Movies
‘Wolf Creek 2’ Trailer Reveals Chilling First Rule of the Outback!
Roadshow Films is gearing up for Gregg McLean’s hotly anticipated Wolf Creek 2 by releasing the film’s Australian trailer, and announcing the theatrical release on November 22.
John Jarratt returns as the killer Mick Taylor, with Ryan Corr, Shannon Ashlyn and Philipe Klaus also starring in this sequel to the popular Sundance slasher acquired by Dimension Films. No word on who will release the sequel, yet…
“Lured by the promise of an Australian holiday, backpackers Rutger, Katarina, and Paul visit the notorious Wolf Creek Crater. Their dream Outback adventure soon becomes a horrific reality when they encounter the site’s most infamous local, the last man any traveler to the region ever wants to meet; Mick Taylor (John Jarratt). As the backpackers flee, Mick pursues them on an epic white knuckled rampage across hostile wasteland. Only one will remain to be dragged back to his lair to witness the true magnitude of his monstrosity. And if the last man standing is to have any hope of surviving where no one else has survived before, he’ll have to use every ounce of cunning to outwit the man behind the monster and become every bit as ruthless as the monster inside the man.“
Check out a bunch of images here:
Movies
‘Backrooms’ Director Kane Parsons Is No Fan of Generative AI: “Defeats the Purpose Entirely for Me”
There has been a lot of talk recently about filmmakers embracing generative AI as part of the filmmaking process, from Darren Aronofsky to Martin Scorsese. But what about filmmakers that are against the use of Gen AI for creative pursuits? You can count 20-year-old Backrooms director Kane Parsons among that group, which should give you some hope for the future.
In a new chat with The Australian, the self-taught young filmmaker makes it crystal clear that he won’t be using generative AI in any of his upcoming filmmaking projects.
“I think I’m in the same boat as most well-adjusted people,” Parsons tells the outlet. “If I could snap my fingers and make generative AI disappear forever, I probably would. Creatively, I get no enjoyment from using those tools. It defeats the purpose entirely for me.”
“What interests me more is interrogating it artistically,” Parsons notes. “We already live in a world where you walk outside and there are billboards and signs that are obvious AI slop. That’s become part of our visual reality. To me, generative AI feels less like innovation than a symptom of a broader cultural and economic rot.”
He explains, “I’m interested in using that iconography in art – not using AI to make the art itself, but examining what it represents. I definitely want to explore it further in future projects.”
Kane Parsons also notes during the interview with The Australian, “… there’s so much at stake and so many genuinely harmful consequences already happening.”
Backrooms marks young prodigy Kane Parsons’ feature directorial debut, and it’s based on his own series of YouTube videos that were brought to life using Blender, the open-source 3D computer graphics software suite. So it’s no surprise that Parsons, who has hand-made his filmmaking career up to this point, isn’t buying into the hoopla around Generative AI.
His debut feature is the #1 movie in the world, so perhaps he’s onto something.
What’s next from Kane Parsons, you ask? Stay tuned…
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