Joanna Hogg’s The Eternal Daughter begins like so many Gothic stories before it: a car driving along a foggy backwoods road en route to a nearly...
Ass Blasters After a month of divergent picks ranging from John Carpenter’s made-for-TV movie Someone’s Watching Me! to Clive Barker’s sprawling Nightbreed to Michele Soavi’s Italian...
Profound Fart Work August has been a whirlwind month of far-ranging films! Trace and I started with our first John Carpenter in the made-for-TV film Someone’s...
Judy Judy Judy After five weeks of nothing but Camp films, including pageant mockumentary Drop Dead Gorgeous, 3D monstrosity Nurse, and a pair of shocking and offensive...
Dario Argento’s latest film Dark Glasses finds the Master of Horror back on (somewhat) solid ground. While Dark Glasses has several classic Giallo elements, in reality, the...
<slurping noise> It’s been a wild ride on the podcast this month as Trace and I make our way through a number of camp classics. After...
In the opening scene of Andy Mitton’s The Harbinger, a masked man enters a woman’s apartment to find her screaming and clawing at her arm so...
The logline for writer/director Berkley Brady’s directorial feature debut Dark Nature describes it as “the story of a therapy group that is forced to confront the...
Suma Trashalogical After getting things started early with our Independence Day episode on Drop Dead Gorgeous, we went full camp last week with modern entry Nurse 3D...
Remakes of popular films are inevitable, particularly when a film with a unique high concept takes off. It’s hardly surprising, then, that a title like 2017’s...
The Answer is NURSE. Last week Trace and I kicked off our Summer of Camp marathon with the satirical romp Drop Dead Gorgeous (1999), a film so...
Structured like a play and filmed in inky black and white, actor Mark O’Brien’s feature directorial debut The Righteous is a dialogue-driven examination of grief, responsibility...
The last installment of this column explored legendary director Adrian Lyne’s masterclass entry in the erotic thriller canon: Fatal Attraction. The 1987 film, steeped in Conservative...
Shut Up, Pascal! May continues to be a month of extremes. Trace and I started the month with Jane Schoenbrun’s microbudget creepypasta film We’re All Going...
Meta Jason We’re past the halfway point of May and Trace and I have already watched a number of unusual films and had great conversations! Last...
Baby Catfish April is firmly in the rearview, though Trace and I are still basking in the great conversations we had about Mexican sci-fi film The...
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In the previous installment of my ongoing Sex Crimes column, I explored a failed effort to revitalize the erotic thriller sub-genre in anticipation of Deep Water,...
Kill Your Bullies We’ve been bouncing around the decades ever since we wrapped up our ‘Underseen or Underrated’ theme, with stops in 1960 London for Peeping Tom,...
![The Voyeuristic Pleasures of Proto-Slasher 'Peeping Tom' [Horror Queers Podcast]](https://i0.wp.com/bloody-disgusting.com/wp-content/uploads/2018/03/peeping-tom.jpg?resize=400%2C240&ssl=1)
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Not Your Grindr’s Voyeurism We spent the better part of 2.5 months exploring an “underseen or underrated?” theme, including Gaspar Noé’s Climax and Kurtis David Harder‘s Spiral before wrapping up with...
With the long awaited arrival of Adrian Lyne’s Deep Water last week, and the attention devoted to Ti West’s exploration of pornography, exploitation and horror films,...
![The DIY Gay Aesthetics of 'Death Drop Gorgeous' [Horror Queers Podcast]](https://i0.wp.com/bloody-disgusting.com/wp-content/uploads/2022/03/Death-Drop-Gorgeous.jpg?resize=400%2C240&ssl=1)
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Dick in 5 Minutes. We’ve reached the end of the road on our “underseen or underrated?” theme. For the last three months we’ve been discussing films...
Trace and I are closing in on the end of our “underrated or underseen” theme. After spending February looking at films from 2016 – 2018, including...
Hellbender is now streaming on Shudder. Read on for our review. The Adams Family are doing the kind of pioneering DIY work that most low-budget independent...
Aronofsky Autobiography? After a few weeks of back to back quiet, moody films for our “underrated or underseen” theme, including Oz Perkin’s The Blackcoat’s Daughter for 2015 and...
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