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Why Mainstream Horror Should Lighten Up
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Think of the Children: Why ‘Weapons’ Is the Perfect Horror Movie for Today
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The Empathy Machine: Why Horror Is the Genre We Need Right Now
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Brand Awareness: Why Horror Franchises Have Trouble Evolving
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‘A Nightmare on Elm Street’ at 40: Wes Craven’s Cautionary Tale About Ignoring the Past
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Smart Grindhouse: How ‘Thanksgiving’ Reminds the World that Slashers Have Brains Too
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Generational Sins: The True Horror of “The Fall of the House of Usher”
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How ‘Talk to Me’ Adds Depth to Horror Clichés Through Loss and Loneliness
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‘Sick’ – How Kevin Williamson Redefines the Final Girl (Again)
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“Just Don’t Look”: Jordan Peele’s ‘Nope’, “Treehouse of Horror” and Fandom in the Internet Age
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‘Sinister’, ‘The Black Phone’ and the Horror of Obsession
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How ‘The Batman’ Explores the Horror of Living with Post-Traumatic Stress Disorder
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How ‘Scream’ Boldly Gives a Middle Finger to Toxic Fandom [Spoilers]
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‘Paranormal Activity: Next of Kin’ and the Mistakes of Modern Franchises
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The Scariest Scene in John Carpenter’s ‘Halloween’ Touched Upon a Real Suburban Nightmare
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Nia DaCosta’s ‘Candyman’ Uses Centuries of Trauma and Loss to Reframe and Reclaim Candyman
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Who’s Afraid of Candyman? What the Boogeyman’s Presence Says About Representation in Horror
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‘Fear Street’ Shines a Light on Horror’s History With a Patriarchal Society
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‘Bleeding Skull! A 1990s Trash-Horror Odyssey’ is an Ode to Horror Fans, Undiscovered Gems, and the Genre’s Undervalued Decade
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Why the World Needs More Diversity in Black Horror
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How ‘The Witch’ Illustrates Family and Community as Our Worst Enemies
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10 Years Later – Why ‘You’re Next’ is the Quintessential Horror Film for Millennials
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How Reality Turned John Carpenter’s ‘Escape from L.A.’ into a Horror Movie
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‘Arachnophobia’: The Power of Denial and the Horror Always Left in Its Wake
