Joe Lipsett

Joe is a TV addict with a background in Film Studies. He co-created TV/Film Fest blog QueerHorrorMovies and writes for Bloody Disgusting, Anatomy of a Scream, That Shelf, The Spool and Grim Magazine. He enjoys graphic novels, dark beer and plays multiple sports (adequately, never exceptionally). While he loves all horror, if given a choice, Joe always opts for slashers and creature features.

Editorials / Mar 28, 2023

‘The Amityville Asylum’ Has a Cult, Accents, and Poor Indigenous Representation [The Amityville IP]
Podcasts / Mar 27, 2023

The Outstanding Creature FX of Low Budget Indie ‘Splinter’ [Horror Queers Podcast]
Editorials / Mar 27, 2023

The Class Critique at the Heart of ‘The Tutor’ Starring Noah Schnapp [Sex Crimes]
Reviews / Mar 16, 2023

‘Boston Strangler’ Review – Austere Period Drama Tackles Gender, Obsession and True Crime
Editorials / Mar 14, 2023

‘The Amityville Haunting’ Takes the Franchise into the Found Footage Arena [The Amityville IP]
Podcasts / Mar 13, 2023

Rewriting the Rules and (Re)Inventing the Requel With ‘Scream’ 2022 [Horror Queers Podcast]
Podcasts / Mar 6, 2023

The Explicit Lesbianism in Robert Wise’s ‘The Haunting’ [Horror Queers Podcast]
Editorials / Feb 28, 2023

‘The Amityville Horror’ Is a Mid-Tier Update from the 2000s Remake Boom [The Amityville IP]
Podcasts / Feb 20, 2023

The Weird Walrus Fetish in Kevin Smith’s ‘Tusk’ [Horror Queers Podcast]
Editorials / Feb 15, 2023

‘Amityville: Dollhouse’ – 1996 Sequel Offers an Odd Collection of Half-Baked Ideas [The Amityville IP]
Podcasts / Feb 6, 2023

Kicking Off Weird Sex Month with the 40th Anniversary of ‘Videodrome’ [Horror Queers Podcast]
Editorials / Feb 1, 2023

‘Amityville: A New Generation’ Offers Exceptional Cinematography and Amusing Dialogue [The Amityville IP]
Podcasts / Jan 23, 2023

The Queer Undertones of Lucille in ‘Crimson Peak’ [Horror Queers Podcast]
Podcasts / Jan 20, 2023

Celebrating the Best Horror of 2022 with the Hereditary Awards Winners! [Horror Queers Podcast]
Editorials / Jan 17, 2023

‘Amityville 1992: It’s About Time’ Is a Top-Tier Franchise Entry [The Amityville IP]
Movies / Jan 11, 2023

‘Sick’ Review – Kevin Williamson’s Return Is a White-Knuckle Slasher That Goes Hard
Editorials / Jan 10, 2023

‘Rhymes for Young Ghouls’ – Jeff Barnaby’s Film Is a Stark Reminder of Canada’s Genocide [Maple Syrup Massacre]
Podcasts / Jan 9, 2023

‘The Perfection’: Rape/Revenge in the #MeToo Era [Horror Queers Podcast]
Editorials / Jan 3, 2023

The Amityville IP: 1990 Canuxploitation Sequel ‘The Amityville Curse’ Is Watchable, But Forgettable
Editorials / Dec 20, 2022

The Amityville IP: ‘The Evil Escapes’ Brought the Franchise Straight-to-Video with a Possessed Lamp
Podcasts / Dec 18, 2022

Questioning The Lesbian Representation in ‘Wrong Turn 4: Bloody Beginnings’ [Horror Queers Podcast]
Editorials / Dec 13, 2022

Erotic Thriller ‘Color of Night’ Lacks Both Skin and Scares [Sex Crimes]
Editorials / Dec 12, 2022

BD’s ‘Horror Queers’ Celebrate the Best Horror of 2022 with Fourth Annual “Hereditaries” Awards; Vote Now!
Editorials / Dec 6, 2022

The Amityville IP: 1983’s ‘Amityville 3D’ Has a Great Climax and a Bland Protagonist