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Review: ‘Terminator Salvation: The Final Battle’ #1

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An enjoyable sci-fi adventure, “Terminator Salvation: The Final Battle” #1 has a decent storyline that will keep readers engaged. This is a good effort to keep the “Terminator” franchise breathing. Though the comic has some good parts in it, “Terminator Salvation: Endgame” is focusing on the wrong things, just like the recent sequels.

WRITTEN BY: J. Michael Stracynski
ART BY: Pete Woods
PUBLISHER: Dark Horse Comics
PRICE: $3.99
RELEASE: Dec. 4th, 2013

Though she is dying, Dr. Serena Kogan wants to live long enough to see the aftermath of her cybernetic development. Kogan is just part of Skynet’s master plan as they work together on the time door to the past. They have to somehow keep the power grid running to stabilize the time door’s opening. But John Connor, leader of the human rebellion, has other plans for the time door. Following his mother’s prophecies, Connor knows he is the key to humanity’s survival. He has to deliver the fatal blow that will finally end the war between the robots and humans.

Writer J. Michael Stracynski has nicely set up a bunch of noticeable throwbacks to the “Terminator” franchise that fans will point out. I definitely enjoyed the witty humor Stracynski brings to narrative, especially when the T-800 machines break into a crack house. To steal their clothing, the T-800s start a fight with the thugs, pimps, and hookers. Simon, one of John’s time-travelling soldiers, finds himself at in the past at the wrong day and time. For the first installment, Stracynski is focusing more on the characters than trying to create a blockbuster action sequence.

Though Stracynski tries to explore James Cameron’s mythology, the writing suffers much like “Rise of the Machines” and “Salvation” because the focus switches from Sarah Connor to John, a much less interesting character. I enjoyed “The Sarah Connor Chronicles” because it was about a mother who was willing to do anything to protect her child. Sarah has to sacrifice so much of herself to keep John safe and hidden, but has to let him grow up. To me, what made the Cameron’s Terminator movies so interesting was Linda Hamilton’s performance as Sarah Connor. With Sarah gone from franchise, we’re stuck with a boring character who says he is a great leader but doesn’t really show it.

Artist Pete Woods provides a specific look to the different time periods. In the future setting, Woods illustrates the war-time period with tents and busted-up vehicles. Because there is no more electricity, notice how the panels are lit from the burning trashcans. In their character designs, John and his tried soldiers have bandaged heads and battle scars on the faces.

In the modern-day setting, the T-800 machines have to wear hoodies, jerseys, and jeans to fit in with everyday people. When they are wearing human skin, the T-800 machines are bulked up in size, which make them stand out amongst a crowd. Dressed like a slacker, Simon has the right look because of his
long hair and the goatee on his chin.

“Terminator Salvation: The Final Battle ” #1 doesn’t add anything new to the franchise but at least tries to be a fun read. It’s a decent start but this will mostly please the Terminator fans and make you yearn for James Cameron’s installments.

3/5 Skulls

Reviewed by Jorge Solis

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‘Witchblade’ is Getting Resurrected This Summer in New Comic Series from Top Cow and Image Comics

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Witchblade cover

Witchblade, the popular comic series that initially ran from 1995 to 2015 and launched a TV series, is getting resurrected in a new comic series from Top Cow and Image Comics. It’s set to unleash heavy metal, black magic and blood this summer.

Look for the new Witchblade series to launch on July 17, 2024.

In Witchblade #1, “New York City Police Detective Sara Pezzini’s life was forever fractured by her father’s murder. Cold, cunning, and hellbent on revenge, Sara now stalks a vicious criminal cabal beneath the city, where an ancient power collides and transforms her into something wild, magnificent, and beyond her darkest imaginings. How will Sara use this ancient power, or will she be consumed by it?”

The series is penned by NYT Best-Selling writer Marguerite Bennett (AnimosityBatwomanDC Bombshells) and visualized by artist Giuseppe Cafaro (Suicide SquadPower RangersRed Sonja). The creative duo is working with original co-creator Marc Silvestri, who is the CEO of Top Cow Productions Inc. and one of the founders of Image Comics. They are set to reintroduce the series to Witchblade’s enduring fans with “a reimagined origin with contemporary takes on familiar characters and new story arcs that will hook new readers and rekindle the energy and excitement that fueled the 90’s Image Revolution that shaped generations of top creators.”

Bennett said in a statement, “The ability to tell a ferocious story full of monsters, sexuality, vision, and history was irresistible.” She adds, “Our saga is sleek, vicious, ferocious, and has a lot to say about power in the 21st century and will be the first time that we are stopping the roller coaster to let more people on. I’ve loved Witchblade since I was a child, and there is truly no other heroine like Sara with such an iconic legacy and such a rich, brutal relationship to her own body.”

“The Witchblade universe is being modernized to reflect how Marguerite beautifully explores the extreme sides of Sara through memories, her personal thoughts, like desire and hunger, in her solitude and when she is possessed by the Witchblade. So, I had to visually intersect a noir True Detective-like world with a supernatural, horror world that is a fantastic mix between Berserk and Zodiac,” Cafaro stated.

Marc Silvestri notes, “This is brand new mythology around Sara, and I can’t wait for you to fall in love with her and all the twists and turns. Discover Witchblade reimagined this summer, and join us as we bring all the fun of the 90s to the modern age and see how exciting comics can be. I can’t wait for you to read this new series.”

Witchblade#1 will be available at comic book shops on Wednesday, July 17th, for $4.99 for 48 pages. And it’ll come with multiple cover variants.

  • Cover A: Marc Silvestri and Arif Prianto (Full Color)

  • Cover B: Giuseppe Cafaro and Arif Prianto (Full Color)

  • Cover C: Blank Sketch Cover

  • Cover D (1/10): Dani and Brad Simpson (Full Color)

  • Cover E (1/25): Marc Silvestri and Arif Prianto, Virgin Cover (Full Color)

  • Cover F (1/50): J.Scott Campbell (Full Color)

  • Cover G (1/100): Bill Sienkiewicz. (Full Color)

  • Cover H (1/250): Line art by Marc. Virgin Cover, Inks (B/W)

Witchblade #1 will also be available across many digital platforms, including Amazon Kindle, Apple Books, and Google Play.

Witchblade comic panel Witchblade #1 cover image

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