Mike Flanagan’s latest Netflix series, The Midnight Club is an adaptation of not just one Christopher Pike novel, but many of the prolific 80s and 90s...
Each week, Joe Lipsett will highlight a key scene or interaction in Season 2 of Don Mancini’s “Chucky” series to consider how the show is engaging...
As we prepare for David Bruckner’s new take on Clive Barker‘s iconic text Hellraiser, what better time to re-evaluate the state of the franchise up to...
The People’s Joker opens with a disclaimer: “This film is a parody and is at the present time completely unauthorized by DC Comics, Warner Brothers, or...
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Each of the first four episodes of Vampire Academy, the new YA series from creators Julie Plec and Marguerite MacIntyre, opens with a quick sequence outlining...
Director Tim Story’s slasher The Blackening has a killer premise: if all of the characters are Black, who dies first? In the adaptation of 3peat’s Comedy...
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Neil LaBute films tend to have similar characteristics. The gifted playwright has a way with words, so his scripts are smart and snappy. He also has...
Ariel Would Never We’re finally into September after a wild and diverse August filled with professional women, queer Chosen Families, owl-headed slashers, horny lighthouse keepers, and...
Joanna Hogg’s The Eternal Daughter begins like so many Gothic stories before it: a car driving along a foggy backwoods road en route to a nearly...
Ass Blasters After a month of divergent picks ranging from John Carpenter’s made-for-TV movie Someone’s Watching Me! to Clive Barker’s sprawling Nightbreed to Michele Soavi’s Italian...
Profound Fart Work August has been a whirlwind month of far-ranging films! Trace and I started with our first John Carpenter in the made-for-TV film Someone’s...
Judy Judy Judy After five weeks of nothing but Camp films, including pageant mockumentary Drop Dead Gorgeous, 3D monstrosity Nurse, and a pair of shocking and offensive...
Dario Argento’s latest film Dark Glasses finds the Master of Horror back on (somewhat) solid ground. While Dark Glasses has several classic Giallo elements, in reality, the...
<slurping noise> It’s been a wild ride on the podcast this month as Trace and I make our way through a number of camp classics. After...
In the opening scene of Andy Mitton’s The Harbinger, a masked man enters a woman’s apartment to find her screaming and clawing at her arm so...
The logline for writer/director Berkley Brady’s directorial feature debut Dark Nature describes it as “the story of a therapy group that is forced to confront the...
Suma Trashalogical After getting things started early with our Independence Day episode on Drop Dead Gorgeous, we went full camp last week with modern entry Nurse 3D...
Remakes of popular films are inevitable, particularly when a film with a unique high concept takes off. It’s hardly surprising, then, that a title like 2017’s...
The Answer is NURSE. Last week Trace and I kicked off our Summer of Camp marathon with the satirical romp Drop Dead Gorgeous (1999), a film so...
Structured like a play and filmed in inky black and white, actor Mark O’Brien’s feature directorial debut The Righteous is a dialogue-driven examination of grief, responsibility...
The last installment of this column explored legendary director Adrian Lyne’s masterclass entry in the erotic thriller canon: Fatal Attraction. The 1987 film, steeped in Conservative...
Shut Up, Pascal! May continues to be a month of extremes. Trace and I started the month with Jane Schoenbrun’s microbudget creepypasta film We’re All Going...
Meta Jason We’re past the halfway point of May and Trace and I have already watched a number of unusual films and had great conversations! Last...
Baby Catfish April is firmly in the rearview, though Trace and I are still basking in the great conversations we had about Mexican sci-fi film The...
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