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Investigating Jim Jones and the Jonestown Massacre [Murder Made Fiction Podcast]
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The Double Divas at the Heart of ‘Night of the Demons’ [Horror Queers Podcast]
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‘A Nurse’s Revenge’ Is a Classic Lifetime Thriller [Review]
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‘The Line’ Is a Scathing Indictment of Frat Culture [Review]
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Tubi’s ‘The Amityville Curse’ Is the Franchise’s 2nd Remake [The Amityville IP]
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‘House of 1000 Corpses’ is Rob Zombie’s Ode to ‘TCM’ ’74 [Murder Made Fiction]
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The Screaming and Cannibalism of 1974’s ‘The Texas Chain Saw Massacre’ [Horror Queers Podcast]
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‘Sweetpea’ Offers a Familiar But Entertaining ‘Meek to Murder’ Plot [Review]
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Lifetime’s ‘The Book Club Murders’ Features a Great Over the Top Killer [Review]
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‘Birth’ Was So Much More Than Its Notorious Bathtub Scene [Horror Queers Podcast]
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Serving Up a Month of Jeffrey Dahmer [Murder Made Fiction Podcast]
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‘Amityville: Emanuelle’ Brings the Funny Back to the “Franchise” [The Amityville IP]
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Celebrating Under Seen Zombie Film ‘The Girl With All The Gifts’ [Horror Queers Podcast]
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‘Hold Your Breath’ Review – Sarah Paulson Can’t Save a Predictable Frontier Tale [TIFF]
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‘Ick’ Review – Joseph Kahn Delivers an Entertaining, Uneven Horror Comedy [TIFF]
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The “Weird” Appeal of Tim Burton’s ‘Beetlejuice’ [Horror Queers Podcast]
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‘Else’ Review – Worlds and Bodies Merge in French Virus Film [TIFF]
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‘Seeds’ Review – Indigenous Comedy Thriller Is Fun, But Inconsistent [TIFF]
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Lifetime’s ‘The Past Comes Knocking’ Takes Itself a Bit Too Seriously [Review]
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‘The Perfect Couple’ Is Netflix’s Attempt to Do ‘The White Lotus’ [Review]
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Car Sex and Serial Killing in ‘Titane’ [Horror Queers Podcast]
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‘Amityville Elevator’ Is an Allegory for the Entire “Franchise” [The Amityville IP]
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The Mean Prescience of ‘Unfriended: Dark Web’ [Horror Queers Podcast]
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Lifetime’s ‘Stepmom from Hell’ Spoils the Reveal [Review]