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“Salem”: Another 5 Reasons Why You Should Be Watching WGN’s Series (On-Set Interviews!)

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“Salem” started its second season this month with a terrifying bang and some new characters that are going to shake up this tiny Puritan community more than it already has been. The Witch War has begun; allegiances have fallen and trust has been broken. Now it’s every man, woman, child, and witch for themselves.

I was skeptical about “Salem” at first. It’s a bit soap opera-y. It’s not entirely historically accurate…not at all really (there are tiny bits here and there that call on actual historical events as we know them). And I simply didn’t think it would be any good at doing horror. I was SO super wrong. Not about those first two points. It still watches a bit like a soap opera, but a damn steamy one. And it’s not aiming for historical accuracy but who the hell cares? Go read a book.

But the horror! The horror! It does horror so damn well. It’s dark, sensual, disgusting, and terrifying. This week, BD writer Trace Thurman listed his top 5 reasons why we should all be watching “Salem.” And below are reasons 6-10… (SEASON ONE SPOILERS AHEAD)

Elise Eberle

Eberle (“Tiger Eyes”) plays Mercy, one of the very few characters from history, and one of the few characters from history that actually follows historical events fairly close. Once hunted by the witches, she is now one of the darkest and cruelest witches in Salem. But like all great and memorable characters in television history, she is deeply multi-faceted. Though evil and ruthless, she is lost and broken. Aside from Mercy’s phenomenal character trajectory, Eberle is one of the best physical actresses I have seen on television in a very, very long time. Maybe ever. Everything she does is insanely visceral.

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Her entire body and every movement in it carries the weight of all the horror Mercy has been through. I had the chance to speak with Eberle at the “Salem” press junket last month and ask her how she prepares for such a daunting task put upon her body. She spoke of The Alexander Technique and releasing tension in her body (in a way, she’s releasing her own tension to fill our own bodies with tension). “Being aware of your body is such an important thing,” Eberle said, “It’s important [to understand] where your body is and how you can use it to your advantage. I love physical acting. It’s a pretty perfect role and I’m so blessed to have it.” This girl knows what she’s doing and it is the most stunning thing to watch.

The Gore

From Mercy Lewis biting off her fingertip to Tituba’s torture scene to one of the head witches bleeding out in a gruesome yet comical manner…“Salem” is full of blood and gore.

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There are heartbreaking scenes during which Mercy sleeps with rotting dead bodies and equally cringe-worthy scenes in which main Bitch-Witch, Mary Sibley, shoves a toad down her husband’s throat (if you have any gag reflex at all, these scenes will terrorize you). But perhaps the best moment of horrific carnage was when Anne Hale went full “Scanners” on her mother’s head. KaBOOM. That’s what I’m referring to. As in, out of the blue, she telepathically blew up her mother’s head. Speaking with show creator Brannon Braga, he referred to Anne Hale as a “Carrie” type character—unaware of her incredible powers to do some truly horrendous shit. Anne’s powers have only just started to manifest. So we can only imagine what horrors await us in season two.

The Atmosphere

“Salem” is among the top atmospheric television shows airing right now. It’s broody, dark, and chaotic yet calm, filled with stunning costumes and beautiful people. The set is as disgusting as it is accurate, perhaps disgusting because it is accurate. There are pits filled with the rotting corpses of the town’s dead, dark woods and darker whorehouses. This little village sitting on the water should feel safe but it feels nothing like that. It gives off a sense of dread at every turn, especially when every turn is filled with men who will kill to save the town and women who will kill to own the town.

The Psychosexual Horror

If you happen to follow my writing in the slightest, you know how obsessed I am with psychosexual horror—the emotional confusion of eroticism with horror and vice versa. “Salem” utilizes psychosexual horror in such a subtle way that it works for both fans of the genre and those who are wary of it. As I mentioned above, “Salem” exudes sensuality. Literally in every fiber of its being. And when that sensuality if so often paired with the horrors of death, decay, mutilation, and murder…the recipe for psychosexual horror is perfected.

Iddo Goldberg

Goldberg (“Peaky Blinders”) plays Isaac, the town fool. But he is nothing of the sort. He is often described as the wisest man in Salem and he has an absolute heart of gold. He is loyal to a fault, a beautiful human being. His character will absolutely destroy your heart.

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He is the soul of the show and the glue that binds. This character is very important on a socio-level and I had the chance to discuss this with Goldberg. “It’s a lesson to us in society…there are people who we just don’t look at who have an interesting perspective on things or who have useful thoughts to put into the mix and he [Isaac] always manages to crystalize the situation,” Goldberg said of his character on “Salem.” His character alone makes “Salem” worth the watch.

Episode three of “Salem” season two airs Sunday April 19 on WGN America. Look for more features on Bloody Disgusting from my visit to the “Salem” set and interviews with the cast and crew.

Editorials

Finding Faith and Violence in ‘The Book of Eli’ 14 Years Later

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Having grown up in a religious family, Christian movie night was something that happened a lot more often than I care to admit. However, back when I was a teenager, my parents showed up one night with an unusually cool-looking DVD of a movie that had been recommended to them by a church leader. Curious to see what new kind of evangelical propaganda my parents had rented this time, I proceeded to watch the film with them expecting a heavy-handed snoozefest.

To my surprise, I was a few minutes in when Denzel Washington proceeded to dismember a band of cannibal raiders when I realized that this was in fact a real movie. My mom was horrified by the flick’s extreme violence and dark subject matter, but I instantly became a fan of the Hughes Brothers’ faith-based 2010 thriller, The Book of Eli. And with the film’s atomic apocalypse having apparently taken place in 2024, I think this is the perfect time to dive into why this grim parable might also be entertaining for horror fans.

Originally penned by gaming journalist and The Walking Dead: The Game co-writer Gary Whitta, the spec script for The Book of Eli was already making waves back in 2007 when it appeared on the coveted Blacklist. It wasn’t long before Columbia and Warner Bros. snatched up the rights to the project, hiring From Hell directors Albert and Allen Hughes while also garnering attention from industry heavyweights like Denzel Washington and Gary Oldman.

After a series of revisions by Anthony Peckham meant to make the story more consumer-friendly, the picture was finally released in January of 2010, with the finished film following Denzel as a mysterious wanderer making his way across a post-apocalyptic America while protecting a sacred book. Along the way, he encounters a run-down settlement controlled by Bill Carnegie (Gary Oldman), a man desperate to get his hands on Eli’s book so he can motivate his underlings to expand his empire. Unwilling to let this power fall into the wrong hands, Eli embarks on a dangerous journey that will test the limits of his faith.


SO WHY IS IT WORTH WATCHING?

Judging by the film’s box-office success, mainstream audiences appear to have enjoyed the Hughes’ bleak vision of a future where everything went wrong, but critics were left divided by the flick’s trope-heavy narrative and unapologetic religious elements. And while I’ll be the first to admit that The Book of Eli isn’t particularly subtle or original, I appreciate the film’s earnest execution of familiar ideas.

For starters, I’d like to address the religious elephant in the room, as I understand the hesitation that some folks (myself included) might have about watching something that sounds like Christian propaganda. Faith does indeed play a huge part in the narrative here, but I’d argue that the film is more about the power of stories than a specific religion. The entire point of Oldman’s character is that he needs a unifying narrative that he can take advantage of in order to manipulate others, while Eli ultimately chooses to deliver his gift to a community of scholars. In fact, the movie even makes a point of placing the Bible in between equally culturally important books like the Torah and Quran, which I think is pretty poignant for a flick inspired by exploitation cinema.

Sure, the film has its fair share of logical inconsistencies (ranging from the extent of Eli’s Daredevil superpowers to his impossibly small Braille Bible), but I think the film more than makes up for these nitpicks with a genuine passion for classic post-apocalyptic cinema. Several critics accused the film of being a knockoff of superior productions, but I’d argue that both Whitta and the Hughes knowingly crafted a loving pastiche of genre influences like Mad Max and A Boy and His Dog.

Lastly, it’s no surprise that the cast here absolutely kicks ass. Denzel plays the title role of a stoic badass perfectly (going so far as to train with Bruce Lee’s protégée in order to perform his own stunts) while Oldman effortlessly assumes a surprisingly subdued yet incredibly intimidating persona. Even Mila Kunis is remarkably charming here, though I wish the script had taken the time to develop these secondary characters a little further. And hey, did I mention that Tom Waits is in this?


AND WHAT MAKES IT HORROR ADJACENT?

Denzel’s very first interaction with another human being in this movie results in a gory fight scene culminating in a face-off against a masked brute wielding a chainsaw (which he presumably uses to butcher travelers before eating them), so I think it’s safe to say that this dog-eat-dog vision of America will likely appeal to horror fans.

From diseased cannibals to hyper-violent motorcycle gangs roaming the wasteland, there’s plenty of disturbing R-rated material here – which is even more impressive when you remember that this story revolves around the bible. And while there are a few too many references to sexual assault for my taste, even if it does make sense in-universe, the flick does a great job of immersing you in this post-nuclear nightmare.

The excessively depressing color palette and obvious green screen effects may take some viewers out of the experience, but the beat-up and lived-in sets and costume design do their best to bring this dead world to life – which might just be the scariest part of the experience.

Ultimately, I believe your enjoyment of The Book of Eli will largely depend on how willing you are to overlook some ham-fisted biblical references in order to enjoy some brutal post-apocalyptic shenanigans. And while I can’t really blame folks who’d rather not deal with that, I think it would be a shame to miss out on a genuinely engaging thrill-ride because of one minor detail.

With that in mind, I’m incredibly curious to see what Whitta and the Hughes Brothers have planned for the upcoming prequel series starring John Boyega


There’s no understating the importance of a balanced media diet, and since bloody and disgusting entertainment isn’t exclusive to the horror genre, we’ve come up with Horror Adjacent – a recurring column where we recommend non-horror movies that horror fans might enjoy.

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