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[Spoiler Warning] ‘Prometheus’ Deleted Scene Revealed, More On That ****** Alien, Elder Engineers!
So much for being done with Ridley Scott’s Prometheus.
While I felt there was plenty clarity in the Alien prequel, many readers have felt confused by the lack of explanation. We learned quite a bit in Ryan Daley’s story posted this morning about the newly released “Prometheus: The Art of the Film”. And while his look inside revealed quite a bit, my own digging discovered even more.
Major spoilers do follow. You have been warned.
First, the opening sequence revealed a man, on some planet, drinking some ooze that causes him to break down into DNA that apparently created life. Some of the production art revealed “Elder Engineers” that were originally part of this sequence. Early trailer descriptions also revealed these cloaked figures were actually in the film, while IMDB once listed both Darwin Shaw and Matthew Rook cast as these “Elders”. The thought is that these Elders are actually the creator of the Engineers, a reveal saved for the sequel. A deleted scene perhaps?
The most shocking discover, by far, is that of what appears to be a varient version of the “zombie” Holloway (played by Logan Marshall-Green). In the film, Holloway becomes infected, and thus returns as some sort of zombie version of himself (pictured). BUT, one of the leaked images show that Scott’s original intent was for him to transform into a Xenomorph-ish creature. Readers on the boards indicate they believe this creature to either be Millburn (Rafe Spall) or Fifield (Sean Harris).
Lastly, we’ve also added an image of what appears to be the Engineers’ home planet. This is unconfirmed.
We’ve added all imagery inside for you to carouse through. Tell us what you think!
We have an exclusive first look at A Man in the Woods With an Axe, a blood-soaked, genre-twisting homage to 1980s slasher films.
Spanning four decades, A Man in the Woods With an Axe begins in the summer of 1987 before pushing into the modern era, weaving together timelines and perspectives in a way that builds both dread and intrigue.
Drawing inspiration from genre standouts like Tucker and Dale vs. Evil, Hatchet, and The Cabin in the Woods, the film blends visceral horror with moments of dark humor, creating a uniquely balanced experience that honors tradition while carving its own identity.
Writer-director Dillon Brown (Primal Darkness) aims to deliver everything fans crave from a slasher while boldly subverting expectations with a mid-film twist that redefines the story.
“This is an unapologetic love letter to the films that made me fall in love with horror,” Brown tells Bloody Disgusting. “But I didn’t just want to recreate that feeling; I wanted to challenge it. About halfway through, the film takes a turn that completely changes how you view not only this story, but the genre itself.”
Brown describes the vintage-inspired production as “far and away the bloodiest film I’ve ever made,” with practical effects helmed by Cody Ruch (The Mill, Pig Hill), an instructor at Tom Savini’s Special Make-Up Effects Program.
From Horror Dadz Productions, A Man in the Woods With an Axe is currently in production and targeting an early 2027 release.
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