Movies
Eli Roth ‘Clown’ Short Becomes Feature, ‘Aftershock’
Back in October we brought you a pretty awesome Halloween treat: a mock trailer for Clown, which was assembled using Eli Roth’s name as the crux for the joke. While it was funny, it was actually a pretty sweet idea for a feature as it followed a dad who puts on a clown costume for his kid’s birthday, only to have it transform into an evil clown creature. The treat is now a full blown bag of candy as a feature film version was financed, with Roth coming aboard to produce. You’ll find the full details inside, along with info a second project, Aftershock, which takes place following the Chilean earthquake.
From Deadline:
Eli Roth (Cabin Fever, Hostel) is at the center of Clown and Aftershock, two horror projects that have just been set up to be fully financed by Cross Creek Pictures and Vertebra Films. Roth will produce and be the creative godfather of both.
Jon Watts will direct Clown from a script he’s writing with Christopher D. Ford that spawned from a mock trailer they made (watch it below), which appropriated Roth’s name at a time when he’d never heard of the team or the movie concept. In the spoof trailer and the upcoming feature, a loving father dons a clown outfit, wig, bulbous nose and pancake makeup to entertain at his son’s sixth birthday after the clown-for-hire is a no-show. Unable to take off the clown garb, dad’s personality changes in horrific fashion. He and his family race to break the curse of the evil outfit before he undergoes a complete transformation into a homicidal killer with over-sized shoes.
Ford and Watts do commercials and music videos, and they generated the spoof trailer to get attention. It worked when Roth liked what he saw. CAA set Roth up with Cross Creek president Brian Oliver and Vertebra’s Steven Chester Prince to generate films, he showed them the mock trailer and they agreed to fund a feature transfer.
They also agreed to finance Aftershock, a thriller which Nicolas Lopez will direct from a script he has written with Guillermo Amoedo. Lopez hails from Chile, and the film is set during the aftermath of the February 27, 2010 Chilean earthquake that hit 8.8 on the Richter scale, created a tsunami and claimed the lives of more than 480 in one terrifying event.
Speaking of Clown, Roth hopes it’ll be a modern Fly: “I loved how ballsy they were, issuing a trailer that said, ‘From the Master of Horror, Eli Roth.’ Some people thought I’d made the movie, or that it was another fake Grindhouse trailer. The first thing they said was, ‘Thank you for not suing us, but I told them, ‘This is Hollywood, and while it’s tradition that every movie eventually ends up in a lawsuit, you only sue when you are fighting over profits. It’s no fun to sue before there’s any money.’ But I really felt these guys deserved a shot, and that people are truly freaked out by evil clowns. It’s new territory to make this a version of The Fly, where this guy can feel himself changing, blacking out only to find blood all over his clown suit. You’re sympathetic toward a monster until the monster actually takes over.”
Judging from the unprecedented box office success of Kane Parsons’ Backrooms adaptation, you’ve likely already seen the liminal horror hit that managed to make audiences afraid of empty hallways and bad wallpaper. And now that so many of us have already entered the yellow labyrinth (some of us more than once), the time has come to discuss the spoiler-filled details that make the movie so fascinating in the first place.
And if there’s one element here that makes the Backrooms movie stand out from any previous lore/mythology, it has to be the genius addition of the Still Life entities. Warped recreations of real people that somehow wandered into the Complex, these misremembered creatures are responsible for some of the most disturbing imagery of 2026 – as well as laugh-out-loud memes created by one of the film’s very own concept artists.
However, true to Parsons’ word that the movie would rely heavily on practical effects, each of these distorted monsters was brought to life by real actors under heavy layers of makeup and prosthetics (with the occasional splash of CGI enhancements). While Anora and If I Had Legs I’d Kick You actress Ivy Wolk wasn’t among these performers, despite what Letterboxd might have you believe, the creature cast did benefit from veteran players with plenty of genre experience.
For starters, Alien: Romulus alumni Robert Bobroczkyi (who previously brought that film’s horrific Offspring to life during its most memorable sequence) plays the flick’s main antagonist, the Still Life version of Captain Clark. And though there was some obvious CGI involved in making the character’s peg-leg and nightmarish face more believable, Bobroczkyi’s monstrous performance and his natural 7’7″ frame helped to make that final chase sequence a clear highlight among this year’s genre offerings.
The film’s Texas-Chain-Saw-inspired “dinner” scene also features a freaky collection of less-aggressive Still Life creatures in the form of the Bearded Man, the Red-Headed Woman and, strangest of them all, the cheekily named “Archibald Leland Sutter Still Life” (who earned this title among fans and crewmembers as a reference to his apparent affinity for lamps).
While this was the first major horror outing for both Patrick Baynham (The Bearded Man) and Dana Mahmood (Archibald), Rhiannon Roberts has worked as a stunt performer in everything from Yellowjackets to HBO’s The Last of Us adaptation – which is probably why The Red-Headed Woman is the most active out of Clark’s impromptu “family.” That being said, the Archibald Leland Sutter Still Life is my personal favorite of the bunch simply because his anachronistic outfit suggests that the Backrooms phenomenon might be a lot older than the Async Foundation. I also love how hard he tries to be helpful with that little light of his!
That might be it for the Still Life entities, but I think horror fans will also be pleased to hear that the film’s Found Footage prologue stars none other than Resident Evil: Welcome to Raccoon City star Avan Jogia as Naren Warne – and American Mary herself Katharine Isabelle also shows up in a blink-and-you’ll-miss-it cameo at Mary’s house party towards the middle of the story (though I have a feeling that she originally had a bigger part that was likely cut for time).
At the end of the day, Parsons’ Backrooms may have been an auteur-driven project motivated by the young director’s unique take on the classic creepypasta, but film has always been a collective artform, so it’s fun to see just how many talented performers it takes to bring this kind of supernatural nightmare to life in a way that connects with so many people.
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