Podcasts
[Horror Queers Podcast] Sing Your Heart Out in the Underwhelming ‘Stage Fright’!
Sing your heart out.
The last few weeks on the Horror Queers Podcast have resulted in plenty of great discussions and hilarious shenanigans. We’ve questioned the problematic cross-dressing virgin-killer in Cherry Falls, considered cannibalism as a metaphor for homosexuality in Ravenous and drooled over Delphine Seyrig’s fierce queer vampire in Daughters of Darkness.
Related: The Horror Queers and The Halloweenies Discuss ‘A Nightmare on Elm Street 2’
In the newest episode, we dive into the world of horror musicals to discuss Jerome Sable’s 2014 film Stage Fright and its Kabuki-themed production of The Phantom of the Opera ripoff “The Haunting of the Opera”. Admittedly, we probably should have picked a better film. How do you make a slasher musical comedy that isn’t funny or scary, and doesn’t have any catchy tunes? We aim to find out! It’s not all bad, though. The film has some great kills and a few clever jokes. They’re just not enough to save this mess of a film.
Be sure to subscribe to the podcast to get a new episode every Wednesday. You can subscribe on iTunes/Apple Podcasts, Stitcher, Spotify, SoundCloud, TuneIn, Libsyn, Google Play, and RSS.
Episode 14 – Stage Fright (2014)
The boys have got pipes and they’re FIERCE! That’s right, this week they’re headed to Center Stage: Camp for the Performing Arts to audition for the revival of “The Haunting of the Opera”! That’s right, we’re discussing Jerome Sable’s slasher musical comedy Stage Fright! But mostly, we just want to know what went wrong with this film. It’s neither funny nor scary, and it doesn’t even have any good songs!
How do you have musical numbers, gory kills, (attempted) satire, Meat Loaf and Minnie Driver and still end up with this mess of a film? The Horror Queers aim to find out, all while testing out their own singing abilities, contemplating the utter uselessness of Camilla as a Final Girl and the film’s incredibly anti-climactic killer reveal.
Plus, why did Trace decide to drink half a bottle of wine before recording (and the other half during)? We will never know. What we do know is that drunk Trace discussing a film he doesn’t like is mean.
Cross out Stage Fright!
Coming up Wednesday: we look at the role a sibling (or siblings) can play in the coming-out process as we discuss Mike Flanagan’s 2014 film Oculus.
– Joe & Trace
P.S. Be sure to check out all of our online articles right here.
P.P.S. As an added bonus, if you subscribe to our Patreon you can listen to our reactions to Jordan Peele’s Us. And dropping later this week will be an episode on the new adaptation of Pet Sematary!
Podcasts
‘Hell House LLC’ – Skip the Sequels, Savor the Original [Halloweenies Podcast]
The Halloweenies hitch a ride out to the small town of Abaddon in Upstate New York to check out this totally killer haunted house that’s opening: Hell House LLC.
Join Michael Roffman, Justin Gerber, and Rachel Reeves as they discuss director Stephen Cognetti’s found footage gem that has since spawned multiple sequels and spinoffs. But, as with anything, nothing is ever quite as good as the original.
Note: This episode was originally released to our patrons in October 2025.
Stream the whole conversation below or subscribe via Apple Podcasts, Stitcher, Spotify, RadioPublic, Acast, Google Podcasts, and RSS. New to the Halloweenies? Catch up with the gang by revisiting their essential episodes on past franchises such as Halloween, A Nightmare on Elm Street, Friday the 13th, Scream, The Evil Dead, Chucky, Alien, and Universal Monsters.
This year? Hellraiser AND The Omen.
You can also become a member of their Patreon, The Rewind, for hilariously irreverent commentaries (e.g. The Texas Chainsaw Massacre, Gremlins, Child’s Play) and one-off deep dives on your favorite rentals (e.g. Saw, 28 Days Later, Manhunter, Near Dark). Each month promises something new and unexpected from the wildest corners of the genre.