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The Explicit Lesbianism in Robert Wise’s ‘The Haunting’ [Horror Queers Podcast]
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‘The Amityville Horror’ Is a Mid-Tier Update from the 2000s Remake Boom [The Amityville IP]
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The Weird Walrus Fetish in Kevin Smith’s ‘Tusk’ [Horror Queers Podcast]
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‘Amityville: Dollhouse’ – 1996 Sequel Offers an Odd Collection of Half-Baked Ideas [The Amityville IP]
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Kicking Off Weird Sex Month with the 40th Anniversary of ‘Videodrome’ [Horror Queers Podcast]
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‘Amityville: A New Generation’ Offers Exceptional Cinematography and Amusing Dialogue [The Amityville IP]
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The Queer Undertones of Lucille in ‘Crimson Peak’ [Horror Queers Podcast]
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Celebrating the Best Horror of 2022 with the Hereditary Awards Winners! [Horror Queers Podcast]
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‘Amityville 1992: It’s About Time’ Is a Top-Tier Franchise Entry [The Amityville IP]
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‘Sick’ Review – Kevin Williamson’s Return Is a White-Knuckle Slasher That Goes Hard
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‘Rhymes for Young Ghouls’ – Jeff Barnaby’s Film Is a Stark Reminder of Canada’s Genocide [Maple Syrup Massacre]
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‘The Perfection’: Rape/Revenge in the #MeToo Era [Horror Queers Podcast]
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The Amityville IP: 1990 Canuxploitation Sequel ‘The Amityville Curse’ Is Watchable, But Forgettable
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The Amityville IP: ‘The Evil Escapes’ Brought the Franchise Straight-to-Video with a Possessed Lamp
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Questioning The Lesbian Representation in ‘Wrong Turn 4: Bloody Beginnings’ [Horror Queers Podcast]
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Erotic Thriller ‘Color of Night’ Lacks Both Skin and Scares [Sex Crimes]
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BD’s ‘Horror Queers’ Celebrate the Best Horror of 2022 with Fourth Annual “Hereditaries” Awards; Vote Now!
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The Amityville IP: 1983’s ‘Amityville 3D’ Has a Great Climax and a Bland Protagonist
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Repressed Lesbianism and Otherness in Val Lewton’s ‘Cat People’ [Horror Queers Podcast]
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Praising the Gold Standard of Femme Fatales in ‘Double Indemnity’ [Sex Crimes]
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“Chucky” Season 2 Post-Mortem with Don Mancini: “There Were Death Threats” [Interview]
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The Queer Horror of “Chucky”: Episode 2.08 – “Chucky Actually”
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The Amityville IP: 1981’s ‘Amityville II: The Possession’ Takes The Franchise in a Wild Direction
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Doppelgängers, Disorientation and Double Binds in Satoshi Kon’s ‘Perfect Blue’ [Horror Queers Podcast]
