When seven friends go on an annual hunting trip, they soon realize that the only thing being hunted are themselves.
Idaho, USA – 7 friends head off into the wilderness to begin their annual hunting trip. As a snow storm gathers the big white out begins. Snowed in, cold and isolated, the men begin to question their friendship and loyalties. Soon they are terrorized by an unseen beast, what is stalking them? Is it the cold, starvation or has The Wendigo come to hunt them down?
Dear everyone that hates Vanishing On 7th Street,
We’ve seen eye to eye (… well, probably) on many things in the past – we gleefully grimaced at zombies being killed to Queen’s `Don’t Stop Me Now’ in Shaun Of The Dead, got extremely creeped out by May, and collectively face palmed during the entirety of Platinum Dunes’ Nightmare On Elm Street remake – but you seem to have a strong distaste for Brad Anderson’s latest film. Actually, that’s not right. Let me rephrase that: you vehemently despise this flick. And I, for one, am sort of baffled.
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In Theaters February 18. An unexplained blackout plunges the city of Detroit into total darkness, and by the time the sun rises, only a few people remain – surrounded by heaps of empty clothing, abandoned cars and lengthening shadows. A small handful of strangers that have survived the night (Hayden Christensen, Thandie Newton, John Leguizamo and newcomer Jacob Latimore) each find their way to a rundown bar, whose gasoline-powered generator and stockpile of food and drink make it the last refuge in a deserted city. With daylight beginning to disappear completely and whispering shadows surrounding the survivors, they soon discover that the enemy is the darkness itself, and only the few remaining light sources can keep them safe. As time begins to run out for them, darkness closes in and they must face the ultimate terror
Here’s an alternate plot crunch: Following a mysterious blackout, most of the population vanishes into thin air. As the remaining survivors converge in a small tavern to figure out what happened, the darkness returns to claim them one by one.
Christensen plays a victim of “anesthetic awareness,” in which a patient remains awake but paralyzed during surgery.
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