There have been innumerable films titled some variation of Til Death Do Us Part, several of which are already streaming on Tubi. Writer Chris Rhetts differentiates...
It’s been a month of Ted Bundy on Murder Made Fiction, but we’re not quite done with the notorious serial killer of women just yet. After kicking...
Christmas Chainsaw Massacre. This December, Trace and I have checked out under seen 2019 gem I See You (listen), Joel Schumacher’s 2004 version of The Phantom of...
Twice a month Joe Lipsett will dissect a new Amityville Horror film to explore how the “franchise” has evolved in increasingly ludicrous directions. This is “The...
Feud: Part 2 We kicked off December with a look at the vastly underseen 2019 gem I See You (listen) before heading to Paris for Joel Schumacher’s...
There’s something delightful about a young child swearing. It feels inherently wrong, but in the proper circumstances, it can be a great source of humor and...
With the Ted Bundy primer covered off (listen), it’s time for Jenn and I to dig into our first Ted Bundy adaptation. Writer/director Matthew Bright is…an acquired...
BROOOOMHN. November wound up covering a lot of ground. We dipped a toe into pre-Code territory with Albert Ray’s 1932 title The Thirteenth Guest (listen), stayed at...
When is a Tubi Original film secretly a Lifetime film? The answer is director Kevin Arbouet’s Toxic Harmony, which has all of the familiar beats of...
The central premise of writer Stephen Romano’s Lifetime movie Don’t Let Him Find You is nearly identical to that of David Cronenberg’s A History of Violence:...
Twice a month Joe Lipsett will dissect a new Amityville Horror film to explore how the “franchise” has evolved in increasingly ludicrous directions. This is “The...
Jenn and I have spent the first part of the month dissecting fictionalized adaptations of cults, including Jim Jones and Jonestown (listen), as well as Ti...
Coppola Wine. After wrapping October with Robert Zemeckis’ hilarious dark comedy Death Becomes Her (listen), we kicked off November with a look back at Wes Craven’s...
Twice a month Joe Lipsett will dissect a new Amityville Horror film to explore how the “franchise” has evolved in increasingly ludicrous directions. This is “The...
Go To The Fucking Boiler Room. After seven weeks of our Icons and Anniversaries theme, which included titles like Bob Clark’s Black Christmas (listen), Kevin S. Tenney’s Night...
Faux Documentary. After spending the month of October discussing Ed Gein and the various cinematic adaptations of his crimes, including The Silence of the Lambs, The Texas...
Twice a month Joe Lipsett will dissect a new Amityville Horror film to explore how the “franchise” has evolved in increasingly ludicrous directions. This is “The...
Peoples Without The Apostrophe After spending the month of October discussing Ed Gein and the various cinematic adaptations of his crimes, including The Silence of the...
Weirdo Angela Our run of Gay Icons and Anniversaries continues. After kicking off October with discussions of David Fincher’s Gone Girl (listen), Tobe Hooper’s original The...
With a title like A Nurse’s Revenge, there’s no pretense about who the “villain” of the piece is. Thankfully this is never an issue for screenwriter...
There’s a micro and a macro narrative at work in writer/director Ethan Berger’s fraternity thriller The Line. On one hand, it’s a small-scale drama about Tom...
Twice a month Joe Lipsett will dissect a new Amityville Horror film to explore how the “franchise” has evolved in increasingly ludicrous directions. This is “The...
It’s a bit of whiplash to go from covering Psycho (listen), Alfred Hitchcock’s seminal 1960 classic, to Rob Zombie’s Southern-fried feature debut, House of 1000 Corpses,...
Slaughterhouse Rules. Back in mid-September, we began a themed collection of episodes featuring Gay Icons and Anniversaries. Trace and I kicked off the series with a...
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