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‘The Staircase’ Tries Michael Peterson in the Court of Public Opinion [Murder Made Fiction Podcast]
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Five Burning Questions Ahead of the ‘IT: Welcome to Derry’ Season Finale
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From Mother Superior to Daughters of Lillith: The Women of the ‘Silent Night, Deadly Night’ Franchise
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‘It: Welcome to Derry’ Explained: The Black Spot Inferno Differs from Stephen King’s Novel
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First on the Naughty List: How ‘Silent Night, Deadly Night’ Birthed a Reign of Killer Santas
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‘IT: Welcome to Derry’ Explained: The Many Stephen King Connections & References in Episode Seven
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The Nihilistic Heart of ‘Anna and the Apocalypse’ [The Lady Killers Podcast]
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‘It: Welcome to Derry’ Explained: Is Mrs. Kersh Pennywise’s Daughter?
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‘IT: Welcome to Derry’ Explained: The Many Stephen King Connections & References in Episode Six
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The Many Horror References Lurking in ‘Stranger Things 5’ Volume I [Spoilers]
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Mrs. Lovett Will Do Anything to Please ‘Sweeney Todd: The Demon Barber of Fleet Street’ [The Lady Killers Podcast]
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‘Thirteen Lives’ Chronicles a Risky Rescue [Murder Made Fiction Podcast]
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Five of the Scariest Moments in ‘Stranger Things’ History So Far
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Five Burning ‘Stranger Things’ Questions Ahead of Season Five’s Premiere
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‘IT: Welcome to Derry’ Explained: The Many Stephen King Connections & References in Episode Five
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‘Repo! The Genetic Opera’ is Musical Teen Angst Wrapped in a Dystopian Nightmare [The Lady Killers Podcast]
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Edgar Wright’s ‘The Running Man’ Ending Injects Optimism Into a Bleak Dystopia [Spoilers]
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‘IT: Welcome to Derry’ Explained: The Many Stephen King Connections & References in Episode Four
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Women Take Over in Frank Oz’s ‘Little Shop of Horrors’ [The Lady Killers Podcast]
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J.A. Bayona’s ‘The Impossible’ Finds Humanity in Unthinkable Destruction [Murder Made Fiction Podcast]
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The Spiraling Story of ‘Murdaugh: Death in the Family’ [Murder Made Fiction Podcast]
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‘IT: Welcome to Derry’ Explained: The Many Stephen King Connections & References in Episode Three
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‘Wicked’ Delivers a Feminist Anthem for the Ages [The Lady Killers Podcast]
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‘Frankenstein’ Page to Screen: Guillermo del Toro’s Modern Updates of Mary Shelley’s Classic