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Todd McFarlane Wants ‘Spawn’ to Be So Dark That It Makes Children Cry!

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I love the universe’s timing. This past weekend, Columbia Pictures’ Spider-Man spinoff Venom broke box office records with a $205M global opening. Originally conceived as a horror film that could be R-rated, it ended up a PG-13 action flick. Why this is interesting is that Venom was created by Todd McFarlane, who introduced the character in “The Amazing Spider-Man” #298. After exiting Marvel years later, McFarlane would co-found Image Comics and introduce his “Spawn” into the world.

After a failed live-action adaptation and a way cool HBO animated series, McFarlane has been long developing a reboot to the franchise that is now backed by Blumhouse. After the initial announcement, it was revealed that Oscar winner Jamie Foxx will star as the title character being designed by “The Walking Dead’s” Greg Nicotero. Also starring will be Jeremy Renner.

There’s some cosmic harmony happening here in that Venom just hit theaters and McFarlane is working on something that Venom should have been. IGN caught up with McFarlane at the New York Comic Con and was able to get him to discuss his latest mindset behind Spawn.

“If you think about it as a horror [film] it makes complete sense. If you think about it as Captain America it falls apart,” he explained.

What he’s getting at is that Hollywood can’t see past the “superhero” angle of Spawn.

“Here’s what I’m trying to get Hollywood to understand because they still don’t quite get it – I want to do a dead-serious scary movie that happens to be a superhero, right? And so they keep tripping into this superhero part and I wish I could almost take that piece out of it,” McFarlane added.

Venom comes up in the conversation and is used as an example of backtracking the dangerous aspects of an R-rated movie. In his perspective, a film with a studio’s R-rating isn’t going to be as dark as he thinks it should be.

“There have been a couple of R-rated movies out there. They even teased us a little bit with Venom before they went to PG-13,” he injects. “But they’re not going to go dark in my definition of dark or Jason Blum’s definition of dark or Greg Nicotero’s definition of dark.”

He continued, “Their dark is, ‘here’s PG-13, here’s R,’ they go over a little bit.

“We’re talking that it would make your kids cry. If you’re going to do dark R, make the children cry who are under 10.

“That’s the movie,” McFarlane exclaims. “Do I think that The Joker is gonna make 10-year-olds cry? Nope. Would I make them cry? Sure I would because I’d be doing a movie for adults.”

McFarlane had been using Jaws to justify Spawn being a minor non-speaking character in his adaptation and is now adding New Line Cinema’s The Nun into the mix.

“We just saw one a couple weeks ago called [The] Nun. It’s called Nun. She’s not onscreen the most and she really doesn’t talk a whole heck of a lot, right? I mean, these kinds of movies have been done forever. I’m just saying that in a movie like Jaws, it’s called Jaws but the shark isn’t onscreen talking and whenever the Hollywood studios say, ‘How can you not have the lead character not talk?,’ you and I can stand here and come up with a hundred movies that have done this in the last twenty years. And you don’t even have to go back the last twenty years because there’s one two weeks ago called The Nun and The Nun did it, right?

“So get your Nun hat on. Get your Aliens hat on, get your John Carpenter’s The Thing, get your Jaws hat on. The Grudge, The Ring, get that hat on [and] my script makes sense. You put Captain America, Hulk on? It reads funny.”

McFarlane is saying all the right things. Let’s just hope he can find a distributor who will help him deliver what he wants onto the big screen as hits like The Nun and Venom definitely do help.

What do you want from Spawn?

Horror movie fanatic who co-founded Bloody Disgusting in 2001. Producer on Southbound, V/H/S/2/3/94, SiREN, Under the Bed, and A Horrible Way to Die. Chicago-based. Horror, pizza and basketball connoisseur. Taco Bell daily. Franchise favs: Hellraiser, Child's Play, A Nightmare on Elm Street, Halloween, Scream and Friday the 13th. Horror 365 days a year.

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‘Witchblade’ is Getting Resurrected This Summer in New Comic Series from Top Cow and Image Comics

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Witchblade cover

Witchblade, the popular comic series that initially ran from 1995 to 2015 and launched a TV series, is getting resurrected in a new comic series from Top Cow and Image Comics. It’s set to unleash heavy metal, black magic and blood this summer.

Look for the new Witchblade series to launch on July 17, 2024.

In Witchblade #1, “New York City Police Detective Sara Pezzini’s life was forever fractured by her father’s murder. Cold, cunning, and hellbent on revenge, Sara now stalks a vicious criminal cabal beneath the city, where an ancient power collides and transforms her into something wild, magnificent, and beyond her darkest imaginings. How will Sara use this ancient power, or will she be consumed by it?”

The series is penned by NYT Best-Selling writer Marguerite Bennett (AnimosityBatwomanDC Bombshells) and visualized by artist Giuseppe Cafaro (Suicide SquadPower RangersRed Sonja). The creative duo is working with original co-creator Marc Silvestri, who is the CEO of Top Cow Productions Inc. and one of the founders of Image Comics. They are set to reintroduce the series to Witchblade’s enduring fans with “a reimagined origin with contemporary takes on familiar characters and new story arcs that will hook new readers and rekindle the energy and excitement that fueled the 90’s Image Revolution that shaped generations of top creators.”

Bennett said in a statement, “The ability to tell a ferocious story full of monsters, sexuality, vision, and history was irresistible.” She adds, “Our saga is sleek, vicious, ferocious, and has a lot to say about power in the 21st century and will be the first time that we are stopping the roller coaster to let more people on. I’ve loved Witchblade since I was a child, and there is truly no other heroine like Sara with such an iconic legacy and such a rich, brutal relationship to her own body.”

“The Witchblade universe is being modernized to reflect how Marguerite beautifully explores the extreme sides of Sara through memories, her personal thoughts, like desire and hunger, in her solitude and when she is possessed by the Witchblade. So, I had to visually intersect a noir True Detective-like world with a supernatural, horror world that is a fantastic mix between Berserk and Zodiac,” Cafaro stated.

Marc Silvestri notes, “This is brand new mythology around Sara, and I can’t wait for you to fall in love with her and all the twists and turns. Discover Witchblade reimagined this summer, and join us as we bring all the fun of the 90s to the modern age and see how exciting comics can be. I can’t wait for you to read this new series.”

Witchblade#1 will be available at comic book shops on Wednesday, July 17th, for $4.99 for 48 pages. And it’ll come with multiple cover variants.

  • Cover A: Marc Silvestri and Arif Prianto (Full Color)

  • Cover B: Giuseppe Cafaro and Arif Prianto (Full Color)

  • Cover C: Blank Sketch Cover

  • Cover D (1/10): Dani and Brad Simpson (Full Color)

  • Cover E (1/25): Marc Silvestri and Arif Prianto, Virgin Cover (Full Color)

  • Cover F (1/50): J.Scott Campbell (Full Color)

  • Cover G (1/100): Bill Sienkiewicz. (Full Color)

  • Cover H (1/250): Line art by Marc. Virgin Cover, Inks (B/W)

Witchblade #1 will also be available across many digital platforms, including Amazon Kindle, Apple Books, and Google Play.

Witchblade comic panel Witchblade #1 cover image

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