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The Top Ten Devil-Themed Horror Films for Christmas!

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It’s easy to forget the true meaning of the Christmas holiday amidst all the bustle and forced calorie-laden cheer. At every turn, it seems we’re assaulted by sparkly displays in store windows, Perry Como songs on a loop, and those super annoying Gap TV ads with the blandly attractive dancing models. But see, all of that’s just a distraction – because the holiday was originally celebrated to commemorate the birth of this little guy named Jesus, you might have heard of him. Tall, bearded, long hair, white robes, Birkenstocks. Yeah, that dude. The one you’re supposed to accept into your heart if you’re to be saved from burning in hellfire for all eternity (or so I’ve heard). Ah, whatever. Forget Jesus – the Dark One is calling you. See, genre fans know what the holiday is really all about: bad-ass religion-themed horror films that utilize the fear of Hell and the Devil to leave us grabbing for those phantom rosary beads. Here’s a list of the ten best.

The Top Ten Devil-Themed Horror Films for Christmas!

10. The Beyond (1981)


When you think about it, Lucio Fulci movies are sort of like top-shelf pornography for gore-hounds. The dialogue is terrible, the acting is sub-par, and the plots are something of an afterthought, but they look great. And the money shots, well…they don’t come much better. This one involves an old hotel in Louisiana that just so happens to be built over one of the seven gateways to Hell (get out your crucifixes!). My favorite kill is probably the one with the man-eating spiders, but there’s a host of other great ones here.

Choice sacrilegious dialogue: “Woe be unto him who opens one of the seven gateways to Hell, because through that gateway, evil will invade the world.” – Emily (Cinzia Monreale), reading from the book of Eibon

9. The Sentinel (1977)


Think Models, Inc. meets Rosemary’s Baby, and you’ll have a pretty good idea of what’s in store here. Cristina Raines (who?) stars as a supermodel moving into an old apartment building that just so happens to be the gateway to Hell. The final sequence – featuring a host of actual deformed people portraying demons – is kinda awesome in a horribly offensive way. Added bonus: it features the mom from National Lampoon’s Vacation masturbating through a leotard!

Choice sacrilegious dialogue: “You are the chosen of the lord God, the tyrant and our enemy.” – Charles Chazen (Burgess Meredith)

8. Blood on Satan’s Claw (1971)


This period British horror movie – in the tradition of films like The Wicker Man and Eye of the Devil — concerns a group of youngsters, led by the seductive Angel Blake (Linda Hayden), who have taken to Devil worship. The movie is relatively creepy, with a good evocation of the period and some fine performances. While by today’s standards it’s pretty tame, there are a few genuinely unnerving sequences, one that concerns the brutal rape and ritual sacrifice of a young girl.

Choice sacrilegious dialogue: “Spirit of the Dark, take thou my blood, my flesh, my skin and walk.” – Random Devil-worshipping chick chanting just before a virgin sacrifice

7. The House of the Devil (2009)


A special shout-out to this recent offering by auteur Ti West, which offers a period `80s horror film that looks as if it could have been shot during the early days of John Carpenter. Jocelin Donahue stars as Samantha, the unlucky girl who answers an ad for a babysitter and gets way more than she bargained for. The movie is a slow build, but the climax is a doozy. Particularly for children of the Satanic-ritual-abuse obsessed 1980s, this one is likely to stir up some long-dormant fears.

Choice sacrilegious dialogue: “Talk to me, Lord. Talk to me.” – Mrs. Ulman (Mary Woronov), praying to that other God

6. The Devil’s Advocate (1997)


Despite being burdened with the wooden presence of Keanu Reeves (although this is one of his better performances), The Devil’s Advocate is damn good fun, thanks to a boisterous over-the-top performance by Al Pacino (as Lucifer), a smart script, and some great visuals. Charlize Theron does her best Rosemary Woodhouse impersonation (complete with fab new short hairdo!) playing Reeves’ wife as she slowly descends into madness.

Choice sacrilegious dialogue: “Who, in their right mind Kevin, could possibly deny the twentieth century was entirely mine?” – John Milton aka Lucifer (Al Pacino)

5. The Omen (1976)


The hokiest and possibly the most dated of the three American-made late-`60s/`70s Satanic blockbusters (including The Exorcist and Rosemary’s Baby), The Omen still stands head and shoulders above most other horror films. Young Harvey Stephens is genius as Damien, the cherubic little boy with the big bad secret (he’s the Antichrist, in case you didn’t know). The final shot still chills my blood.

Choice sacrilegious dialogue: “Look at me, Damien! It’s all for you!” – Nanny (Holly Palance), just before hanging herself from the roof of the house

4. Drag Me To Hell (2009)


This film is pretty much a literal interpretation of every God-fearing Christian’s worst nightmare – the pits of Hell opening up to devour their sinful asses. Yeah it’s PG-13, but there’s still plenty of gross-out material to rank with Raimi’s best. Overall the movie has a lot of fun with its premise, but the final twist is still liable to send all the good Catholics rushing for the confession box.

Choice sacrilegious dialogue: “I desire the SOUL of Christine Brown. We will FEAST upon it while she festers in the grave!” – Shaun San Dena [possessed by the Lamia] (Adriana Barraza)

3. Hellraiser (1987)


Hellraiser may not be your typical Christian-themed horror movie, but any film where a character utters the phrase “Jesus wept” before being ripped to pieces is just begging to be included on a list like this. The main idea behind the film is that pain and pleasure (those two seemingly contradictory sensations functioning as tidy metaphors for good and evil) are essentially indivisible. Confirming the suspicions of many of us that all those hours spent seat-squirming in Sunday school were a total waste of our time.

Choice sacrilegious dialogue: “We’ll tear your soul apart!” – Pinhead (Doug Bradley)

2. Rosemary’s Baby (1968)


Possibly director/child-rapist Roman Polanski’s greatest film, Rosemary’s Baby manages to do what most horror movies fail at: it gets right under your skin. It also functions as the blackest of comedies, helped along by a game cast including John Cassavetes as the actor willing to do anything – and I mean anything – to become a movie star. Not showing the Devil child at the end was a masterstroke (the film is a genius exercise in less-is-more filmmaking); Polanski understands that what viewers work up in their minds is more terrifying than any visual he could have come up with.

Choice sacrilegious dialogue: “God is dead! Satan Lives!” – Roman Castevet (Sidney Blackmer)

1. The Exorcist (1973)


Not only the best Christian-themed horror film of all time, but one of the best horror films of all time period, The Exorcist retains its power to disturb and fan the flames of religious fear to this day. You’re all gonna gripe that this is an obvious choice, but it’s an obvious choice for a reason: because it’s a great film that holds up like a champion, 36 years after its debut.

Choice sacrilegious dialogue: “Let Jesus fuck you! Let Jesus fuck you!” – Regan MacNeil (Linda Blair), whilst masturbating with a crucifix

Editorials

The 10 Most Disturbing Moments in ‘Evil Dead Burn’ [Spoilers]

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WARNING: The following contains major spoilers for Evil Dead Burn.

Fans of The Evil Dead franchise have become accustomed to an excess of gore. From the low-fi horror of Sam Raimi’s 1981 original and the slapstick comedy of Army of Darkness to Fede Álvarez’s 2013 remake, which literally ends in a rain of blood, grotesque dismemberment and comedic violence are as important to an Evil Dead film as the outline of Bruce Campbell’s iconic jaw.

Sébastien Vaniček‘s franchise installment, Evil Dead Burn, follows suit with wall-to-wall violence and set pieces built around extreme carnage. As the Deadites rise once again, Alice (Souheila Yacoub) must fight to the death against her possessed in-laws hell-bent on punishing her for their family’s sins. 

Co-written by Vaniček and Florent Bernard, Evil Dead Burn follows the ill-fated Price family, descendants of Dr. Benjamin Price who discovered an ancient dagger capable of sending Kandarian demons back to hell. Newly uncovered from its protective spell, this dagger has called to the evil dead and led them to the family’s ramshackle home. Keeping plot to a bare minimum, Vaniček fills nearly every scene with powerful Deadites and their dastardly acts as they torture the Prices to find the weapon. Horrific moments like a woman drinking hot wax from a lit candle and a shocking post-credits child murder don’t even crack the top ten of disgusting, painful, and disturbing carnage that floods the film.

In any other franchise, we would be listing the film’s most gruesome kills. But fans of Evil Dead know that when we’re talking about the Necronomicon, mere death is only the beginning. 


10 ) Deadites Burn

Though Burn checks off all the Evil Dead boxes, its story is a franchise anomaly. Rather than possessing anyone who crosses their path, Vaniček’s Deadites have set their sights specifically on an unwitting clan, intent on recovering the powerful dagger. Resurrected from a nearby lake, Deadite Jessica (Greta van den Brink) informs us of this plan while murdering the eldest Price son. Will (George Pullar) is speeding down a deserted road when he slams into the malevolent demon standing in the middle of the road. After his car rolls off the deserted road, he awakens to find himself upside down, a strange woman lodged in his cracked windshield. 

As he desperately tries to reach his phone, Jessica slowly twists her head, tearing the skin of her distended neck. Completely detached from her shattered body, the demon’s head rolls out the window and begins chanting a Kandarian curse. Will’s car bursts into flames as Jessica vows to seek out the rest of his family. While burning alive, Will learns that he is merely the first on a deadly hitlist filled with the people he loves most. 


9) Dinner from Hell

Despite a remarkably streamlined plot, Vaniček hints at the Price family’s extensive dysfunction. An uncomfortable dinner erupts in aggression as they gather for lunch after Will’s funeral. Mother Susan (Tandi Wright) berates her recently widowed daughter-in-law while father Edgar (Erroll Shand) — already under Kandarian influence — blames younger son Joseph (Hunter Doohan) for his eldest son’s death. No one is safe as long-held tensions break through to the surface and family secrets ricochet through the air. 

With Edgar behaving erratically, Alice and Thya (Luciane Buchanan), Joseph’s girlfriend, try to move sharp objects out of his reach. But Edgar manages to get a hold of a fork and turns his rage on the family dog. As he stabs Max repeatedly in the face, Joseph tries to pull his father away. Both are injured in the struggle and rush to the hospital, leaving Susan and Alice to deal with the corpse. A horrific moment of animal cruelty, this scene sets up a no-holds-barred film in which anyone can be brutalized. But perhaps most disturbing is the viciousness already lurking in this troubled family, barely concealed resentments that existed long before the Kandarian threat. 


8 ) Bathroom Brawl

As Deadites possess the Price family, Alice barricades herself in an upstairs bathroom. She reluctantly shields her mother-in-law, despite Susan’s atrocious behavior. Almost immediately, Alice regrets this decision when the woman reveals the depths of her hatred. She rejects clear evidence of Will’s domestic abuse, continuing to blame Alice for their troubled marriage. Leaning her cheek against a scalding hot radiator, Susan submits to Kandarian possession and becomes a Deadite before our eyes. Though disturbing on its face, she seems to choose possession over an honest reckoning of her family’s dark secrets.  

Now a Deadite, Susan attacks Alice with broken shards of the toilet bowl and wraps the shower curtain around her head. Scampering across the ceiling, she hangs her daughter-in-law by the neck with the plastic sheet as Alice desperately gasps for air. With only her hand free, Alice gouges Susan’s face with a safety razor, finally managing to break herself free. As Deadite Susan taunts her from the corner, Alice revs up a brush trimmer and plunges the circular blade into her shoulder and chest. We cheer for Alice as she finally pushes back against Susan’s passive-aggressive disdain.


7) The Pen is Mightier

In a sea of blood-splattered dismemberment, one scene is so tense that it makes us squirm despite its lack of visual gore. With the family’s ailing matriarch possessed, Deadite Polly (Maude Davey) attacks Alice in the upstairs hallway, pressing her face against the bush trimmer’s still blade. Insisting that Alice has caused Will’s death, Polly invites the grieving woman to avenge her child by turning on the power tool. An instant before her mother-in-law can send the blade tearing into her cheek, Alice manages to escape by jamming a shard of glass into Polly’s eye. But not before the elderly demon can deliver a cringe-worthy injury. 

Though Alice struggles with all her might, Polly slowly drives a fountain pen into the younger woman’s ear canal. Ringing blots out all other sounds as Alice’s face twists in pain. We imagine a tiny object bursting through our own eardrums, puncturing the soft tissue lying beneath. Though Alice tries to extract the pen, she only succeeds in breaking it off, leaving half of the quill buried in her ear. She will eventually use tweezers to remove the tip, sparking another moment of deafening agony.  


6) Chekhov’s Dishwasher

As Susan prepares for the aforementioned family meal, Vaniček drops a delicious bit of foreshadowing. While the grieving mother thaws frozen food, she absently fills an old dishwasher whose door has long since busted its latch. Reminiscent of a scene from Final Destination, the faulty appliance falls open, leaving a shelf full of gleaming forks and knives suspended a foot above the floor, just waiting for their moment to strike. After returning from a fatal incident we’ll discuss in a moment, Deadite Thya returns to the Price home, hell-bent on retrieving the powerful knife. 

As she advances on Joseph, the frightened son retreats to the kitchen and brandishes a carving knife, subtly nodding to an ultra-violent kitchen scene in Álvarez’s Evil Dead. But Thya will not be deterred. Advancing on her boyfriend, the Deadite startles him into tripping on the outstretched door and impaling himself on the upturned utensils. She presses Joseph further onto the blades while he plunges a corkscrew into her throat. But even this will not stop the maniacal demon, who rips her throat open with the wine tool, dripping her blood over Joseph’s upturned face. Adding insult to injury, she marvels at his willingness to kill the woman he professed to love, casting a pall over their entire relationship. Not only gruesome and excruciatingly tense, but this moment plays into Joseph’s insecurities as the failed son of this disturbed family. 


5 ) On the Lake

Evil Dead Burn begins on a seemingly peaceful lake overrun with lurking Kandarian demons. Jared (Keanu Karim) is trying to enjoy a quiet day of fishing but can’t stop his friend Leo (Victory Ndukwe) from answering the phone. Along the dock, Jared notices a bite on Leo’s reel and eventually pulls up a severed head savvy viewers may recognize from Lee Cronin’s 2023 sequel Evil Dead Rise. Moments later, Jared finds himself ensnared by reels, hooks digging into the corner of his mouth and eyelid. As the fishing line wraps around his neck, he’s dragged, screaming, into the lake. 

Leo returns in the pouring rain and sees Jared desperately calling for help. He quickly boats out to save his friend, but a mysterious force pulls him down into the depths. Leo finally drags Jared back into the boat, only to see that his body has been cut in half, intestines spilling out of his bisected waist. As he struggles to make sense of this carnage, Deadite Jessica emerges from the lake and capsizes the boat, her clenched demon hands causing the water to boil. Though Leo manages to swim to shore, his skin is a blistered and bubbly mess. Deadite Jessica absently steps on his hand, easily peeling away flesh like overcooked meat. This jaw-dropping opener not only sets the stage for a brutal film, but situates the story in franchise lore while simply explaining the Deadites’ return.  


4) Car Trouble

The shocking trailer to Evil Dead Burns shows the aftermath of a vicious attack. As Deadite Thya crosses the family threshold, the camera reveals a car’s headrest still impaling her face. But this devastating sight merely hints at the cruel circumstances of her actual death. Incapacitated in the disastrous family dinner, Edgar slumps in the backseat while Joseph tends to his wounds. Though seemingly incapacitated, the possessed father snaps to attention and wraps his seatbelt around Thya’s neck, pushing against the back of her seat. Joseph holds a gun to his father’s head, but can’t bring himself to pull the trigger. 

As Thya tries to escape the car, Edgar viciously slams the door, severing four of her fingers. She manages to trigger a fire extinguisher, filling the car with cloudy white chemicals and giving Joseph a chance to escape. But Thya is not so lucky. Trapped in the car, she screams as Edgar pummels her with a detached headrest, stabbing the poles through her neck and face. Joseph watches from a safe distance as his father beats his girlfriend to death, knowing he was unable to save her life. 


3) Head Shots

evil dead burn review

When Deadite Thya comes stumbling back home, Joseph believes he’s seen the worst. Unfortunately, his misery is only beginning. After fighting off his newly-sadistic undead girlfriend, he tries to flee with his surviving family, only to find Deadite Edgar blocking his path. Flanked by Deadite Max, Edgar taunts his son by insisting that he should be dead in Will’s place and confirming the young man’s greatest fears. Edgar then does what Joseph could not and shoots himself in the head. 

The family screams in horror at this devastating sight, then freezes in stunned silence as Edgar does not fall. Grinning, the maniacal father shoots himself twice more, blowing gaping holes in the sides of his head. For the rest of the film, Deadite Edgar will terrorize his family with these unthinkable wounds, even tempting his wife with a bloody kiss. Vaniček mixes emotional devastation with gore as Joseph must watch his father’s suicide while confronting the truth of his own ineptitude. 


2) Down Through the Chimney

Along with references to the beloved Ash (Campbell), it’s become tradition for an Evil Dead film to reference the franchise’s signature weapon. But Vaniček subverts our expectations when Edgar’s chainsaw is out of gas. Instead, Alice employs a rusty bush trimmer to fight off her Deadite mother-in-law. Unfortunately, the extended weapon only shreds her flesh, leaving the monstrous woman still able to fight. Trapped in the attic, Alice must clamber out of an upper window with Deadite Susan hot on her heels. 

Having dropped the ceremonial knife off the third-story roof, Alice has no choice but to improvise. Toting the bush trimmer, she inches her way down the chimney, pausing to turn halfway down. As Susan follows her daughter-in-law down the chute, Alice turns on the bush trimmer and waits for impact. Vaniček brings us into the living room as buckets of blood and dismembered body parts begin to rain down over the hearth. It’s the kind of moment Evil Dead fans love, gleefully gory carnage via an unexpected power tool.  


1 ) Goodbye Stranger

Despite this plethora of grisly gore, Vaniček’s final act tops the list while delivering a poignant beat of empowerment. With the house on fire and the Deadites subdued, we believe that Alice is finally safe. But as she watches the Price home burn to the ground, the corpse of her husband walks out of the flames. He taunts her memories of their abusive marriage, insisting that she stayed because she likes the pain. Demanding the sacred weapon, Deadite Will chases Alice to a construction site and into an open hydraulic press. In the fall, Alice impales her ankle on a massive spike, leaving her trapped as the pit fills with boiling hot tar.  

But Alice finds the strength to save herself and pulls her ankle off the bloody spike. She distracts Will with a decoy knife, then pummels his chest with a jackhammer. Exacerbating her emotional pain, Deadite Will reminds her of his love. But it seems that Alice has had enough. She stabs him with the ceremonial blade, then crushes his head as it turns to ash. It’s a well-earned moment of empowerment as our final girl vanquishes her most powerful demon.

Vaniček’s crowd-pleaser continues the Evil Dead trend of gleefully crude massacres. Two extra scenes hint at a continuation of this gruesome massacre, promising more brutality in films to come. 

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