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00’s Retrospect: Bloody Disgusting’s Top 20 Films of the Decade…Part 2

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In this continuation of Bloody-Disgusting’s Top 20 of the 2000s countdown, the list has a decidedly international flavor due to the fact that 4 of the 5 films are of the foreign language variety. Fitting, considering that in the last decade the horror renaissance got a big helping hand from overseas, from the raft of J-Horror imports to the infusion of extreme, splatter-centric horror by way of France. Just goes to show that no matter what language you speak, fear is universal.

Also read: 00’s Retrospect: Dead on Arrival — Ten Horror Duds of the Last Decade

The last ten years have been a wild ride for horror fans. Thanks to countless innovators and a host of amazing films, it can safely be said that the 2000’s trump the 1990’s by a wide margin. Sure, that decade had groundbreakers like Scream and The Blair Witch Project, but that’s nothing compared to the number of great horror films (and, for that matter, the number of total horror films) that this decade has had to offer. To celebrate, the staff of Bloody-Disgusting decided to take a vote on the Top 20 horror films* of the 2000’s (along with one honorable mention), and the below list is the result. Looking over it, it’s actually pretty telling that nearly half the movies (9 out of 21) were produced on foreign soil, which just goes to show that this decade in horror was as much about the range of impressive imports as it was about the American product. Your favorites aren’t on there? Cry us a river. Or better yet, let us know what we missed. And make sure, at some point before the New Year, to get on your knees, clasp your hands together and pray to the horror gods to make the next decade as good as the last. – Chris Eggertsen

21-16 | 15-11 | 10-6 | 5-1

15. Battle Royale (Tartan; 2000 Japan)


No wonder this is Quentin Tarantino’s favorite film of the last ten years. Like his best movies, it’s a go-for-broke extravaganza: fun, provocative, ultra-violent, and bound to arouse controversy (which it did). It’s a pretty simple idea: a class of forty-odd young Japanese teenagers are thrust into a deadly game on a deserted island in which they must fight each other to the death until only one is left standing. If they fail at this, the collars fixed to the survivors’ necks will explode. What follows is a breathless chain of events as each individual reacts in his/her own way: some instantly become ruthless killers; others commit suicide; a few strike up allegiances in hopes that they can find a way off the island. It’s this quality that makes the film more than just an empty provocation – it builds character through action, a method all good filmmakers should seek to emulate.

14. Audition (Lionsgate; 2000 Japan)


Considered by many to be Takashi Miike’s masterpiece, this cringe-inducing, seriously disturbed film boasts one of the most unbearable scenes of torture in movie history. The story introduces us to a lonely widower whose producer friend sets up a fake movie audition for several young ingénues in hopes of finding him a wife. Unfortunately for the widower, the mild-mannered young woman he chooses isn’t exactly all she appears to be. The audience soon becomes aware of her not-insignificant dysfunctional tendencies in a series of shocking scenes, one of which just might make you lose your lunch (which, come to think of it, would be actually be a pretty fitting response). It’s revolting in the best possible way; the prolific Miike goes for the jugular here, and he cuts deep. Or, as the sadistic femme fatale of the film might say, “Kiri Kiri Kiri Kiri!”

13. Drag Me To Hell (Universal Pictures; May 29, 2009)


Sam Raimi’s return to gross-out form is a fun romp that’s by turns hilarious, gag-reflex-inducing and unsettling. Alison Lohman plays a young loan officer who has a curse put on her by an old gypsy woman after turning down an extension on her mortgage. Soon enough the demons from down below slowly begin to circle, and her efforts to countermand the curse become more and more desperate as the ticking clock winds down. Raimi is a master at this sort of thing, and much like in the Evil Dead films (particularly the second movie) he manages to keep us simultaneously laughing and screaming as we are treated to a series of increasingly inventive and maniacal set pieces. This is escapist entertainment at its best, and it almost makes you want to forgive Raimi for Spiderman 3. Almost.

12. Inside (Dimension Extreme; April 15, 2008)


One of the most audacious, brutal, unrelenting horror films ever made, Inside is perhaps the crown jewel of the new wave of extreme French horror films that have gained notoriety in the latter half of the decade. The movie follows a pregnant widow through a night of almost unbelievable pain and misery, as she is stalked by a scissors-wielding crazy woman who is convinced the baby is actually hers. Directors Alexandre Bustillo and Julien Maury handle the gory elements of the story with aplomb, but what really makes Inside so queasily effective is their skill at wringing the maximum amount of suspense out of the hair-raising setup. As if that weren’t enough, they even manage to work some pitch-black comedy into the mix. A shocking piece of cinema which provides further evidence that the French aren’t such pussies after all.

11. [REC] (Sony Pictures; 2007 Spain)


Out of all the “shaky-cam” films produced in the wake of The Blair Witch Project, this one is arguably the best, a seriously scary Spanish import that utilizes its P.O.V. camerawork more effectively than any of its predecessors. While the film takes awhile to get going, once the action starts it hardly ever lets up. The movie follows a TV news camera crew, police officers, firefighters and the residents of an apartment building as they fight for survival against a zombie outbreak after being sealed inside the structure in a quarantine procedure. The limited first-person viewpoint suits the enclosed setting well; it’s not necessarily what we’re seeing in front of us but what could be coming at us from just off-camera that’s most terrifying. There’s nothing all that deep here, but that’s not really the point. When it comes to visceral scares, [REC] has few peers.

Editorial written by Chris Eggertsen

21-16 | 15-11 | 10-6 | 5-1

*Editor’s Note: For those of you interested in knowing how the list came to be, here’s an explanation. Bloody Disgusting writers collaborated on a list of some of the best films this decade. The entire list was given to the Bloody Disgusting staff who then built their own Top 20 lists. Each film was given a point value. 20 received 1 point, 19 received 2 points, and so on all the way to number 1, which received 20 points. The numbers were tallied and the result are the top films listed. The bonus film had tied with #20 and the tie was broken by the number of actual votes.

The following participated in the project: Mr. Disgusting, Tex Massacre, BC, David Harley, Ryan Daley, Chris Eggertsen, Jeff Otto, John Marrone, Horror_Guy, Mr_Bungle, Klown, Caustic Coffee and Tool Shed

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Dev Patel’s ‘Monkey Man’ Is Now Available to Watch at Home!

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monkey man

After pulling in $28 million at the worldwide box office this month, director (and star) Dev Patel’s critically acclaimed action-thriller Monkey Man is now available to watch at home.

You can rent Monkey Man for $19.99 or digitally purchase the film for $24.99!

Monkey Man is currently 88% Fresh on Rotten Tomatoes, with Bloody Disgusting’s head critic Meagan Navarro awarding the film 4.5/5 stars in her review out of SXSW back in March.

Meagan raves, “While the violence onscreen is palpable and painful, it’s not just the exquisite fight choreography and thrilling action set pieces that set Monkey Man apart but also its political consciousness, unique narrative structure, and myth-making scale.”

“While Monkey Man pays tribute to all of the action genre’s greats, from the Indonesian action classics to Korean revenge cinema and even a John Wick joke or two, Dev Patel’s cultural spin and unique narrative structure leave behind all influences in the dust for new terrain,” Meagan’s review continues.

She adds, “Monkey Man presents Dev Patel as a new action hero, a tenacious underdog with a penetrating stare who bites, bludgeons, and stabs his way through bodies to gloriously bloody excess. More excitingly, the film introduces Patel as a strong visionary right out of the gate.”

Inspired by the legend of Hanuman, Monkey Man stars Patel as Kid, an anonymous young man who ekes out a meager living in an underground fight club where, night after night, wearing a gorilla mask, he is beaten bloody by more popular fighters for cash. After years of suppressed rage, Kid discovers a way to infiltrate the enclave of the city’s sinister elite. As his childhood trauma boils over, his mysteriously scarred hands unleash an explosive campaign of retribution to settle the score with the men who took everything from him.

Monkey Man is produced by Jordan Peele’s Monkeypaw Productions.

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