Movies
The Incident (Incident at Sans Asylum)
“What keeps the film from being any fun is the pace is so slow that a small burst of energy isn’t enough to recover. The atmosphere is just unpleasant, not scary, so the kills aren’t glorious.”
The Incident has all the components of a great midnight movie: a siege premise with a twist, great kills and a variety of monsters. The filmmakers just can’t make it work. It’s tonally miserable and dramatically inert.
It’s a siege from the inside, which is an interesting twists. The inmates of an institution for the criminally insane get free during a power outage. After the security guards fail to contain the situation, only the chefs and servers in the kitchen are left to fend off the patients.
The film is shot well but probably not directed well. The setups and steady camera look like a legitimate movie, but something about the scene is off. Even for a plain instution, the set is too empty. Obviously it’s low budget, but the details give it away. A throwaway scene in a hospital room just looks like an office they put a bed and an IV in.
The characters are really F’ing annoying, so that’s another problem with the direction. Alexandre Courtes couldn’t reign it in. They’re all scruffy wannabe rock stars and they look unclean, so one, it’s creepy to see them working in a kitchen handling food, and two what a damn cliché.
George (Rupert Evans) is the sympathetic one, just because he’s responsible in his job and doesn’t treat the inmates terribly. Max (Kenny Doughty) is supposed to be the A-hole but he comes off as such a bitter creep berating the mentally challenged that it’s not even fun to see him get his comeuppance. Ricky (Joseph Kennedy) is generic enough I guess.
The guards are ridiculous too. I know they have to maintain discipline, and they can’t exactly reason with people in the condition these inmates are in, but I don’t buy this R. Lee Ermy wannabe screaming like a drill sergeant and choking out not one, but two problem inmates. That’s not going to maintain any order.
It’s also so stupid that the guard asks the cooks to help him wrangle the inmates. I don’t care how short staffed they are in a crisis. The hospital would never go near the liability that suggests towards the non medical employees or the inmates in their care. I guess that become irrelevant once it’s about survival, but it shows an underdeveloped script.
The Incident is set in 1989 so there are no cell phones to worry about. There are a few solid moments of trying to barricade a room and some surprises. The inmates are a diverse collection from the babbling to the cold, deliberate killers, even a funny one to show insanity takes all forms.
What keeps the film from being any fun is the pace is so slow that a small burst of energy isn’t enough to recover. The atmosphere is just unpleasant, not scary, so the kills aren’t glorious. The victims linger in captivity a while, so you’re just staring at a dirty body with minimal torture. I could applaud a few moments where The Incident goes there but it’s clearly a first film that’ll be a tough lesson for the filmmakers to take.
Movies
How to Watch ‘Cam’ Free Online After the Tech Thriller Left Netflix
Before updating the video nasty Faces of Death, director Daniel Goldhaber and writer Isa Mazzei explored the dangers of online life in tech-thriller Cam, their feature debut that was acquired by Netflix in 2018 after making waves on the festival circuit.
At the end of last year, the Netflix exclusive quietly departed from the streaming platform, left without another streaming home.
It’s not an isolated story; Mike Flanagan’s Hush also left streaming entirely for a period until it was finally picked up on both physical media and other streaming services.
While the tech-thriller currently isn’t available to watch on Netflix, Tubi, Hulu, or any other platforms, that’s not a problem for Cam thanks to a very cool move by Goldhaber: the director has made his breakout film accessible to watch online for free via his website.
As his site notes: “CAM is unfortunately not currently available to view on any platforms, so you can watch it here if you like :).“
No subscriptions or fees necessary, just hit play.
Cam follows Alice (Madeline Brewer), who works as an online cam girl obsessed with her ranking on the cam site. The higher her ranking goes, the more it draws unwanted attention, and Alice soon finds herself replaced on her own show with a doppelganger.
Written by Mazzei, a former camgirl, it uses the horror thriller premise to examine the life of a sex worker; Alice’s career ambition is directly at odds with the shame it brings to her family, and how she tries to spare them from it by keeping them in the dark. It only compounds her danger when the doppelganger enters the equation in Goldhaber’s engaging thriller.
For a deep dive into the treacherous world of Cam, listen to Horror Queers’ episode on it now.

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