Editorials
[Nightmares Film Festival ’16] Day Two Recap
I sadly missed out on the first day of Columbus’ inaugural horror film festival. I have thankfully been given alternative means to view most of what I missed, courtesy of the program’s wonderfully accommodating staff, so reviews will follow nonetheless. Regardless, by all accounts the first night of Nightmares Film Festival was a successful one that started it all off with a bang.
Friday, Day 2, was a bit of a rollercoaster ride. After a long drive, I dove right in and didn’t stop until I came out the other side of five features and two blocks of short films. In terms of tone and subgenre, everything was all over the place, which is exactly how you would want a festival to be. After all, no one wants to sit down and watch three zombie movies in a row or four consecutive short films centered on exorcisms. If safe repetition is what you crave, Nightmares Film Festival isn’t for you.
The down side to this is that you run the risk of sitting through a few things that typically aren’t up your alley. I’d be lying if I said that wasn’t the case with one feature and a few shorts. You know what though? That’s okay! Again, variety is the spice of my horror-loving life and while I didn’t enjoy certain works, there were still a hefty amount of people that dug the hell out of them.
The day utterly wore me out, but I had a blast throughout the whole thing. I’ll get more specific in my individual reviews, but thus far there have already been some standouts for me, such as Chicago Rot (pictured above, a bonkers genre-bending crime flick), and Holy Hell (imagine if Troma made an Adult Swim special). There has been quite a few notable shorts as well, like The Scared One, (a B&W murderous scarecrow chiller), Ideal (a scathing look at the modeling industry), and Mr. Dentonn (a stylish, fairytale-esque yarn).
So far, Gateway Film Center is off to a rip-roaring start with this festival and the next two days are shaping up to be something special. I’m in the middle of Day Three as I write this and cannot wait to see what the rest of the evening brings. If you live nearby, come down and check it out. There’s still plenty of shorts and features left to see tonight and tomorrow!
Day One – Thursday, October 20th
Plank Face
ABCs of Death 2.5
Horror Comedy Shorts
Quad X: The Porn Movie Massacre
Day Two – Friday, October 21st
#Screamers
Pitchfork
Thriller Shorts B
Chicago Rot
Horror Shorts B
Family Possessions
Circus of the Dead
Holy Hell (Screen #1)
Midnight Shorts A (Screen #2)

Editorials
‘The Vampire Lestat’ Concert Event Launches New Season With The Ultimate Expression Of Fandom
There are thousands of passionate fans decked out in gothic chic and champing at the bit like feral creatures. They’re screaming for Lestat, a legendary vampire-turned-rock star, as if the entire crowd has been glamored into submission.
The entire experience is magic, but not because some supernatural thrall has been activated. What’s going on is even more special. It’s the power of the effusive fandom that’s been authentically assembled by AMC’s sublime Immortal Universe, namely Anne Rice’s Interview with the Vampire, now, The Vampire Lestat.
The Vampire Lestat is far from the first Anne Rice adaptation, and it’s not as if there’s been a lack of erotic vampire material for audiences to sink their teeth into. On June 2nd, during a one-night-only spectacle, New York City’s prestigious Beacon Theatre shook from Sam Reid’s bravado performance and an audience full of adoring fans who had already memorized Lestat’s songs.
It’s clear that The Vampire Lestat just hits differently than its predecessors. It’s become more than just a TV series at this point, and this opulent display of ego, swagger, and pure sex is the perfect way to premiere the new season and give back to the fans who helped make Interview with the Vampire/The Vampire Lestat such a breakout success. It’s exactly the sort of hyperbolized hedonism that would make Lestat cackle.

For all intents and purposes, AMC has successfully created the illusion that this concert/premiere is just one of the many destinations on Lestat and his band’s 54-stop tour that is simultaneously playing out on this season of television. It’s such a sophisticated and thorough level of interactive fan engagement that the audience doesn’t just understand, but also manages to accentuate through its involvement.
It’s a level of seamless synergy that’s not unlike the give-and-take relationship of vampire and victim.
Before the concert started, “LeStans” were sitting in the Beacon and flipping through a fake Rolling Stone issue with Lestat emblazoned on the cover, complete with interviews with the undead frontman inside. Other fans were admiring the vinyl pressing of Lestat’s EP as they walked past a section of undead band merch. Fandom and fantasy blur together, and it all becomes this elaborate, immersive experience. Fan celebration, erotic gothic fantasy, and a lavish rock concert transform into one beautiful thing.
To this point, AMC Global Media’s Chief Content Officer and President of AMC Studios, Dan McDermott, introduced the event by reiterating to fans, “You are the heartbeat of the series.” That’s abundantly clear on nights like this as that heartbeat collectively pulses to this performance. In terms of how AMC engages with The Vampire Lestat’s fans, it’s as bold a reinvention as the season itself.
This intuitive gamble speaks to AMC’s creativity in this department and a fandom that is eager to seize such opportunities. It’s the same innovation that led to zombie walks for The Walking Dead and real-life Los Pollos Hermanos restaurant pop-ups from Breaking Bad. It’s a great way to pump up the audience for The Vampire Lestat and then maintain that enthusiasm for the whole season.
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For most series, a rock ‘n’ roll concert just doesn’t make any sense as a promotional tool. The Vampire Lestat finds itself in a very unique position where it can deliver an excellent concert at an iconic theater, but also use it to showcase The Vampire Lestat’s music by Daniel Hart (who was shredding on stage alongside Reid and the rest of their band) and, more than anything, Sam Reid’s endless charisma.
The way in which Reid feeds off of the crowd’s energy, modulating his performance and giving different sections of the Beacon life, is a perfect distillation of the series’ thoughtful relationship with its audience and how it’s become such a breakout success for AMC. AMC Studios President Dan McDermott emphasized that the fans are the reason that the show is still here and why an event like this is even possible. It’s rare to see a series in which every single cog in the machine is so perfectly attuned to its fans. Reid’s fans already cheer whenever they see him, so why not translate that to a concert setting?
It’s clear in this season of television that Reid was born to be a rock star, but it’s surreal to see him effortlessly command the stage — and the audience — at every step of the concert. He recites Shakespeare monologues and bitches out Armand between songs, all while the audience screams in support. For the duration of this concert, Reid is Lestat, and he’s given thousands of fans a memory that’s as immortal as any vampire.
Now bring on the encore and get this show on the road!
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