Movies
Brad Anderson to Adapt ‘The Living and the Dead’
Brad Anderson (Machinist, Session 9), is looking to adapt the graphic novel The Living and the Dead for Solipsist Films, reports Mania. Robert Tinnell and Todd Livngston created the book that focuses on a monstrous character who engages in the nineteenth-century version of snuff theater, luring innocent people in a Grand Guignol of flesh and blood. Anderson is currently at work on Vanishing on 7th Street with Hayden Christensen and John Leguizamo.
Here’s a long synopsis:
“You are a simple, country doctor in a small village. You have a beautiful wife and a wonderful son — the perfect life. Only they don’t know that in your past, you did a very bad thing! People died because of it, and you were forced to flee and live incognito. Now, in an opportunity to redeem yourself, you unwittingly unleash a brutal and perverse murderer, a deviant sociopath hell bent on using innocent people in a Grand Guignol of flesh and blood–a veritable nineteenth-century snuff theater. You alone can end his reign of sick terror — but at the risk of revealing your secret past and losing everything you love. Only you don’t know what’s worse — what you’ve created — or what you have to do to stop him!”
Filming is underway on The Invisible Man director Leigh Whannell’s Wolf Man for Universal and Blumhouse, which will be howling its way into theaters on January 17, 2025.
Deadline reports that Matilda Firth (Disenchanted) is the latest actor to sign on, joining Christopher Abbott (Poor Things), Julia Garner (The Royal Hotel), and Sam Jaeger.
The project will mark Whannell’s second monster movie and fourth directing collaboration with Blumhouse Productions (The Invisible Man, Upgrade, Insidious: Chapter 3).
Wolf Man stars Christopher Abbott as a man whose family is being terrorized by a lethal predator.
Writers include Whannell & Corbett Tuck as well as Lauren Schuker Blum & Rebecca Angelo.
Jason Blum is producing the film. Ryan Gosling, Ken Kao, Bea Sequeira, Mel Turner and Whannell are executive producers. Wolf Man is a Blumhouse and Motel Movies production.
In the wake of the failed Dark Universe, Leigh Whannell’s The Invisible Man has been the only real success story for the Universal Monsters brand, which has been struggling with recent box office flops including the comedic Renfield and period horror movie The Last Voyage of the Demeter. Giving him the keys to the castle once more seems like a wise idea, to say the least.
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