturbed and lash out violently when crosses or other sacred objects entered her presence, even when they were concealed. She also reportedly developed clairvoyant powers, able to describe personal details of other people’s lives that she couldn’t possibly have known about otherwise. The accounts of several nuns also reported that Clara possessed the ability to speak and understand several different foreign languages to which she had never been exposed, including Polish, German, French, and several others. It was said that Clara had been imbued with superhuman strength as well, easily overpowering authority figures at the school when they attempted to restrain her.

Another seemingly far-fetched assertion from many witnesses was that Clara began levitating up to five feet in the air on a regular basis, her clothes sticking to her body as if they too had managed to defy the laws of gravity. It was claimed that only after being sprinkled with holy water could she be brought back down, during which time she would also temporarily snap out of her possessed state. Most outlandish of all were the claims that the young woman had the ability to transform into a sort of snakelike creature, her body becoming as flexible as rubber as she slithered across the floor. At one point she was said to have bitten a nun on the arm and left puncture marks like those of a serpent’s fangs.

After it was determined that Clara met the criteria for demonic possession, her confessor Father Horner and another priest, Reverend Mansueti, were cleared to perform an exorcism on the girl. On September 11, 1906, the ritual was performed, lasting from the early morning hours until noon, and then picked up again at 3pm and continuing on into the night. Among other bizarre and violent behaviors, Clara allegedly knocked a Holy Bible from one of the priests’ hands and attempted to strangle him with his stole. The next morning the rites were administered once again, with the possessing demon supposedly departing Clara’s body after telling the priests he would signal his exit by an act of levitation, which occurred in front of an audience of around 170 people in the mission chapel. The priests then asserted that Clara had been cleared of the Devil’s influence.

However, in January 1907 Clara claimed to have made another pact with the Devil and another exorcism was reportedly performed that lasted for two days. After the demon departed for the second time, witnesses reported that the air became filled with an overpoweringly foul smell. That was the last time any supernatural disturbances were reported in the case of Clara Germana Cele, and there is no record available as to what became of her following her bizarre ordeal.

Advertisement
1 Comment

Editorials

‘A Haunted House’ and the Death of the Horror Spoof Movie

Published

on

Due to a complex series of anthropological mishaps, the Wayans Brothers are a huge deal in Brazil. Around these parts, White Chicks is considered a national treasure by a lot of people, so it stands to reason that Brazilian audiences would continue to accompany the Wayans’ comedic output long after North America had stopped taking them seriously as comedic titans.

This is the only reason why I originally watched Michael Tiddes and Marlon Wayans’ 2013 horror spoof A Haunted House – appropriately known as “Paranormal Inactivity” in South America – despite having abandoned this kind of movie shortly after the excellent Scary Movie 3. However, to my complete and utter amazement, I found myself mostly enjoying this unhinged parody of Found Footage films almost as much as the iconic spoofs that spear-headed the genre during the 2000s. And with Paramount having recently announced a reboot of the Scary Movie franchise, I think this is the perfect time to revisit the divisive humor of A Haunted House and maybe figure out why this kind of film hasn’t been popular in a long time.

Before we had memes and internet personalities to make fun of movie tropes for free on the internet, parody movies had been entertaining audiences with meta-humor since the very dawn of cinema. And since the genre attracted large audiences without the need for a serious budget, it made sense for studios to encourage parodies of their own productions – which is precisely what happened with Miramax when they commissioned a parody of the Scream franchise, the original Scary Movie.

The unprecedented success of the spoof (especially overseas) led to a series of sequels, spin-offs and rip-offs that came along throughout the 2000s. While some of these were still quite funny (I have a soft spot for 2008’s Superhero Movie), they ended up flooding the market much like the Guitar Hero games that plagued video game stores during that same timeframe.

You could really confuse someone by editing this scene into Paranormal Activity.

Of course, that didn’t stop Tiddes and Marlon Wayans from wanting to make another spoof meant to lampoon a sub-genre that had been mostly overlooked by the Scary Movie series – namely the second wave of Found Footage films inspired by Paranormal Activity. Wayans actually had an easier time than usual funding the picture due to the project’s Found Footage presentation, with the format allowing for a lower budget without compromising box office appeal.

In the finished film, we’re presented with supposedly real footage recovered from the home of Malcom Johnson (Wayans). The recordings themselves depict a series of unexplainable events that begin to plague his home when Kisha Davis (Essence Atkins) decides to move in, with the couple slowly realizing that the difficulties of a shared life are no match for demonic shenanigans.

In practice, this means that viewers are subjected to a series of familiar scares subverted by wacky hijinks, with the flick featuring everything from a humorous recreation of the iconic fan-camera from Paranormal Activity 3 to bizarre dance numbers replacing Katy’s late-night trances from Oren Peli’s original movie.

Your enjoyment of these antics will obviously depend on how accepting you are of Wayans’ patented brand of crass comedy. From advanced potty humor to some exaggerated racial commentary – including a clever moment where Malcom actually attempts to move out of the titular haunted house because he’s not white enough to deal with the haunting – it’s not all that surprising that the flick wound up with a 10% rating on Rotten Tomatoes despite making a killing at the box office.

However, while this isn’t my preferred kind of humor, I think the inherent limitations of Found Footage ended up curtailing the usual excesses present in this kind of parody, with the filmmakers being forced to focus on character-based comedy and a smaller scale story. This is why I mostly appreciate the love-hate rapport between Kisha and Malcom even if it wouldn’t translate to a healthy relationship in real life.

Of course, the jokes themselves can also be pretty entertaining on their own, with cartoony gags like the ghost getting high with the protagonists (complete with smoke-filled invisible lungs) and a series of silly The Exorcist homages towards the end of the movie. The major issue here is that these legitimately funny and genre-specific jokes are often accompanied by repetitive attempts at low-brow humor that you could find in any other cheap comedy.

Not a good idea.

Not only are some of these painfully drawn out “jokes” incredibly unfunny, but they can also be remarkably offensive in some cases. There are some pretty insensitive allusions to sexual assault here, as well as a collection of secondary characters defined by negative racial stereotypes (even though I chuckled heartily when the Latina maid was revealed to have been faking her poor English the entire time).

Cinephiles often claim that increasingly sloppy writing led to audiences giving up on spoof movies, but the fact is that many of the more beloved examples of the genre contain some of the same issues as later films like A Haunted House – it’s just that we as an audience have (mostly) grown up and are now demanding more from our comedy. However, this isn’t the case everywhere, as – much like the Elves from Lord of the Rings – spoof movies never really died, they simply diminished.

A Haunted House made so much money that they immediately started working on a second one that released the following year (to even worse reviews), and the same team would later collaborate once again on yet another spoof, 50 Shades of Black. This kind of film clearly still exists and still makes a lot of money (especially here in Brazil), they just don’t have the same cultural impact that they used to in a pre-social-media-humor world.

At the end of the day, A Haunted House is no comedic masterpiece, failing to live up to the laugh-out-loud thrills of films like Scary Movie 3, but it’s also not the trainwreck that most critics made it out to be back in 2013. Comedy is extremely subjective, and while the raunchy humor behind this flick definitely isn’t for everyone, I still think that this satirical romp is mostly harmless fun that might entertain Found Footage fans that don’t take themselves too seriously.

Continue Reading