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MARILYN MANSON Crushes $20 MIllion Claim By Ex Bandmate Madonna Wayne Gacy

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LOS ANGELES (CNS) – Marilyn Manson’s insurance coverage will pay $175,000 to settle a lawsuit brought against him by a former member of his band, but all of the money will go to the plaintiff’s attorney, a lawyer for the goth rocker said today. Stephen Bier, better known by the stage names Pogo and Madonna Wayne Gacy, brought his breach-of contract case in Los Angeles Superior Court in August 2007 against Manson, whose real name is Brian Warner.

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Bier, who was seeking more than $20 million, alleged Manson used money from their former band partnership to buy items ranging from Nazi paraphernalia to a $150,000 engagement ring for ex-wife Dita Von Teese, depriving him of his partnership share. Manson’s lawyer, Howard E. King, said Bier will not get any proceeds and that the settlement check will be made payable to Bier’s lead attorney to cover the costs of the latter’s investment in the case. King maintains the lawsuit never should have been filed. “After being dismissed from the band, Bier could have focused on resurrecting or attempting to pursue a music career,” King said. “Instead, he devoted the last several years to complaining about Manson’s alleged spending habits and extravagant behavior to anyone who would listen.” ”The resolution of the bitterly fought case with Bier receiving nothing for his spurious claims is a complete vindication of Manson,” the attorney said. The complete resolution of the case is still dependent upon the resolution of a $72,000 lien for attorneys’ fees sought by the law firm of Grodsky & Olecki, which was among numerous other named defendants. The potential snag in the settlement came Thursday when Grodsky & Olecki filed a lien for attorneys’ fees stemming from their successful effort to persuade Stern to dismiss all of Bier’s allegations against them in November 2007. Stern’s ruling was upheld by a panel of the 2nd District Court of Appeal on June 4. The firm now wants to be paid from the settlement money. On Friday, Stern scheduled a hearing for Jan. 15 on any further motions regarding the settlement. Grodsky & Olecki represented both Bier and Manson while they were involved in previous litigation involving a third party. The allegations against the firm involved Bier’s contention that it breached its duty to him with a “threat letter” that was “a transparent attempt by Manson to frighten Bier into leaving the band,” according to the keyboardist’s court papers. But Stern agreed with the firm’s lawyers that the letter was written in contemplation that Bier might file a lawsuit and was therefore protected.

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“He Walks By Night” – Listen to a Brand New John Carpenter Song NOW!

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It’s a new day, and you’ve got new John Carpenter to listen to. John Carpenter, Daniel Davies and Cody Carpenter have released the new track He Walks By Night this morning, the second single off their upcoming album Lost Themes IV: Noir, out May 3 on Sacred Bones Records.

Lost Themes IV: Noir is the latest installment in a series that sees Carpenter releasing new music for John Carpenter movies that don’t actually exist. The first Lost Themes was released in 2015, followed by Lost Themes II in 2016 and Lost Themes III: Alive After Death in 2021.

Sacred Bones previews, “It’s been a decade since John Carpenter recorded the material that would become Lost Themes, his debut album of non-film music and the opening salvo in one of Hollywood’s great second acts. Those vibrant, synth-driven songs, made in collaboration with his son Cody Carpenter and godson Daniel Davies, kickstarted a musical renaissance for the pioneering composer and director. With Lost Themes IV: Noir, they’ve struck gold again, this time mining the rich history of the film noir genre for inspiration.

“Since the first Lost Themes, John has referred to these compositions as “soundtracks for the movies in your mind.” On the fourth installment in the series, those movies are noirs. Like the film genre they were influenced by, what makes these songs “noirish” is sometimes slippery and hard to define, and not merely reducible to a collection of tropes. The scores for the great American noir pictures were largely orchestral, while the Carpenters and Davies work off a sturdy synth-and-guitar backbone.

“The trio’s free-flowing chemistry means Lost Themes IV: Noir runs like a well-oiled machine—the 1951 Jaguar XK120 Roadster from Kiss Me Deadly, perhaps, or the 1958 Plymouth Fury from John’s own Christine. It’s a chemistry that’s helped power one of the most productive stretches of John’s creative life, and Noir proves that it’s nowhere near done yielding brilliant results.”

You can pre-save Lost Themes IV: Noir right now! And listen to the new track below…

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