Movies
Trespass (VOD/limited)
“‘Trespass‘ is a stupid movie, with even dumber characters, and an atrocious plot. It’s a pointless movie that does nothing to further the home invasion subgenre, and ultimately becomes a snoozer of a copycat that isn’t worth a second of your time.”
There’s no arguing the filmmaking talent behind Trespass, directed by Joel Schumacher, but what hits the screen is an embarrassingly clichéd home invasion thriller that doesn’t have a single drop of entertainment value.
The pic centers on a crafty business man (Nicolas Cage) who, along with his wife (Nicole Kidman) and daughter (Liana Liberato), are the victims of a home invasion. The intruders want Cage to open his safe, which holds hundreds of thousands of dollars and diamonds.
The first and foremost problem is that there truly is nothing at stake. The invaders aren’t threatening; all they do is spend the first 45 minutes screaming back and forth with Cage. There are no sexual advances on Kidman or Liberato, and none of the masked men/women physically assault Cage. They literally just throw spit at each other and make loud threats. An hour into the movie, one of the baddies tosses out a line that literally says it all: “ Let’s start over.” That is the point where the movie should have started. Things finally escalate, but by then it’s too little, too late.
Even more embarrassing is the jumbled third act that ends up playing like the “OC” skit on “SNL” (see below). And even worse of an offense are the onslaught of twists (if you can even call them that) that prompted me to exclaim “what a twist!” aloud on several occasions.
Trespass is a stupid movie, with even dumber characters, and an atrocious plot. It’s a pointless movie that does nothing to further the home invasion subgenre, and ultimately becomes a snoozer of a copycat that isn’t worth a second of your time.
Movies
’28 Years Later’ – Ralph Fiennes, Jodie Comer, and Aaron Taylor-Johnson Join Long Awaited Sequel
Danny Boyle and Alex Garland (Annihilation, Men), the director and writer behind 2002’s hit horror film 28 Days Later, are reteaming for the long-awaited sequel, 28 Years Later. THR reports that the sequel has cast Jodie Comer (Alone in the Dark, “Killing Eve”), Aaron Taylor-Johnson (Kraven the Hunter), and Ralph Fiennes (The Menu).
The plan is for Garland to write 28 Years Later and Boyle to direct, with Garland also planning on writing at least one more sequel to the franchise – director Nia DaCosta is currently in talks to helm the second installment.
No word on plot details as of this time, or who Comer, Taylor-Johnson, and Fiennes may play.
28 Days Later received a follow up in 2007 with 28 Weeks Later, which was executive produced by Boyle and Garland but directed by Juan Carlos Fresnadillo. Now, the pair hope to launch a new trilogy with 28 Years Later. The plan is for Garland to write all three entries, with Boyle helming the first installment.
Boyle and Garland will also produce alongside original producer Andrew Macdonald and Peter Rice, the former head of Fox Searchlight Pictures, the division of one-time studio Twentieth Century Fox that originally backed the British-made movie and its sequel.
The original film starred Cillian Murphy “as a man who wakes up from a coma after a bicycle accident to find England now a desolate, post-apocalyptic collapse, thanks to a virus that turned its victims into raging killers. The man then navigates the landscape, meeting a survivor played by Naomie Harris and a maniacal army major, played by Christopher Eccleston.”
Cillian Murphy (Oppenheimer) is on board as executive producer, though the actor isn’t set to appear in the film…yet.
Talks of a third installment in the franchise have been coming and going for the last several years now – at one point, it was going to be titled 28 Months Later – but it looks like this one is finally getting off the ground here in 2024 thanks to this casting news. Stay tuned for more updates soon!
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