Movies
CBS and Warners Team for Stephen King’s ‘The Stand’!
George Romero and Warners separately tried in vain to launch a movie adaptation in the 1980s, and a tone-downed version was produced as a six-hour miniseries by ABC in 1994, now Stephen King’s grand opus The Stand is finally getting the big-screen treatment!
Heat Vision reports that Warner Bros. and CBS Films are teaming to adapt the novel, which in many ways set the bar for a generation of post-apocalyptic stories and influenced works ranging from TV’s “Lost” to music group Anthrax. The studios and producers (Mosaic and Roy Lee) will sit down with writers and directors in the coming weeks in an attempt to find the right take on the material. One thing to be determined is whether to attempt the adaptation in one or multiple movies. King will be involved in some capacity.
The 1978 “The Stand” is a story of good vs. evil after a virus wipes out most of the American population. While it features dozens of characters (such as the Trashcan Man and Mother Abigail) and overlapping story lines running over many years, the struggle boils down to a group of survivors fighting the Antichrist-like Randall Flagg.
Filming is underway on The Invisible Man director Leigh Whannell’s Wolf Man for Universal and Blumhouse, which will be howling its way into theaters on January 17, 2025.
Deadline reports that Matilda Firth (Disenchanted) is the latest actor to sign on, joining Christopher Abbott (Poor Things), Julia Garner (The Royal Hotel), and Sam Jaeger.
The project will mark Whannell’s second monster movie and fourth directing collaboration with Blumhouse Productions (The Invisible Man, Upgrade, Insidious: Chapter 3).
Wolf Man stars Christopher Abbott as a man whose family is being terrorized by a lethal predator.
Writers include Whannell & Corbett Tuck as well as Lauren Schuker Blum & Rebecca Angelo.
Jason Blum is producing the film. Ryan Gosling, Ken Kao, Bea Sequeira, Mel Turner and Whannell are executive producers. Wolf Man is a Blumhouse and Motel Movies production.
In the wake of the failed Dark Universe, Leigh Whannell’s The Invisible Man has been the only real success story for the Universal Monsters brand, which has been struggling with recent box office flops including the comedic Renfield and period horror movie The Last Voyage of the Demeter. Giving him the keys to the castle once more seems like a wise idea, to say the least.
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