Comics

Review: “TALK!”

Published

11 years ago

August 22, 2013

Stephen Burger’s “TALK!” is a self-published dissection of a typical comic book. It proves that not all books need to have action to remain interesting. It fails to move past low-level commentary but remains undeniably visually interesting throughout. Stephen Burger is one to look out for, as his dialogue is razor sharp, and his art is even better.

WRITTEN BY: Stephen Burger
ART BY: Stephen Burger
PRICE: $24.99
GET IT HERE: http://www.stephenburger.com/

“TALK!” aims to be something different than the competition. It aspires to be a dissection of the genre, and participator at the same time. The narrative spun on the pages deals with the lack of good dialogue in comics. While also following a protagonist who seems to be out of good comic ideas.

Sadly I’m not a fan of material mirroring the genesis of an idea. Writing a comic book about a person having a conversation about writing a comic book of conversations is uninspired. It is ambitious, but the ambition falters when the end result never amounts to anything greater than the proposition. Which is to say, “TALK!” never rises above its concept.

The dialogue throughout the book is casual. It weaves around the pages like a snake, and feels incredibly at ease. While this is great, the conversational aspect feels monotonous and struggles to tread new ground until the end of the book. In the end the narrative splinters, providing the most interesting pages. Burger throws some riddles on the page, only to brush past them. Finally he ends with a disconnected time traveler just trying to get some help at a store. It’s ambitious, but doesn’t really save the book. In the end it’s still just two people talking about the inception of the book you’re reading. Hardly some Charlie Kaufman level of insight, which it seems to believe it is.

Few pages break the monotony of the conversation, but do so in wonderful and dynamic ways. Color is dotted throughout, which gives some pages a more unique visual flair than those that surround them. Burger’s art is the strongest part of this book. Facial expressions are drawn with incredible detail. The lines in the character’s faces tell us everything about what they are going through. The panels that break from the conversation are incredible and much needed. While the panels focusing on art-house angles and visual flair fall flat because they are so disorienting, and because Burger draws so much attention to them.

“TALK!” is communicated with such a callous voice that Burger seems to know what’s best for comics everywhere. The unfortunate thing is, he does nothing to remedy the problems he outlines. He offers up dialogue as the remedy for comics, but writers like Scott Snyder, and Jonathan Hickman have been giving us this remedy for years. Instead Burger focuses on a story that is self reflective and so full of criticism that it collapses under its own weight. The art is beyond amazing, and Burger would be a great asset to any book out there. Surely with a little more focus and insight on the issues that are important to him Burger could have something really imperative to say, but as it stands he’s not quite there.

Rating: 2/5 skulls

Comics

‘Witchblade’ is Getting Resurrected This Summer in New Comic Series from Top Cow and Image Comics

Published

6 days ago

April 18, 2024

Meagan Navarro

Witchblade, the popular comic series that initially ran from 1995 to 2015 and launched a TV series, is getting resurrected in a new comic series from Top Cow and Image Comics. It’s set to unleash heavy metal, black magic and blood this summer.

Look for the new Witchblade series to launch on July 17, 2024.

In Witchblade #1, “New York City Police Detective Sara Pezzini’s life was forever fractured by her father’s murder. Cold, cunning, and hellbent on revenge, Sara now stalks a vicious criminal cabal beneath the city, where an ancient power collides and transforms her into something wild, magnificent, and beyond her darkest imaginings. How will Sara use this ancient power, or will she be consumed by it?”

The series is penned by NYT Best-Selling writer Marguerite Bennett (Animosity, Batwoman, DC Bombshells) and visualized by artist Giuseppe Cafaro (Suicide Squad, Power Rangers, Red Sonja). The creative duo is working with original co-creator Marc Silvestri, who is the CEO of Top Cow Productions Inc. and one of the founders of Image Comics. They are set to reintroduce the series to Witchblade’s enduring fans with “a reimagined origin with contemporary takes on familiar characters and new story arcs that will hook new readers and rekindle the energy and excitement that fueled the 90’s Image Revolution that shaped generations of top creators.”

Bennett said in a statement, “The ability to tell a ferocious story full of monsters, sexuality, vision, and history was irresistible.” She adds, “Our saga is sleek, vicious, ferocious, and has a lot to say about power in the 21st century and will be the first time that we are stopping the roller coaster to let more people on. I’ve loved Witchblade since I was a child, and there is truly no other heroine like Sara with such an iconic legacy and such a rich, brutal relationship to her own body.”

“The Witchblade universe is being modernized to reflect how Marguerite beautifully explores the extreme sides of Sara through memories, her personal thoughts, like desire and hunger, in her solitude and when she is possessed by the Witchblade. So, I had to visually intersect a noir True Detective-like world with a supernatural, horror world that is a fantastic mix between Berserk and Zodiac,” Cafaro stated.

Marc Silvestri notes, “This is brand new mythology around Sara, and I can’t wait for you to fall in love with her and all the twists and turns. Discover Witchblade reimagined this summer, and join us as we bring all the fun of the 90s to the modern age and see how exciting comics can be. I can’t wait for you to read this new series.”

Witchblade#1 will be available at comic book shops on Wednesday, July 17th, for $4.99 for 48 pages. And it’ll come with multiple cover variants.