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This Is Halloween: The Gateway Horrors of ‘Cobweb’ and ‘The Curse of Bridge Hollow’ [Double Trouble]
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It’s a Slaughterhouse: 20 Years Later, ‘The Texas Chainsaw Massacre’ Remains One Hell of a Remake
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The Dangers of Religious Fanaticism in ‘Häxan’ & ‘Witchhammer’ [Double Trouble]
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Unauthorized Exorcisms: The Terrifying Tragedy of ‘Godless: The Eastfield Exorcism’
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The Death of Summer: ‘Tourist Trap’ & ‘House of Wax’ Make for a Perfect Double Feature
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30 Years of Magic: Why ‘Hocus Pocus’ Remains the Ultimate Children’s Horror Movie
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Lola Blanc Tackles Alt-Right Extremism in New Horror Short ‘Pruning’ [Interview]
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An Open Wound: Tortured Queer Relationships in ‘Rift’ & ‘What Keeps You Alive’
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Hope Through Horror: Why ‘Summoning Sylvia’ Is Such an Important Movie in 2023
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Denial of Death: ‘The Others’ & ‘Carnival of Souls’ Make for a Haunting Double Feature
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How ‘The Outwaters’ & ‘Horror in the High Desert’ Prove Found Footage Is Alive and Well
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“100 Acre Wood Chipper” – Composer Andrew Scott Bell Talks ‘Winnie the Pooh: Blood and Honey’ [Interview]
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Why Scary New Movie ‘Skinamarink’ Will Make You Afraid of the Dark Again
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The Queer Experience in ‘So Vam’ & ‘Children of Sin’ [Double Trouble]
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2022: The Year Jenna Ortega and Mia Goth Dominated the Horror Scene
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‘Silent Night, Deadly Night 5: The Toymaker’ is a Misunderstood, Overlooked Holiday Classic
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‘Season of the Witch’ & ‘All the Colors of the Dark’ – A Witchy Double Feature for Spooky Season
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The 20 Best Scenes from the ‘Halloween’ Franchise
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‘Trick ‘r Treat’: Finding Comfort in the Horror Anthology and Its Protector of All Things Halloween
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‘Halloween Ends’: My Hopes & Fears for the Franchise’s Finale
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‘The Black Phone’, ‘Summer of 84’ and a Deep Fear of Abduction [Double Trouble]
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“I’m Strong Enough to Not Do This”: In Defense of Polarizing Slasher ‘They/Them’
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Strong Female Leads Start Killing in ‘I Blame Society’ and ‘Tragedy Girls’ [Double Trouble]
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‘Alone with You’: Living With Mental Illness During a Pandemic