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The Familiar Class Critique of ‘The Inheritance’ [Review]
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‘Amityville Frankenstein’ Isn’t Worth Reanimating [The Amityville IP]
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The Male/Male Metal Romance Behind ‘Tetsuo: The Iron Man’ [Horror Queers Podcast]
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‘Amityville Death Toilet’ Flushes the “Franchise” Even Further Down the Toilet [The Amityville IP]
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‘Bit’ Is a Little Vampire Film With Plenty of Bite [Horror Queers Podcast]
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Lifetime’s ‘Death Down the Aisle’ Is All Business and Red Herrings [Review]
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Is ‘Amityville Ride-Share’ Secretly Self-Aware? [The Amityville IP]
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Defending the Controversial Last Act of Danny Boyle’s ‘Sunshine’ [Horror Queers Podcast]
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Culinary Thriller ‘What You Wish For’ Is a Dish Worth Dying For [Review]
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‘Daddy’s Deadly Secret’ Is One of the Year’s Best Lifetime Thrillers [Review]
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‘Ghosts of Amityville’ Unleashes the ‘Amityville Clown’ [The Amityville IP]
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The Prescient Politics of Ridley Scott’s ‘Alien’ [Horror Queers Podcast]
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‘Amityville Thanksgiving’ Fails to Cook Up a Tasty Meal [The Amityville IP]
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Ableism, Representation, and Perverse Sexuality in ‘Wait Until Dark’ [Horror Queers Podcast]
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Lifetime’s ‘The Manny’ Is a Fun, Silly Take on ‘The Stepfather’ [Review]
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Silly, Self-Aware ‘Amityville Christmas Vacation’ Is a Welcome Change of Pace [The Amityville IP]
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A Little Fear of Penetration in David Cronenberg’s ‘eXistenZ’ [Horror Queers Podcast]
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‘The King Tide’: An Island Town Rots with Moral Decay in Canadian Folk Horror Fable [Review]
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Lifetime’s ‘Fatal Fixer Upper’ Needs a Few Plot Repairs [Review]
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‘Amityville Karen’ Is a Weak Update on ‘Serial Mom’ [Amityville IP]
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The Double ‘Othering’ of David in ‘An American Werewolf in London’ [Horror Queers Podcast]
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Lifetime’s ‘Million Dollar Lethal Listing’ Is a Sensational Exploration of Money and Marriage [Review]
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Lock ‘Amityville Cop’ Up and Throw Away the Key [The Amityville IP]
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Netflix’s ‘Ripley’ Series Is a Gorgeous, Methodical Adaptation [Review]