Movies
Michael Cera Gets A Gory Demise In The REAL Trailer For ‘This Is The End’!
After the fake Pineapple Express 2 teaser earlier today, Sony Pictures has released the official full length trailer This is the End, the new apocalypse comedy directed by Seth Rogen and Evan Goldberg. It looks really good! You’d expect a movie where everyone is playing themselves to be sort of annoying – but this looks anything but. A nice send-up of their personas – plus coke, booke, weed, death and sex. Liking it.
Seth Rogen, Jay Baruchel, James Franco, Jonah Hill, Danny McBride, Craig Robinson, Aziz Ansari, Emma Watson, Jason Segel and David Krumholtz all on this gory horror comedy. Rogen wrote the script with Goldberg. The project is inspired by a short called “Jay and Seth vs. The Apocalypse” that featured Rogen and Jay Baruchel playing themselves, holed up in an apartment as they dealt with the end of the world.
“The comedy This Is The End follows six friends trapped in a house after a series of strange and catastrophic events devastate Los Angeles. As the world unravels outside, dwindling supplies and cabin fever threaten to tear apart the friendships inside. Eventually, they are forced to leave the house, facing their fate and the true meaning of friendship and redemption.”
Head inside for the trailer! This Is The End hits June 14th!
Movies
‘Backrooms’ Director Kane Parsons Is No Fan of Generative AI: “Defeats the Purpose Entirely for Me”
There has been a lot of talk recently about filmmakers embracing generative AI as part of the filmmaking process, from Darren Aronofsky to Martin Scorsese. But what about filmmakers that are against the use of Gen AI for creative pursuits? You can count 20-year-old Backrooms director Kane Parsons among that group, which should give you some hope for the future.
In a new chat with The Australian, the self-taught young filmmaker makes it crystal clear that he won’t be using generative AI in any of his upcoming filmmaking projects.
“I think I’m in the same boat as most well-adjusted people,” Parsons tells the outlet. “If I could snap my fingers and make generative AI disappear forever, I probably would. Creatively, I get no enjoyment from using those tools. It defeats the purpose entirely for me.”
“What interests me more is interrogating it artistically,” Parsons notes. “We already live in a world where you walk outside and there are billboards and signs that are obvious AI slop. That’s become part of our visual reality. To me, generative AI feels less like innovation than a symptom of a broader cultural and economic rot.”
He explains, “I’m interested in using that iconography in art – not using AI to make the art itself, but examining what it represents. I definitely want to explore it further in future projects.”
Kane Parsons also notes during the interview with The Australian, “… there’s so much at stake and so many genuinely harmful consequences already happening.”
Backrooms marks young prodigy Kane Parsons’ feature directorial debut, and it’s based on his own series of YouTube videos that were brought to life using Blender, the open-source 3D computer graphics software suite. So it’s no surprise that Parsons, who has hand-made his filmmaking career up to this point, isn’t buying into the hoopla around Generative AI.
His debut feature is the #1 movie in the world, so perhaps he’s onto something.
What’s next from Kane Parsons, you ask? Stay tuned…
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