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‘Amityville Job Interview’ Doesn’t Get the Job Done [The Amityville IP]
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1999’s ‘The Haunting’ Offers Exquisite Sets and Little Else [Horror Queers Podcast]
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‘The Dead Thing’ Is a Stylish Look at a Toxic LA Relationship [Fantasia Review]
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Musical Horror Comedy ‘Chainsaws Were Singing’ Is a Gory Delight [Fantasia Review]
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‘Frankie Freako’ Is a Fun Ode to ’90s Puppet Mayhem Movies [Fantasia Review]
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‘The Chapel’ Offers Great Performances and Muddled Supernatural Thrills [Fantasia Review]
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‘Shelby Oaks’ Review – Chris Stuckmann’s Debut Wears Its Horror Influences On Its Sleeve
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Lifetime’s ‘When Mom Becomes a Murderer’ Is Equal Parts Mystery and Silly [Review]
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The Queer Undertones of Stanley Kubrick’s Masterful ‘Eyes Wide Shut’ [Horror Queers Podcast]
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The Familiar Class Critique of ‘The Inheritance’ [Review]
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‘Amityville Frankenstein’ Isn’t Worth Reanimating [The Amityville IP]
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The Male/Male Metal Romance Behind ‘Tetsuo: The Iron Man’ [Horror Queers Podcast]
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‘Amityville Death Toilet’ Flushes the “Franchise” Even Further Down the Toilet [The Amityville IP]
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‘Bit’ Is a Little Vampire Film With Plenty of Bite [Horror Queers Podcast]
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Lifetime’s ‘Death Down the Aisle’ Is All Business and Red Herrings [Review]
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Is ‘Amityville Ride-Share’ Secretly Self-Aware? [The Amityville IP]
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Defending the Controversial Last Act of Danny Boyle’s ‘Sunshine’ [Horror Queers Podcast]
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Culinary Thriller ‘What You Wish For’ Is a Dish Worth Dying For [Review]
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‘Daddy’s Deadly Secret’ Is One of the Year’s Best Lifetime Thrillers [Review]
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‘Ghosts of Amityville’ Unleashes the ‘Amityville Clown’ [The Amityville IP]
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The Prescient Politics of Ridley Scott’s ‘Alien’ [Horror Queers Podcast]
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‘Amityville Thanksgiving’ Fails to Cook Up a Tasty Meal [The Amityville IP]
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Ableism, Representation, and Perverse Sexuality in ‘Wait Until Dark’ [Horror Queers Podcast]
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Lifetime’s ‘The Manny’ Is a Fun, Silly Take on ‘The Stepfather’ [Review]