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“The Most Documented Exorcism in U.S. History”: Resurrecting the Real Story Behind ‘The Ritual’
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Mixing Body Parts in Frank Henenlotter’s ‘Frankenhooker’ [Horror Queers Podcast]
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‘The Countess’ Removes the Sensationalism from Countess Bathory’s Story [Murder Made Fiction]
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The “Franchise” Goes Western with ‘Once Upon a Time in Amityville’ [The Amityville IP]
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The Moody Vibes of Vampire Western ‘A Girl Walks Home Alone At Night’ [Horror Queers Podcast]
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Hammer Horror Meets True Crime in 1971’s ‘Countess Dracula’ [Murder Made Fiction Podcast]
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Director Haylie Duff’s ‘I Am Your Biggest Fan’ Is a Predictable But Watchable Kidnapping Thriller [Review]
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Mother Nature Strikes Back in ‘The Feast’ [Horror Queers Podcast]
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Debating What Makes An Amityville Film [Murder Made Fiction Podcast]
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Sequel ‘Amityville VR’ Expands Upon the World of ‘Amityville AI’ [The Amityville IP]
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‘Amityville: The Awakening’ Tips Its Hat to Its Amityville Origins [Murder Made Fiction Podcast]
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The Teenage Desires Driving John Carpenter’s ‘Christine’ [Horror Queers Podcast]
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‘The Shrouds’ Review – David Cronenberg Plays His Greatest Hits
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Does ‘Amityville AI’ Even Know What AI Is? [The Amityville IP]
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The Exploitation Vibes of ‘Amityville II: The Possession’ [Murder Made Fiction Podcast]
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‘Panic Room’ Is a Top Tier Popcorn Flick [Horror Queers Podcast]
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Lifetime’s ‘Secrets in the Foundation’ Offers a Bland, Familiar Haunting [Review]
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‘The Amityville Horror’ Is the Granddaddy of Supernatural True Crime Films [Murder Made Fiction]
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‘Dead Talents Society’ Review – An Instant Horror Comedy Classic
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Tubi’s ‘Ex Door Neighbor’ Cleverly Plays on Expectations [Review]
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2015’s ‘The Unspoken’ Has a Secret ‘Amityville’ Connection [The Amityville IP]
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The Emotional Devastation of 1978’s ‘Invasion of the Body Snatchers’ [Horror Queers Podcast]
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‘Snowtown’ Unpacks the Brutal “Bodies in the Barrels” Case [Murder Made Fiction Podcast]
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Lifetime’s ‘Trapped in Her Dorm Room’ Tackles Toxic Male Entitlement [Review]