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8 Horror Movies That Were Ahead Of Their Time

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Mist Ahead Of Its Time

Saying a movie is ahead of its time can have two different meanings: 1) The film pioneered a specific filmmaking technique or 2) The film was maligned upon release and is now considered a classic. What I’ve done is look at horror films released over the past few decades and see what films I believe to truly be ahead of their time.

Psycho

First the funny bit of trivia: Psycho was the first film to show a toilet flushing on camera! Now for the serious bit of trivia: Psycho was not universally praised upon its initial release (nearly all British film critics panned it)! Bosley Crowther of The New York Times wrote, “There is not an abundance of subtlety or the lately familiar Hitchcock bent toward significant and colorful scenery in this obviously low-budget job.” Interestingly enough, Psycho didn’t garner widespread critical acclaim until after the film’s popularity with general audiences skyrocketed it to box office success, prompting many critics to revisit the film.

Psycho Toilet Flush

The Thing (1982)

While it’s a well-known fact, it still merits mentioning that John Carpenter’s The Thing was much-maligned when it was released in 1982. Another New York Times critic (Vincent Canby, this time) called it “a foolish, depressing, overproduced movie that mixes horror with science fiction to make something that is fun as neither one thing or the other. Sometimes it looks as if it aspired to be the quintessential moron movie of the 80s.” The score was even nominated for a Razzie award! Add to that the fact that The Thing was released the same summer as E.T., audiences just weren’t in the mood for an intense killer alien film. It was a box office flop, taking in only $19.6 million (on a $15 million budget). Here is more of Canby’s review:

The Thing

Jurassic Park 

I’m sure many of you re-watched Jurassic Park recently, and if so then you probably noticed that the CGI effects are better than about 90% of the films that come out nowadays (they even look better than the CGI effects in Jurassic World!). I have no idea how that is possible, but Jurassic Park has definitely stood the test of time.

Jurassic Park

Starship Troopers

Thank God for international box office, otherwise Starship Troopers would have been a major flop. America just wasn’t ready for an anti-war dark satire film in 1997. Had it come out after the Iraq war had already begun, it might have been slightly better received. To be clear, Starship Troopers is a brilliantly entertaining film, it just came out a few years too early. Like Jurassic Park, the special effects are top notch, and still look good today.

Starship Troopers

American Psycho

While not as acidic as the Brett Easton Ellis novel it is based on, Mary Harron’s American Psycho adaptation was incredibly polarizing in 2000. Making only $15 million (on an admittedly low $7 million budget), the film’s humor wasn’t interpreted very well by audiences at the time. Had the film come out today, it might have clicked more with audiences.

American Psycho

Videodrome

I don’t like Videodrome (don’t hate me!), but I can’t deny that David Cronenberg was really on to something when he wrote it. The film essentially boils down to the idea that people are obsessed with their television (this is a very simplistic explanation for the film). This idea is more timely than ever right now, with DVR and the ever-growing presence of TV as a discussion topic. I write TV reviews for Bloody-Disgusting. I get it. The topics of violence and sex on our TV screens was also ahead of its time in 1983, with TV today pushing more boundaries than ever. Videodrome probably makes more sense today than it did to anyone in the 80s. The fact that it is more relevant today than it was back then earns it a spot on this list.

Videodrome

The Shining

We all know how Stephen King hates Stanley Kubrick’s adaptation of his novel The Shining, but what you may not know is that many critics weren’t too keen on the film upon its release either. Variety complained that it “destroy[ed] all that was so terrifying about Stephen King’s bestseller.” Kubrick and Shelley Duvall were nominated for Razzie Awards for Worst Director and worst Actress, respectively. Roger Ebert even claimed that it was hard to connect with any of the characters. Oh how time changes things.

The Shining

The Mist

The Mist is notable for having one of the most depressing endings in film history. Released back in 2007, mainstream audiences just didn’t want to be depressed. That’s not to say people want to be depressed now, but with shows like Hannibal, Game of Thrones and The Walking Dead preparing them for major character deaths, they’re a bit more prepared for it. Had The Mist come out this year, it probably would have done much better at the box office. Needless to say, many people walked out of the theater wanting to do this:

The Mist

What other horror films do you believe were ahead of their time? Let me know in the comments below!

A journalist for Bloody Disgusting since 2015, Trace writes film reviews and editorials, as well as co-hosts Bloody Disgusting's Horror Queers podcast, which looks at horror films through a queer lens. He has since become dedicated to amplifying queer voices in the horror community, while also injecting his own personal flair into film discourse. Trace lives in Denver, CO with his husband and their two dogs. Find him on Twitter @TracedThurman

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Editorials

‘The Vampire Lestat’ Concert Event Launches New Season With The Ultimate Expression Of Fandom

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Beacon Theatre's The Vampire Lestat Marquee The Vampire Lestat Concert

There are thousands of passionate fans decked out in gothic chic and champing at the bit like feral creatures. They’re screaming for Lestat, a legendary vampire-turned-rock star, as if the entire crowd has been glamored into submission.

The entire experience is magic, but not because some supernatural thrall has been activated. What’s going on is even more special. It’s the power of the effusive fandom that’s been authentically assembled by AMC’s sublime Immortal Universe, namely Anne Rice’s Interview with the Vampire, now, The Vampire Lestat.

The Vampire Lestat is far from the first Anne Rice adaptation, and it’s not as if there’s been a lack of erotic vampire material for audiences to sink their teeth into. On June 2nd, during a one-night-only spectacle, New York City’s prestigious Beacon Theatre shook from Sam Reid’s bravado performance and an audience full of adoring fans who had already memorized Lestat’s songs.

It’s clear that The Vampire Lestat just hits differently than its predecessors. It’s become more than just a TV series at this point, and this opulent display of ego, swagger, and pure sex is the perfect way to premiere the new season and give back to the fans who helped make Interview with the Vampire/The Vampire Lestat such a breakout success. It’s exactly the sort of hyperbolized hedonism that would make Lestat cackle.

The Vampire Lestat Rolling Stone Cover

For all intents and purposes, AMC has successfully created the illusion that this concert/premiere is just one of the many destinations on Lestat and his band’s 54-stop tour that is simultaneously playing out on this season of television. It’s such a sophisticated and thorough level of interactive fan engagement that the audience doesn’t just understand, but also manages to accentuate through its involvement.

It’s a level of seamless synergy that’s not unlike the give-and-take relationship of vampire and victim. 

Before the concert started,LeStanswere sitting in the Beacon and flipping through a fake Rolling Stone issue with Lestat emblazoned on the cover, complete with interviews with the undead frontman inside. Other fans were admiring the vinyl pressing of Lestat’s EP as they walked past a section of undead band merch. Fandom and fantasy blur together, and it all becomes this elaborate, immersive experience. Fan celebration, erotic gothic fantasy, and a lavish rock concert transform into one beautiful thing.

To this point, AMC Global Media’s Chief Content Officer and President of AMC Studios, Dan McDermott, introduced the event by reiterating to fans,You are the heartbeat of the series.That’s abundantly clear on nights like this as that heartbeat collectively pulses to this performance. In terms of how AMC engages with The Vampire Lestat’s fans, it’s as bold a reinvention as the season itself.

This intuitive gamble speaks to AMC’s creativity in this department and a fandom that is eager to seize such opportunities. It’s the same innovation that led to zombie walks for The Walking Dead and real-life Los Pollos Hermanos restaurant pop-ups from Breaking Bad. It’s a great way to pump up the audience for The Vampire Lestat and then maintain that enthusiasm for the whole season.

The Vampire Lestat's Sam Reid as Lestat at Beacon Theatre.

For most series, a rocknroll concert just doesn’t make any sense as a promotional tool. The Vampire Lestat finds itself in a very unique position where it can deliver an excellent concert at an iconic theater, but also use it to showcase The Vampire Lestat’s music by Daniel Hart (who was shredding on stage alongside Reid and the rest of their band) and, more than anything, Sam Reid’s endless charisma.

The way in which Reid feeds off of the crowd’s energy, modulating his performance and giving different sections of the Beacon life, is a perfect distillation of the series’ thoughtful relationship with its audience and how it’s become such a breakout success for AMC. AMC Studios President Dan McDermott emphasized that the fans are the reason that the show is still here and why an event like this is even possible. It’s rare to see a series in which every single cog in the machine is so perfectly attuned to its fans. Reid’s fans already cheer whenever they see him, so why not translate that to a concert setting?

It’s clear in this season of television that Reid was born to be a rock star, but it’s surreal to see him effortlessly command the stage — and the audience — at every step of the concert. He recites Shakespeare monologues and bitches out Armand between songs, all while the audience screams in support. For the duration of this concert, Reid is Lestat, and he’s given thousands of fans a memory that’s as immortal as any vampire.

Now bring on the encore and get this show on the road!

 

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