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The ‘Prometheus’ Sequel Has Its Writer!

Fox and Ridley Scott are getting closer to returning to space as Jack Paglen (Transcendence) is in talks to write the follow-up to last year’s sci-fi blockbuster, Prometheus, Variety reports.

Scott will produce again through his Scott Free banner though it’s unknown at this time if he will direct. Noomi Rapace and Michael Fassbender are also expected to return.

Plot details are still be worked out but Scott has said in interviews that while the first Prometheus had several elements linking it to the Alien franchise, this latest installment will feel more like its own film.

Despite not having a greenlight, the sci-fi movie’s new screenwriter is a good sign for a project Fox has been wary of committing to even though the last installment, written by Jon Spaihts and Damon Lindelof, made more than $400 million worldwide.

For Paglen, the film marks his second high-profile project following Wally Pfister and Johnny Depp’s sci-fi thriller Transcendence, which opens next April.

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[Toys] NECA Reveals “Holographic” Versions Of ‘Prometheus’ Engineers!

While I already struggle with “space” for NECA’s cool figures, these are the days I pull my hair out in jealousy of those with basements.

Figures.com reports that NECA’s third assortment of Prometheus action figures had undergone a lineup change.

The new lineup, releasing this September, features “Holographic” versions of the Pressure Suit and Chair Suit Engineers. Using translucent blue plastic and hand-painted deco, these figures capture the holographic appearance of the Engineers as they are first seen by the crew – on the run from something terrible.

Each figure stands over 8″ tall and features over 20 points of articulation. Also, both Engineers include a brand new Ampule accessory which can be opened to reveal the mysterious contents inside. READ MORE

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[Exclusive] Amazing Photos From The Upcoming TesseracT “Of Energy – Singularity”

Bloody-Disgusting is thrilled to bring you an exclusive first look at the upcoming TesseracT music video for “Of Energy – Singularity” with eight amazing photos. The photos show a woman in red lingerie (possibly NSFW?) as well as close ups of some strange, alien creature. There’s also a nice homage to A Nightmare On Elm St. with a strange tentacle joining the woman in the bath.

Video production began on “Singularity” a few days ago. Produced by Horsie In The Hedge/Pari Passu Films and featuring the Emmy Award-winning director of photography Mark Wolf, as well as the practical effects team that worked on Skyfall and Prometheus, the video is sure to be as cinematically stunning as the music itself.

“Of Energy – Singularity” comes from TesseracT’s upcoming album Altered State (review). Head on below to see the images. READ MORE

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Theaters Blame “R-Rated” Movies For Lower Ticket Sales, I Beg To Differ

If you thought that all it took was one Evil Dead remake, a Django Unchained, a Prometheus or a few mega-hit Hangover films to prove to everyone that R-rated movies can make money, you’d be wrong.

Take theater owners for example. Last weekend at the industry convention CinemaCon in Las Vegas many of them pleaded with the studios for less R-rated movies. Per The New York Times, John Fithian (president and chief executive of the National Association of Theater Owners) pleaded with studios, “Make more family-friendly films and fewer R-rated titles.”

While it’s true that box office revenues are up (due to ridiculously inflated ticket prices), actual attendance is down 12%. I’m sure that piracy is a part of this to some degree, but if there’s an actual content issue I’d say that Fithian is missing his target completely. While it’s true that nothing has the potential to perform commercially like a four-quadrant movie that adults and children can both connect with, plenty of those fail too. And you know which of those really bomb? The bad ones, typically (I’m making an exception here for the awesome and underseen Frankenweenie). Jack, The Giant Slayer, anyone?

Fithian claims that attendance has suffered, “under the weight of too many R-rated movies.” Wrong. It’s a QUALITY issue (in terms of both film and exhibition) – not a ratings issue. Movies today, especially studio movies, are drained of risk, personality and innovation to a startling degree. Studios are wrestling creative control away from all but their highest grossing filmmakers. Not only are audiences disappointed with the product, they’re practically harassed by cell-phone abusing jerks making it even more difficult to wring any kind of enjoyment they can out of whatever mediocrity they just paid $19 (before parking) to go see. There are many times I’m dying to see a film but decide against it because I’m not in the mood to yell at some guy texting in front of me that night. In fact, I’d say one of the reasons family films perform better is that families HAVE to go. What are you going to do with two screaming kids on a Saturday afternoon? They’re a somewhat captive audience. I imagine they don’t mind cell phone use as much because they’re just struggling to keep their kids still.

Mr. Fithian, please stop asking studios to further water down their product. Stop pleading with them to ignore risk and treat films like more of a commodity than they already do. I have another solution for you. Ask the studios to make better movies instead. Then, at the same time, do what you can to improve your end of the bargain. You don’t think you’re culpable in regard to falling attendance? If you’re going to charge those prices you should police your theaters and ruthlessly remove the *ssholes. Someone opens up their phone after the first 2 minutes of the movie? Boom. Kick them out. No second chance. Also, it might help to hire people who actually know how to project your DCP’s and get decent sound in the room. That’s what we’re ostensibly paying for, especially at the “premium theaters.” It’s offensive that you want to peg this issue on a rating. I guess you won’t be playing 21 Jump Street 2* or The Hangover 3* or The Heat, the next Tarantino film or the next R-rated horror film at your theater. None of those make any money, right?

Thanks to Andrew Gonzalez for point the NY Times piece out to us.

*I’m aware that I’m crossing the streams somewhat by adding sequels (especially the likely horrible Hangover 3) to the equation since sequels are “safe bet” thinking personified. Still, they’re R – so they must not be profitable.

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UPDATED: ‘Prometheus 2′: In Space No One Can Hear Ridley Scott and Fox Scream at Damon Lindelof

Update: Lindelof has responded to Slashfilm. We are including his response below the jump. He sheds some interesting light on the situation – but that doesn’t change the fact that Fox and Scott have no idea what to do now in regard to Prometheus 2.

Exclusive: Watching the 18 hours of extra features on the Prometheus Blu-ray I learned that Twentieth Century Fox didn’t trust screenwriter Jon Spaihts enough to run with his script, so they hired a big name to “clean up” Spaihts’ vision. This big draw was none other than “Lost,” Cowboys & Aliens and Star Trek Into Darkness writer Damon Lindelof, pictured.

Those of you who’ve obsessed over the quasi-Alien prequel as much as I have know that Spaihts’ vision was a one-shot**, meaning Prometheus lead right into Ridley Scott’s 1979 Alien. In fact, a source in pre-production at the time had leaked story details proclaiming that the movie takes place on the planet LV-426 where the elusive Space Jockey was first seen. At the finale of Prometheus, the Jockey ship that crashes is the exact same ship that Ripley and her crew discover in Alien. It’s a beautiful way to bridge the new sci-fi epic with the old one. But, if you saw Prometheus, you know that’s not what happened. The movie’s events don’t even take place on the same planet, occurring instead on LV 223 (which is ridiculous and means the Engineers are truly terrible at piloting their ships, crashing them all over the place).

Why? Greed took over.

Lindelof transformed Prometheus into a “trilogy”, thus stripping the first film’s conclusion of any meaning and setting Ridley and Fox up for disaster. This disaster was perpetuated when Lindelof announced he wouldn’t be penning the sequel. So, in short, the guy who convinced the filmmakers to make a trilogy, left them in the dust…

Sources close to the sequel have told Bloody Disgusting that the studio and Scott are literally “freaking out” over how to continue the story of Elizabeth Shaw (Noomi Rapace), and are taking pitches from basically anyone who can crack the story*. While a sequel is nearly inevitable, it definitely puts it in flux, and in a state of jeopardy.

*We expect everyone surrounding the project to deny this story. That’s standard procedure. Don’t believe ‘em.
**Twitter follower @JonSheasby pointed us to a contradiction at Empire Magazine, where Spaihts says Scott and him talked trilogy prior to Lindelof’s hiring. You can read the bits below. READ MORE

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Ridley Scott Still Moving Forward on ‘Prometheus 2,’ Says Noomi Rapace

It’s almost been a year since Ridley Scott’s Prometheus blasted into theaters leaving half the world disappointed. The other half, or maybe even less than half, thought the quasi Alien prequel was pretty fantastic. A year later, I stand by this having watched it on Blu-ray multiple times. It’s awesome.

With that said, most of you are about to groan as I report that Scott is still developing a sequel over at Fox. Noomi Rapace, who starred as Elizabeth Shaw in the first film, reveals to The Playlist that they’re currently working on the screenplay.

They’re working on the script. I met Ridley in London a couple of weeks ago,” said Rapace. “I would love to work with him again and I know that he would like to do another one. It’s just like we need to find the right story. I hope we will.

And it’s interesting because people, most people I’ve talked to who see the movie, see things that are quite different. Some people who see the movie many times and discover new things. There are all these religious aspects and there are very interesting conversations,” Rapace explained. “And for me, if we do a second one, there are a lot of things to explore in there and to continue.” She added: “I would love to do it.

Rapace is the franchise’s new lead, so it would be a shocker if she wasn’t already locked in for the trilogy. I’d go as far as to say, it’s not her choice.

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The Horror Of The 85th Annual Academy Awards

Nominations for the 85th annual Academy Awards were announced today by host Seth MacFarlane and actress Emma Stone at the Academy’s Samuel Goldwyn Theater in Beverly Hills. Included in the noms were a slew of genre titles, which include Ridley Scott’s Prometheus for “Best Visual Effects”, stop-motion films ParaNorman and Tim Burton’s Frankenweenie for “Animated Feature Film,” while Fox Searchlight’s Hitchcock was nominated for “Makeup and Hairstyling”.

Academy Awards for outstanding film achievements of 2012 will be presented on Oscar Sunday, February 24, 2013, at the Dolby Theatre at Hollywood & Highland Center, and televised live on the ABC Television Network. The Oscar presentation also will be televised live in more than 225 countries worldwide. READ MORE

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Guillermo Del Toro Trying Once More For A Tom Cruise Infused ‘At The Mountains Of Madness’

Your daily grain of salt here, please take me before reading this article. Guillermo del Toro, the man of a million projects (wisely) in development, has made overtures about giving his H.P. Lovecraft adaptation of At the Mountains of Madness another shot.

The project died at Universal back in 2011 due to budget issues, and recently del Toro seemed leery of reviving it due to perceived similarities with Ridley Scott’s Prometheus. Well, he saw Prometheus and he doesn’t think it’s such a stumbling blaock after all.

Speaking to the Playlist he said, “I’m going to try it one more time. Once more into the dark abyss… We’re gonna do a big presentation of the project again at the start of the year and see if any [studio's] interested… Tom [Cruise] is still attached. I think it would be so fantastic to make it with him. He’s been such a great ally of the project.” As for Prometheus he says, “Not really, I saw it finally and.. yes, there are things in common, but, you know, screw it. Lovecraft was there first!

The would-be H.P. Lovecraft adaptation “tells the story of geologist William Dyer, a professor from Miskatonic University. He writes to disclose hitherto unknown and closely kept secrets in the hope that he can deter a planned and much publicized scientific expedition to Antarctica. On a previous expedition there, a party of scholars from Miskatonic University, led by Dyer, discovered fantastic and horrific ruins (including strange fossils of unheard-of creatures and carved stones tens of millions of years old) and a dangerous secret of the City of the Old Ones that lay beyond a range of mountains taller than the Himalayas.

You’ll be able to see GDT’s directing chops back in action when Pacific Rim opens on July 12th. READ MORE

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[Random Cool] Quentin Tarantino Talks About The ‘Prometheus’ “Space Cobra”

While out promoting his awesome (but not quite as awesome as Inglourious Basterds) Django Unchained, Quentin Tarantino stopped by the Craig Ferguson show. One thing lead to another and they got on the topic of Prometheus.

Now, I liked Prometheus (so did Tarantino as it turns out), but you have to admit there are a ton of character inconsistencies in the film. Here, Tarantino speaks out against one of the most egregious and oft-cited moments. He doesn’t exactly say anything new, but he adds a certain Tarantino flair to the whole thing that kind of makes it worthwhile.

Head inside to check it out. Prometheus talk begins at around 4:45. READ MORE

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[BEST & WORST '12] The Best Posters Of The Year!

Posters, when done right, are an art form. Sure, they’re advertisements, but they’re also such a great artistic challenge. Representing the identity of a movie – and getting people in the door – with a single image? That’s tough. Rendering that image in a manner that resembles actual artwork (or something you’d hang on your wall)? Even tougher.

I get why it goes wrong sometimes. Whenever a sh*tty poster hits a lot of people blame the artist, but they’re not the only ones at fault. Studio marketing departments emphasize their perception of the film’s commercial assets – often sacrificing a compelling key art campaign in the process. Today we celebrate the posters that made it out alive, the ones with flair.

Some of them are for great films and and others are merely great posters for “okay” films. And some of these movies haven’t even come out yet, but their posters have – rendering them fair game. Head inside and click on their banners to check ‘em out! READ MORE

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[BEST & WORST '12] The Best Trailers Of The Year!

In a perfect world, we wouldn’t need trailers. We’d magically show up at the movie theater, be seated in front of a screen and watch an amazing movie that we, up until that point, had never seen a frame of footage from.

But the world we actually live in is occasionally not-so-great, so trailers exist. Silver lining? At lot of trailers are badass! Some of them are sometimes (unfortunately) better than the film they’re selling! An effective teaser can often be an inspiring piece of work that you watch again and again.

With that in mind I set out to take a look at trailers released this year that actually got me excited. Some of the these movies haven’t come out yet, nor have I seen all of them. But that’s the point! If a trailer has me stoked about next year – it’s a success. And with some of the other teasers I almost wish I hadn’t seen the movie, so perfect were the two minutes they chose to promote it with.

Head inside for the best trailers of the year (in no particular order)! READ MORE

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[BEST & WORST '12] Supporting Staff’s Best & Worst Horror Films of 2012!

This year, we’ve welcomed a lot of new writers to our home video review team and wanted them to get in on the year-end list action. The really neat thing about their picks is that out of all the submissions, nobody chose the same films for either category – plenty o’ variety on these lists. Check past the break for Patrick Cooper, Lauren Taylor, and Michael Erb’s Best & Worst Horror Films of 2012! READ MORE

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[BEST & WORST '12] Lonmonster’s List Of The Best Films Of 2012

As you can imagine, I watch a lot of horror movies, and having to choose my favorite films of the year was a righteous challenge. It’s a rare occurrence to sit through a movie and feel completely fulfilled. But it’s the great films that make my job so worthwhile. Taking the time to reflect on my favorite films of 2012 allowed me to appreciate just how wonderful horror can be. It made me proud to be a part of this community.

My list is a true melting pot, gathering studio films and indie films alike in order to showcase that good horror comes in all shapes and sizes. In fact, my top film of the year is probably the one with the lowest budget.

I had a tough time ranking my top five picks; I switched the order countless times before I finally conceded. It came down to a simple question, “Which movie stuck in my mind throughout the year above all others?” READ MORE

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[BEST & WORST '12] Mr. Disgusting’s List of the Best Horror Films of 2012!

Every year I seem to have a conversation with someone about how weak the year was for horror. Reflecting back, I think it’s more so that every year there are a few gems that need plucking from a landfill of garbage. This doesn’t mean it was a “bad year,” it just means that the goodies are to be discovered and then celebrated.

My odd scenario comes in that I attend major festivals – Sundance, SXSW, TIFF and more- thus, I see quite a bit more than the average folk…and I see everything early. This isn’t me bragging, more so just a note that, like previous years, most of the films on my list have yet to be released.

I just hope that this list, which also carries the first two ever “Editor’s Choice” tags, gives you all a few films to be excited for in 2013. Shit, you may finally get to see You’re Next this year, too! READ MORE

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Damon Lindelof Explains Why He Isn’t Writing ‘Prometheus 2′

It’s been known for some time that Damon Lindelof (“Lost”, Star Trek Into Darkness) won’t be returning to script the sequel for Prometheus, and now we have an explanation as to why. This will no doubt please many of you who felt that Jon Spaihts’ original draft of the film, Alien: Engineers, was superior.

I can sort of respect his decision – he didn’t want to juggle too many things at once. He told Collider about his conversation with director Ridley Scott, “The thing about Prometheus was it was a rewrite. Jon Spaihts wrote a script and I rewrote it. And still it was a year of my life that I spent on Prometheus, kind of all in. The idea of building a sequel to it—from the ground up this time—with Ridley is tremendously exciting. But at the same time, I was like, “Well that’s probably going to be two years of my life.” I can’t do what J.J. [Abrams] does. I don’t have the capability. I’m usually very single-minded creatively. I can only be working on one thing at a time. So I said to him, “I really don’t think I could start working on this movie until I do this other stuff. And I don’t know when the other stuff is going to be done.” And he was like, “Well, okay, it’s not like I asked you anyways.” He and I are on excellent terms and it was a dream come true to work with him. But much to the delight of all the fanboys, I don’t see myself being involved in Prometheus-er.

Head over to Collider for more. Prometheus made a good deal of money so the sequel is a somewhat high priority over at Fox. Who do you think should write it?

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Len Wiseman’s ‘Mummy’ Has Nothing To Do With The Brendan Fraser Movies

By now you probably know that Len Wiseman (Underworld, Total Recall (2012)) will be directing The Mummy remake. And you probably know that Alex Kurtzman and Roberto Orci (co-writers of Transformers, Star Trek, Cowboys And Aliens) are producing it (and a Van Helsing remake), for Universal. The Mummy is one of the all time iconic Universal monsters, so you might have been wondering what direction this thing will take, and now Wiseman is acknowledging his intent.

He told Movieweb “There was skepticism. The difference between the two, if ‘The Mummy’ is to be the next movie for me, is that ‘The Mummy’ is a completely different film. It is a modern day take. It doesn’t have anything to do with the Brendan Fraser films, and it is not a remake of any kind… the pitch was to go with a much different tone. It was a Mummy like I’d never heard of before. Its nothing like what you would expect, at all, oddly. I was picturing Egypt, and the sand swept settings. The mummy wrappings. When I heard what they were wanting to actually do with it, it was shocking.” He added, “It’s horror. Its epic. It’s more of a modern day version of what would happen if we came across a mummy in our world today. It is pretty fascinating.

Okay. So I like the fact that this will be a modern-day version and will eschew the aesthetics of the last 3 or 4 films in the franchise. I think Wiseman is visually talented, but I’ve never loved one of his movies. Then again the film’s screenwriter Jon Spaihts wrote that draft of Prometheus (aka Alien: Engineers) that was better than the Lindelof version – so who knows at this point?

At least it won’t be in the desert.

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[TOYS] This NECA ‘Carrie’ Figure Has The Power To Move Bills From Your Wallet!

When I was at the San Diego Comic-Con back in July I snapped a few photos of these NECA Series 2 Prometheus and Gremlins 2 figurines, but now we have a closer look at a couple of them courtesy of Idle Hands.

The real revelation here though is the introduction of Carrie to the line, it’s not the Sissy Spacek version but the Chloë Grace Moretz incarnation from the upcoming remake directed by Kimberly Peirce. There’s a cool “before” look at her at the prom and a nice “after” once she’s covered in pig’s blood. The Carrie pieces are set to be avail in UK in Jan and in the US in February or March – right in time for the film’s opening on March 15th, 2013.

Head inside for the clickable gallery! READ MORE

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[Script To Scream] Would ‘Alien: Engineers’ Have Been A Better Movie Than ‘Prometheus’?!

Wow! It’s been a long time since I’ve done this column but I think the surfacing of the script for Alien: Engineers, the original incarnation of Prometheus, is a pretty good occasion, right? Ever since the release of Prometheus over the summer there’s been intense debate between the film’s fans and its (many) detractors – would it have been better as a straight Alien prequel? Would it have made more sense? Would the characters still have been petting alien vagina snakes for no reason? I mostly liked the film, but I certainly understand some of these gripes.

We’ve always known that there are two writers on the film, Jon Spaihts and Damon Lindelof. Many of the film’s logical shortcomings were laid at the latter’s feet, which is understandable. He was the last writer on the project. But now that Spaihts’ original draft of Alien: Engineers has surfaced we can trace the exact origins of the elements that made up Prometheus. And, true to the conceit of the film, the answers are frustrating. While there’s some cool stuff, including lots more actual Xenomorph/Alien carnage, in Alien: Engineers – it’s surprisingly close to the Prometheus we’ve come to know and love (or hate).

So now it’s time to do an in-depth breakdown of some key differences. Do they still pet the snake? Does Fifield still turn into a Zombie? Is all of the “God” stuff still in there? Does old man Weyland still show up at the end to take you out of the movie?

All is answered inside. READ MORE

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[OMFG] Read The ‘Prometheus’ Script Before Damon Lindelof Rewrote It!!!

Over the past few weeks I had been on the hunt for a certain screenplay, one that has now leaked online thanks to Scribd.

BY CLICKING HERE you can download and read Jon Spaihts’ “Alien: Engineers,” his original screenplay for Fox’s Alien prequel that was later rewritten by Damon Lindelof as Prometheus, the final product that’s now on home video.

Spaihts, who also penned the garbage The Darkest Hour, is said to had focused on keeping the story within the actual realm of Alien – meaning, you’ll read about facehuggers, chestbursters and all that good stuff.

While I am one of the rare few who actually enjoy Prometheus, I am still dying to see how the original story played out, and why Fox felt the need to bring in Lindelof to mix it up. We’ll report back with a “Script to Scream” soon enough…. READ MORE

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12 Alternate ‘Prometheus’ Posters! The Genesis Of A Marketing Campaign

Ridley Scott’s Prometheus, his quasi Alien prequel, hit Blu-ray and DVD recently both in the UK and in the States. And what you’re seen is most certainly not the first conceptual iteration of the film.

Just as it morphed from a pure Alien prequel into something different (more on that here and here), the marketing campaign itself morphed as the studio went through its internal processes on how to best sell the film.

PrometheusMovie got their hands on some unused posters for the film. While I can’t be 100% sure that all of these are real (and the international and domestic dates are in flux), a lot of them sure seem like it. Some play up the xenomorph cave-drawing, some play up acidic alien blood eating through metal and others are variations of the existing campaign. While I’m assuming that the general direction of the film had long since been decided by the point Fox got around to testing these ideas, it’s interesting to see them move in a similar direction. Further and further from an Alien prequel.

Head inside to check them out. READ MORE

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Here’s What The ‘Prometheus’ Chestburster Was Supposed To Look Like!

Ridley Scott’s Prometheus, his quasi Alien prequel, hit Blu-ray and DVD recently both in the UK and in the States. It apparently features some killer documentaries about the film’s development process from being a straight Alien prequel to its more heady end result.

About a week ago we provided you with a rundown of what original writer Jon Spaihts’ draft might have looked like had Ridley Scott put it up onscreen. And now we have a visual rendering of what a chestburster might have looked like in the film via a piece of concept art. If you’ll remember from last week’s article, the chestbursting was intended to occur during a sex scene between Shaw and Holloway. So be prepared for some male naughty bits.

Head inside for a more complete rendering of the Prometheus chestburster!! Warning – the image is a bit NSFW. READ MORE

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Horror Education of the Week: ‘Prometheus’

Prometheus.

Some of you liked it. The majority of you hated it.

I adore it.

The prequel/not a prequel to Alien (and now maybe it’s a sequel to Blade Runner) follows Dr. Elizabeth Shaw and Dr. Charlie Holloway, along with a crew, to LV-223. After finding multiple drawings across Earth, all depicting the same god-like figure, they set out on their journey to this distant planet. There they hope to find the answers to mankind.

Perhaps Prometheus can be seen as a warning to our society to not put our trust in man as a god. It can also be seen as a warning to not put all of our faith in an invisible God.
READ MORE

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[Horror In Your House] October Special Edition

Trying to figure out what horror to pick up this Halloween season? Check out my recommendations spanning home video horror releases from late last September all the way thru the end of the month.

Leading the way for moi wasHalloween III: Season of the Witchfrom Scream Factory. Speaking of Scream Factory, they’ve been killing it of late with releases of all sorts of horror goodies. Just check out their release schedule over the last couple months. For the old school horror lovers Universal recently released Blu-rays for the classic monsters. And there’s plenty more horror for every type of fan. We’ve really been spoiled as of late, especially on the old/cult horror faves available on Blu-ray front.

Check out the rest below and happy Halloween viewing. READ MORE

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A Glimpse Into The ‘Prometheus’ Script, Back When It Had Xenomorphs, Facehuggers And Chestbursters!

Ridley Scott’s Prometheus, his quasi Alien prequel, will be arriving on both Blu-ray and DVD this coming week on both the UK and in the States.

I found a lot to like in the film, though I can’t really argue with its many detractors. The logic is utterly nonexistent in many of the characters. Still, I liked the ideas it tried to wrestle with. And visually I thought it was stunning. But a lot of folks wished it had been much more of an Alien film (that last, brief, xenomorph tag not being enough for them). And it was! At least back in Jon Spaihts‘ original draft (before Damon Lindelof came onboard).

Head inside to check out some details on what Prometheus was like back when it had Facehuggers, Chestbursters (during sex even) and Xenomorphs. Oh, and ostensibly more character motivation! READ MORE