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The Trailer for the ‘Inside’ Remake is Thrilling, Less Bloody

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Weirdly, there’s no news on a U.S. release for Kidnapped and Extinction director Miguel Ángel Vivas’  Inside, his remake of Alexandre Bustillo and Julien Maury’s À l’intérieur. The film not only premiered at the 2016 Sitges Film Festival but was also for sale at AFM in November and last month’s Cannes. Yet, we have no clue if it’s ever going to make it to the States. With that said, the release of the Spanish trailer promises an August 18th release…and tons of tension. Vivas looks to have kept the spirit of the French film, only less bloody. I still get that Halloween vibe, but I don’t think Laura Harring is nearly as threatening as Béatrice Dalle was in the original film.And even though it doesn’t quite look like a splatterfest, it does appear to be incredibly suspenseful. Inside is either going to surprise us, or we’re going to look back at this trailer and say, “Man, they fooled us all.”

With screenplay by Jaume Balagueró ([REC]) and Vivas’ usual collaborator Manu Díez, the remake stars Rachel Nichols (The Loop, Tokarev, Fantastic Four) and Laura Harring (Mulholland Drive, Inland Empire, Love in the Time of Cholera, The Punisher). It’s an Adrián Guerra and Núria Valls (Nostromo Pictures) production.

Pregnant and depressed, a young widow tries to rebuild her life following the fateful car accident where she lost her husband and partially lost her hearing. Now, about to go into labor, she’s living in a remote house in the suburbs when, one Christmas night, she receives an unexpected visit from another woman with a devastating objective: to rip the child she’s carrying from inside her. But a mother’s fury when it comes to protecting her child should never be underestimated. Rachel Nichols and Laura Harring play the two main roles in this brutal and bloody hand-to-hand combat.

Inside is produced by Nostromo Pictures, a Barcelona-based company that’s behind Rodrigo Cortés’ films Buried and Red LightsGrand Piano, that opened the 2013 Sitges Film Festival, or the box office sensation Palmeras en la Nieve. It has the thrillers El Guardián Invisible and Contratiempo well under way.

INSIDE remake 2016

Horror movie fanatic who co-founded Bloody Disgusting in 2001. Producer on Southbound, V/H/S/2/3/94, SiREN, Under the Bed, and A Horrible Way to Die. Chicago-based. Horror, pizza and basketball connoisseur. Taco Bell daily. Franchise favs: Hellraiser, Child's Play, A Nightmare on Elm Street, Halloween, Scream and Friday the 13th. Horror 365 days a year.

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‘Abigail’ on Track for a Better Opening Weekend Than Universal’s Previous Two Vampire Attempts

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In the wake of Leigh Whannell’s Invisible Man back in 2020, Universal has been struggling to achieve further box office success with their Universal Monsters brand. Even in the early days of the pandemic, Invisible Man scared up $144 million at the worldwide box office, while last year’s Universal Monsters: Dracula movies The Last Voyage of the Demeter and Renfield didn’t even approach that number when you COMBINE their individual box office hauls.

The horror-comedy Renfield came along first in April 2023, ending its run with just $26 million. The period piece Last Voyage of the Demeter ended its own run with a mere $21 million.

But Universal is trying again with their ballerina vampire movie Abigail this weekend, the latest bloodbath directed by the filmmakers known as Radio Silence (Ready or Not, Scream).

Unlike Demeter and Renfield, the early reviews for Abigail are incredibly strong, with our own Meagan Navarro calling the film “savagely inventive in terms of its vampiric gore,” ultimately “offering a thrill ride with sharp, pointy teeth.” Read her full review here.

That early buzz – coupled with some excellent trailers – should drive Abigail to moderate box office success, the film already scaring up $1 million in Thursday previews last night. Variety notes that Abigail is currently on track to enjoy a $12 million – $15 million opening weekend, which would smash Renfield ($8 million) and Demeter’s ($6 million) opening weekends.

Working to Abigail‘s advantage is the film’s reported $28 million production budget, making it a more affordable box office bet for Universal than the two aforementioned movies.

Stay tuned for more box office reporting in the coming days.

In Abigail, “After a group of would-be criminals kidnap the 12-year-old ballerina daughter of a powerful underworld figure, all they have to do to collect a $50 million ransom is watch the girl overnight. In an isolated mansion, the captors start to dwindle, one by one, and they discover, to their mounting horror, that they’re locked inside with no normal little girl.”

Abigail Melissa Barrera movie

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