Editorials
‘The Fly’ Was Released 30 Years Ago Today
Be afraid. Be very afraid.
Who says all remakes are terrible? One only needs to look at David Cronenberg’s remake of 1958’s The Fly (itself a more faithful adaptation of George Langelaan’s short story of the same name). The film is a masterclass in special effects as well as one of the best love stories in cinema history, as tragic as it is.
The film took some time to get developed, with its beginnings starting in the early 1980s when co-producer Kip Ohman brought the idea of a remake to screenwriter Charles Edward Pogue. After showing some interest, they both went to producer Stuart Cornfield with their idea and the money was given to Pogue to write the script. Rather than do a direct adaptation of the original film or its short story, Pogue decided to tell a story of slow evolution as opposed to one of an instantaneous transformation. Once a script was complete, the investors at 20th Century Fox wanted to pull out. Pogue made an agreement with them that they would distribute the film if he could find another source of financing.
Funnily enough, the new producer that was brought on board was comedian Mel Brooks and his production company Brooksfilms. Brooks suggested Pogue be removed from the project and Walon Green was brought in to re-write the script. When that draft was also deemed unworthy, Pogue was brought back in to rework the script again.
Robert Bierman was locked in fairly early on as the film’s director, but when his daughter was tragically killed in an accident while the family was on a vacation, Brooks let him out of his contract so that he could grieve. David Cronenberg, who had just abandoned the Total Recall adaptation that he had been working on for the past year (he wrote 12 drafts for it before breaking ties with in), was finally brought in as the director and was also tasked with rewriting Pogue’s script. Many set pieces and central themes (the main character’s loss of body parts, the vomiting of corrosive acid, etc.) were retained from Pogue’s draft, but Cronenberg re-wrote all of the characters and dialogue from scratch. That being the case, Cronenberg was classy enough to be insistent that Pogue retain a screenwriting credit.
There were several scenes deleted from the film after it screened with test audiences, the most infamous of which is the one in which Seth fuses a baboon and a cat together in a desperate attempt to find a cure for himself. He then falls off the roof of the building, and sees an extra appendage protrude from his side, which he then proceeds to amputate with his teeth. This scene was ultimately cut from the film because test audiences lost sympathy for Seth when they saw it.
Howard Shore’s grand orchestral score is appropriately chilling, and one of the only scores to have ever truly haunted me upon hearing it. The truly standout moment in his score comes during the film’s climax, when Brundlefly falls out of the Telepod after merging with the merging (see video below). It’s a devastating piece of work.
Of course, it’s the performances that really make The Fly so special. Jeff Goldblum gives one of the best performances of his career as Seth Brundle. Up until his final transformation in the film’s closing minutes, Goldblum makes you feel for him even as he becomes a monster. Similarly, your heart breaks for Geena Davis as you watch her slowly come to the realization that the love of her life is lost. Even when he is clearly lost forever, she still hesitates before killing him. It’s almost unbearable to watch. Hell, even John Getz is sympathetic in what would otherwise be a throwaway jealous man stereotype.
Released on a production budget of $9 million ($19.7 million in 2016 dollars), The Fly went on to gross a respectable $40.5 million domestically ($88.9 million in 2016 dollars). Chris Walas (Gremlins) and Stephan Dupuis also won the Academy Award for Best Makeup and Hairstyling. Given the climax of the film, that win is not surprising, especially considering that it is one of the few categories horror films have an edge in with the Academy of Motion Picture Arts and Sciences.
The Seven Stages of Brundlefly
The critical success of The Fly matched its commercial success, with even Gene Siskel, who was known for having an aversion to the horror genre, named it his tenth best film of 1986. So successful was The Fly that a sequel was immediately considered. Cronenberg declined returning, since he said he had never considered filming a sequel to one of his films. Directing duties went to Walas, with four writers being credited for the screenplay (one of whom was Frank Darabont). That film grossed about half of the original’s domestic gross but was a critical failure. It is known as one of the worse sequels ever made, though it does have a small, loyal cult following. Still, the existence of a lesser sequel doesn’t take away from the fact that Cronenberg’s original is a wonderful film.
Celebrate The Fly‘s 30th anniversary today with a re-watch, or watch it for the first time if you’ve never seen it. It stands as a landmark of the horror genre and is also one of the best films ever made.
Here’s what we know about Longlegs so far. It’s coming in July of 2024, it’s directed by Osgood Perkins (The Blackcoat’s Daughter), and it features Maika Monroe (It Follows) as an FBI agent who discovers a personal connection between her and a serial killer who has ties to the occult. We know that the serial killer is going to be played by none other than Nicolas Cage and that the marketing has been nothing short of cryptic excellence up to this point.
At the very least, we can assume NEON’s upcoming film is going to be a dark, horror-fueled hunt for a serial killer. With that in mind, let’s take a look at five disturbing serial killers-versus-law-enforcement stories to get us even more jacked up for Longlegs.
MEMORIES OF MURDER (2003)
This South Korean film directed by Oscar-winning director Bong Joon-ho (Parasite) is a wild ride. The film features a handful of cops who seem like total goofs investigating a serial killer who brutally murders women who are out and wearing red on rainy evenings. The cops are tired, unorganized, and border on stoner comedy levels of idiocy. The movie at first seems to have a strange level of forgiveness for these characters as they try to pin the murders on a mentally handicapped person at one point, beating him and trying to coerce him into a confession for crimes he didn’t commit. A serious cop from the big city comes down to help with the case and is able to instill order.
But still, the killer evades and provokes not only the police but an entire country as everyone becomes more unstable and paranoid with each grizzly murder and sex crime.
I’ve never seen a film with a stranger tone than Memories of Murder. A movie that deals with such serious issues but has such fallible, seemingly nonserious people at its core. As the film rolls on and more women are murdered, you realize that a lot of these faults come from men who are hopeless and desperate to catch a killer in a country that – much like in another great serial killer story, Citizen X – is doing more harm to their plight than good.
Major spoiler warning: What makes Memories of Murder somehow more haunting is that it’s loosely based on a true story. It is a story where the real-life killer hadn’t been caught at the time of the film’s release. It ends with our main character Detective Park (Song Kang-ho), now a salesman, looking hopelessly at the audience (or judgingly) as the credits roll. Over sixteen years later the killer, Lee Choon Jae, was found using DNA evidence. He was already serving a life sentence for another murder. Choon Jae even admitted to watching the film during his court case saying, “I just watched it as a movie, I had no feeling or emotion towards the movie.”
In the end, Memories of Murder is a must-see for fans of the subgenre. The film juggles an almost slapstick tone with that of a dark murder mystery and yet, in the end, works like a charm.
CURE (1997)
If you watched 2023’s Hypnotic and thought to yourself, “A killer who hypnotizes his victims to get them to do his bidding is a pretty cool idea. I only wish it were a better movie!” Boy, do I have great news for you.
In Cure (spoilers ahead), a detective (Koji Yakusho) and forensic psychologist (Tsuyoshi Ujiki) team up to find a serial killer who’s brutally marking their victims by cutting a large “X” into their throats and chests. Not just a little “X” mind you but a big, gross, flappy one.
At each crime scene, the murderer is there and is coherent and willing to cooperate. They can remember committing the crimes but can’t remember why. Each of these murders is creepy on a cellular level because we watch the killers act out these crimes with zero emotion. They feel different than your average movie murder. Colder….meaner.
What’s going on here is that a man named Mamiya (Masato Hagiwara) is walking around and somehow manipulating people’s minds using the flame of a lighter and a strange conversational cadence to hypnotize them and convince them to murder. The detectives eventually catch him but are unable to understand the scope of what’s happening before it’s too late.
If you thought dealing with a psychopathic murderer was hard, imagine dealing with one who could convince you to go home and murder your wife. Not only is Cure amazingly filmed and edited but it has more horror elements than your average serial killer film.
MANHUNTER (1986)
In the first-ever Hannibal Lecter story brought in front of the cameras, Detective Will Graham (William Petersen) finds his serial killers by stepping into their headspace. This is how he caught Hannibal Lecter (played here by Brian Cox), but not without paying a price. Graham became so obsessed with his cases that he ended up having a mental breakdown.
In Manhunter, Graham not only has to deal with Lecter playing psychological games with him from behind bars but a new serial killer in Francis Dolarhyde (in a legendary performance by Tom Noonan). One who likes to wear pantyhose on his head and murder entire families so that he can feel “seen” and “accepted” in their dead eyes. At one point Lecter even finds a way to gift Graham’s home address to the new killer via personal ads in a newspaper.
Michael Mann (Heat, Thief) directed a film that was far too stylish for its time but that fans and critics both would have loved today in the same way we appreciate movies like Nightcrawler or Drive. From the soundtrack to the visuals to the in-depth psychoanalysis of an insanely disturbed protagonist and the man trying to catch him. We watch Graham completely lose his shit and unravel as he takes us through the psyche of our killer. Which is as fascinating as it is fucked.
Manhunter is a classic case of a serial killer-versus-detective story where each side of the coin is tarnished in their own way when it’s all said and done. As Detective Park put it in Memories of Murder, “What kind of detective sleeps at night?”
INSOMNIA (2002)
Maybe it’s because of the foggy atmosphere. Maybe it’s because it’s the only film in Christopher Nolan’s filmography he didn’t write as well as direct. But for some reason, Insomnia always feels forgotten about whenever we give Nolan his flowers for whatever his latest cinematic achievement is.
Whatever the case, I know it’s no fault of the quality of the film, because Insomnia is a certified serial killer classic that adds several unique layers to the detective/killer dynamic. One way to create an extreme sense of unease with a movie villain is to cast someone you’d never expect in the role, which is exactly what Nolan did by casting the hilarious and sweet Robin Williams as a manipulative child murderer. He capped that off by casting Al Pacino as the embattled detective hunting him down.
This dynamic was fascinating as Williams was creepy and clever in the role. He was subdued in a way that was never boring but believable. On the other side of it, Al Pacino felt as if he’d walked straight off the set of 1995’s Heat and onto this one. A broken and imperfect man trying to stop a far worse one.
Aside from the stellar acting, Insomnia stands out because of its unique setting and plot. Both working against the detective. The investigation is taking place in a part of Alaska where the sun never goes down. This creates a beautiful, nightmare atmosphere where by the end of it, Pacino’s character is like a Freddy Krueger victim in the leadup to their eventual, exhausted death as he runs around town trying to catch a serial killer while dealing with the debilitating effects of insomnia. Meanwhile, he’s under an internal affairs investigation for planting evidence to catch another child killer and accidentally shoots his partner who he just found out is about to testify against him. The kicker here is that the killer knows what happened that fateful day and is using it to blackmail Pacino’s character into letting him get away with his own crimes.
If this is the kind of “what would you do?” intrigue we get with the story from Longlegs? We’ll be in for a treat. Hoo-ah.
FALLEN (1998)
Fallen may not be nearly as obscure as Memories of Murder or Cure. Hell, it boasts an all-star cast of Denzel Washington, John Goodman, Donald Sutherland, James Gandolfini, and Elias Koteas. But when you bring it up around anyone who has seen it, their ears perk up, and the word “underrated” usually follows. And when it comes to the occult tie-ins that Longlegs will allegedly have? Fallen may be the most appropriate film on this entire list.
In the movie, Detective Hobbs (Washington) catches vicious serial killer Edgar Reese (Koteas) who seems to place some sort of curse on him during Hobbs’ victory lap. After Reese is put to death via electric chair, dead bodies start popping up all over town with his M.O., eventually pointing towards Hobbs as the culprit. After all, Reese is dead. As Hobbs investigates he realizes that a fallen angel named Azazel is possessing human body after human body and using them to commit occult murders. It has its eyes fixated on him, his co-workers, and family members; wrecking their lives or flat-out murdering them one by one until the whole world is damned.
Mixing a demonic entity into a detective/serial killer story is fascinating because it puts our detective in the unsettling position of being the one who is hunted. How the hell do you stop a demon who can inhabit anyone they want with a mere touch?!
Fallen is a great mix of detective story and supernatural horror tale. Not only are we treated to Denzel Washington as the lead in a grim noir (complete with narration) as he uncovers this occult storyline, but we’re left with a pretty great “what would you do?” situation in a movie that isn’t afraid to take the story to some dark places. Especially when it comes to the way the film ends. It’s a great horror thriller in the same vein as Frailty but with a little more detective work mixed in.
Look for Longlegs in theaters on July 12, 2024.
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