Quantcast
Connect with us

Editorials

Horror Education of the Week: ‘Children of the Corn’

Published

on

“What about Gatlin?”
“Gatlin! There ain’t nothin’ in Gatlin.”
“What do you mean there ain’t nothin’ in Gatlin?”
“Well, folks in Gatlin’s got a religion. They don’t like outsiders…”

Children of the Corn was released in 1984. Based on the short story by Stephen King, the film tells the story of the town of Gatlin, Nebraska. A demonic god, referred to as “He Who Walks Behind the Rows”, has commanded that the children of Gatlin kill their parents and all adults to ensure that the cornfields will prosper.

As the years go by, the children continue to sacrifice those who age into adulthood, and any interlopers that happen to stumble into town.

The film version of Children of the Corn differs vastly from King’s original work. However, the differences aid in giving the plot a deeper meaning in regards to religion:

– A couple, Vicky and Burt, are driving across the country for Burt’s medical internship. This establishes that Burt is more than likely a man of science.

– Burt and Vicky mock a religious preacher on the radio as they try to distract themselves from the endless cornfields around them, setting up their presence as ‘outlanders’ to the aura of the town they are about to reach.

– In the small town of Gatlin, Sarah and her brother Job play a board game in dress up clothes while listening to a record player: All of which is strictly forbidden by their preacher’s right hand man, Malachai.

– While music isn’t necessarily banned in most Christian religions, indulgences in certain pleasures are certainly frowned upon.

– When Vicky and Burt hit a child that has had his throat cut by Malachai, moral issues come into play.

– Vicky simply wants to get to a phone to report what has happened, while Burt is cautious, placing the body in the trunk and taking the young man’s suitcase to find clues as to what has happened.

– When the suitcase is opened, further evidence of Vicky and Burt’s stance on religion is noted.

– A bizarre corn husk cross is found in the child’s belongings to which Burt yells, “Jesus Christ!” Vicky replies, “Not in my book!”

– As they reach Gatlin, the atmosphere is not too far fetched. They’ve been warned that the people of Gatlin are religious and do not take very kindly to strangers.

– Anyone who has been on a road trip through middle America has seen endless fields and knows that when you stop in certain towns, you get weird looks. You are an outlander.

– Preacher Isaac and his lackey, Malachai, are seen in a back and forth preaching session with the children in the cornfields. As they throw out the good word of He Who Walks Behind the Rows, the children respond: “Praise God. Praise the Lord.”

– This mock prayer session, while crude in some ways, is not much different than any religious ceremony.

– The children are warned that outlanders will come to town and they will be non believers.

– Vicky and Burt find that the town is abandoned, yet while it is empty – Burt proclaims, “It’s weird here, but it’s safe.”

– As with most small towns, unless you’ve seen way too many horror movies, their appearance is strange, yet they always seem completely harmless.

– Inside the church, many religious sayings are written on the walls, including: “Ye should worship no other gods besides Him.”

– While this is a form of one of the ten commandments, the twist on it as referring to He Who Walks Behind the Rows is clever.

– This cleverness on part of the children is shown as Burt tries one more time to convince them of their wrong doings.

“This is what God commands? What kind of god tells his children to kill their parents? Did you hear that before Isaac? I can’t believe you’re this blind. I think you’ve been listening to these holy rollers too long. Any religion without love and compassion is false. It’s a lie.”

– There are countless ways to take Burt’s speech and apply it to what we’ve heard of religions. Many of us are not fully familiar with different ways of worship other than what we’ve heard from mass media.

– After Vicky survives the children’s attempt to crucify her, she and Burt learn that the children’s god is actually quite real, as He Who Walks Behind the Rows reveals himself.

– In the end, religion is ultimately what indeed saves these outlanders.

– Job tells them of the ‘Blue Man’ who came before them. He was crucified by Malachai, however, he had a passage from the bible with him:
“And the devil that deceived them was cast into the lake of fire and brimstone, where the beast and the false prophet are, and shall be tormented day and night forever and ever.”

– This passage from the Book of Revelations leads Burt and Vicky to their salvation: They burn the cornfields and escape Gatlin.

Side Note: My first encounter with Children of the Corn was actually in 1985 while watching You Can’t Do That On Television. The show always started with the ‘regularly scheduled program’ – which was always a corny parody of something original – having to be replaced.

Somehow this idea freaked me out before ever even seeing the movie.

7 Comments

Editorials

‘The Vampire Lestat’ Concert Event Launches New Season With The Ultimate Expression Of Fandom

Published

on

Beacon Theatre's The Vampire Lestat Marquee The Vampire Lestat Concert

There are thousands of passionate fans decked out in gothic chic and champing at the bit like feral creatures. They’re screaming for Lestat, a legendary vampire-turned-rock star, as if the entire crowd has been glamored into submission.

The entire experience is magic, but not because some supernatural thrall has been activated. What’s going on is even more special. It’s the power of the effusive fandom that’s been authentically assembled by AMC’s sublime Immortal Universe, namely Anne Rice’s Interview with the Vampire, now, The Vampire Lestat.

The Vampire Lestat is far from the first Anne Rice adaptation, and it’s not as if there’s been a lack of erotic vampire material for audiences to sink their teeth into. On June 2nd, during a one-night-only spectacle, New York City’s prestigious Beacon Theatre shook from Sam Reid’s bravado performance and an audience full of adoring fans who had already memorized Lestat’s songs.

It’s clear that The Vampire Lestat just hits differently than its predecessors. It’s become more than just a TV series at this point, and this opulent display of ego, swagger, and pure sex is the perfect way to premiere the new season and give back to the fans who helped make Interview with the Vampire/The Vampire Lestat such a breakout success. It’s exactly the sort of hyperbolized hedonism that would make Lestat cackle.

The Vampire Lestat Rolling Stone Cover

For all intents and purposes, AMC has successfully created the illusion that this concert/premiere is just one of the many destinations on Lestat and his band’s 54-stop tour that is simultaneously playing out on this season of television. It’s such a sophisticated and thorough level of interactive fan engagement that the audience doesn’t just understand, but also manages to accentuate through its involvement.

It’s a level of seamless synergy that’s not unlike the give-and-take relationship of vampire and victim. 

Before the concert started,LeStanswere sitting in the Beacon and flipping through a fake Rolling Stone issue with Lestat emblazoned on the cover, complete with interviews with the undead frontman inside. Other fans were admiring the vinyl pressing of Lestat’s EP as they walked past a section of undead band merch. Fandom and fantasy blur together, and it all becomes this elaborate, immersive experience. Fan celebration, erotic gothic fantasy, and a lavish rock concert transform into one beautiful thing.

To this point, AMC Global Media’s Chief Content Officer and President of AMC Studios, Dan McDermott, introduced the event by reiterating to fans,You are the heartbeat of the series.That’s abundantly clear on nights like this as that heartbeat collectively pulses to this performance. In terms of how AMC engages with The Vampire Lestat’s fans, it’s as bold a reinvention as the season itself.

This intuitive gamble speaks to AMC’s creativity in this department and a fandom that is eager to seize such opportunities. It’s the same innovation that led to zombie walks for The Walking Dead and real-life Los Pollos Hermanos restaurant pop-ups from Breaking Bad. It’s a great way to pump up the audience for The Vampire Lestat and then maintain that enthusiasm for the whole season.

The Vampire Lestat's Sam Reid as Lestat at Beacon Theatre.

For most series, a rocknroll concert just doesn’t make any sense as a promotional tool. The Vampire Lestat finds itself in a very unique position where it can deliver an excellent concert at an iconic theater, but also use it to showcase The Vampire Lestat’s music by Daniel Hart (who was shredding on stage alongside Reid and the rest of their band) and, more than anything, Sam Reid’s endless charisma.

The way in which Reid feeds off of the crowd’s energy, modulating his performance and giving different sections of the Beacon life, is a perfect distillation of the series’ thoughtful relationship with its audience and how it’s become such a breakout success for AMC. AMC Studios President Dan McDermott emphasized that the fans are the reason that the show is still here and why an event like this is even possible. It’s rare to see a series in which every single cog in the machine is so perfectly attuned to its fans. Reid’s fans already cheer whenever they see him, so why not translate that to a concert setting?

It’s clear in this season of television that Reid was born to be a rock star, but it’s surreal to see him effortlessly command the stage — and the audience — at every step of the concert. He recites Shakespeare monologues and bitches out Armand between songs, all while the audience screams in support. For the duration of this concert, Reid is Lestat, and he’s given thousands of fans a memory that’s as immortal as any vampire.

Now bring on the encore and get this show on the road!

 

Continue Reading