Movies
Sigourney Weaver Says Blomkamp’s ‘Alien’ Could Still Happen #SDCC
A panel held in honor of the 30th anniversary of James Cameron’s Aliens has been held at the San Diego Comic Con and featured a large part of the cast as well as Cameron himself and producer Gale Anne Hurd. It was an opportunity for all of them to speak about the film and its legacy as well as a chance for fans of the film to ask the stars their burning questions.
One question directed to Sigourney Weaver, aka “Ellen Ripley”, was regarding the status of Neill Blomkamp’s Alien film, which she explained might still be in the works after everyone has finished the projects they’re currently attached to. However, she gave no certainties.
Speaking on the script of Blomkamp’s film, she called it incredible and said that it will give, “…the fans everything they’re looking for.”
On a side note, Cameron spoke about the relationship between Hicks and Ripley, saying that he thought the two might’ve had some kind of future, “…if Fincher hadn’t killed him off.” Perhaps we’ll see that relationship materialize if Blomkamp’s film ever happens?
Keep up with all of our ongoing San Diego Comic-Con coverage by clicking here.
Movies
‘Backrooms’ Director Kane Parsons Is No Fan of Generative AI: “Defeats the Purpose Entirely for Me”
There has been a lot of talk recently about filmmakers embracing generative AI as part of the filmmaking process, from Darren Aronofsky to Martin Scorsese. But what about filmmakers that are against the use of Gen AI for creative pursuits? You can count 20-year-old Backrooms director Kane Parsons among that group, which should give you some hope for the future.
In a new chat with The Australian, the self-taught young filmmaker makes it crystal clear that he won’t be using generative AI in any of his upcoming filmmaking projects.
“I think I’m in the same boat as most well-adjusted people,” Parsons tells the outlet. “If I could snap my fingers and make generative AI disappear forever, I probably would. Creatively, I get no enjoyment from using those tools. It defeats the purpose entirely for me.”
“What interests me more is interrogating it artistically,” Parsons notes. “We already live in a world where you walk outside and there are billboards and signs that are obvious AI slop. That’s become part of our visual reality. To me, generative AI feels less like innovation than a symptom of a broader cultural and economic rot.”
He explains, “I’m interested in using that iconography in art – not using AI to make the art itself, but examining what it represents. I definitely want to explore it further in future projects.”
Kane Parsons also notes during the interview with The Australian, “… there’s so much at stake and so many genuinely harmful consequences already happening.”
Backrooms marks young prodigy Kane Parsons’ feature directorial debut, and it’s based on his own series of YouTube videos that were brought to life using Blender, the open-source 3D computer graphics software suite. So it’s no surprise that Parsons, who has hand-made his filmmaking career up to this point, isn’t buying into the hoopla around Generative AI.
His debut feature is the #1 movie in the world, so perhaps he’s onto something.
What’s next from Kane Parsons, you ask? Stay tuned…
You must be logged in to post a comment.