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‘The Rule of Jenny Pen’ Review – Elder Care Horror Tale Will Make Your Skin Crawl
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Dick Maas Turned His Own Elevator Horror Movie ‘The Lift’ into ‘The Shaft’ [Revenge of the Remakes]
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‘How to Make a Monster’: The 1950s Original and the 2001 Update [Revenge of the Remakes]
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‘Invasion of the Body Snatchers’ Only Got Better from 1956 to 1978 [Revenge of the Remakes]
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‘Livescreamers’ Review – Virtual Haunted House Movie Tackles the Perils of Online Content Creation
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‘Mind Body Spirit’ Review – A Knockout Found Footage Horror Movie for the Livestream Era
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‘Do Not Watch’ Review – An Innovative Reinvention of the Found Footage Format
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‘The Fog’ 19 Years Later: There’s a Reason You Don’t Remember This John Carpenter Remake
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‘Frogman’ Review – Found Footage Oddity Finds a Bizarre Monster and Delivers on Its Promises
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‘Camp Pleasant Lake’ Review – Micro-Budget Slasher Movie Offers a Dull Trip to Sleepaway Camp
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‘Rollerball’ Turned a 1970s Cult Classic into an Early 2000s Studio Disaster [Revenge of the Remakes]
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‘Alice in Terrorland’ Review – ‘Alice in Wonderland’ Horror Movie Isn’t Great But It’s Better Than Expected
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‘Departing Seniors’ Review – Middling Teen Slasher Can’t Slay Its Own Shortcomings
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‘Cube’ – Surviving the Canadian Original and Its Japanese Remake [Revenge of the Remakes]
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‘Santa Isn’t Real’ Review – Latest Christmas Horror Movie Fails to Make the Season Bright
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‘A Creature Was Stirring’ Review – Christmas Horror Movie Struggles to Execute Its Admirable Ideas
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Slasher Renaissance? A Closer Look at the Sub-Genre That Never Went Away
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‘Don’t Suck’ Review – Vampire Horror-Comedy Is Soulless and Uninspired
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‘Godzilla Minus One’ Review -Toho’s Latest Raises the Bar for Godzilla Movies and Kaiju Cinema
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How ‘The Crazies’ Reinterprets a Romero Classic for a New Generation [Revenge of the Remakes]
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‘Do Not Disturb’ Review – Psychedelic Anarchy Is Unleashed in This Vacation Freakout
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‘Killer Book Club’ Review – Netflix’s Spanish Slasher Is a Pale Imitation of ‘Scream’
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‘Haunting of the Queen Mary’ Review – Gary Shore Chills the Bones with an Overstuffed Supernatural Voyage
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Seeing Red Again: An Appreciation of Horror’s Greatest Visual Storytelling Tool