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[Special Feature] Reflect Back On the ‘Underworld’ Franchise & Its Sexy Heroines!

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Underworld Kate Beckinsale

With Screen Gems’ Underworld: Awakening 3D hitting theaters on January 20, 2012 (which is just around the corner, practice writing that new year now so your checks are legit in a few weeks) you might be looking for a refresher on some of the events of the franchise. These films, believe it or not, have been going strong for almost a decade now – and since they focus heavily on the lineage of several specific families and clans viewed though the lens of a highly political war between Vampires and Lycans – they’re not 100% stand alone.

And one thing is certainly different this time as opposed to the prior outing – Kate Beckinsale has returned to the series, reprising her role as Selene. Also changing hands are the reigns behind the camera – the film is directed by Mans Marlind and Bjorn Stein. It also stars Stephen Rea, Michael Ealy, Theo James, India Eisley and Charles Dance.

Kate Beckinsale, star of the first two films, returns in her lead role as the vampire warrioress Selene, who escapes imprisonment to find herself in a world where humans have discovered the existence of both Vampire and Lycan clans, and are conducting an all-out war to eradicate both immortal species.

Hit the jump for a quick, Underworld: Awakening 3D sponsored, look back at the first three films.

Underworld 2003

Underworld Kate Beckinsale

For starters the entire franchise has strong shades of “Romeo & Juliet” throughout. While there isn’t one central romance that runs through all three films (there are several – with the Selene/Michael Corvin tryst being central to the first two films) the centuries long battle between the Vampires and the Lycans is imbued with dashes of the Montagues and Capulets in the sense that this is a blood feud that has not only killed countless “beings”, but has fractured the internal politics of the franchise’s central family units. A war predicated, in many ways, on secrets, misunderstandings and the vampire enslavement of Lycans.

In Underworld the accepted truth, as Selene knows it, is simply that the Lycans are a menace and that it is her duty – as a Death Dealer – to eliminate them. As she investigates their surprisingly specific targeting of Michel Corvin (Scott Speedman), she discovers that the ancient Lycan leader Lucian (Michael Sheen) is actually still alive and is plotting an attack on the Vampire clan. Not only that, but the reason the Lycans have been specifically targeting Corvin is they believe his blood genetically predisposed to give them the ability to create a half Vampire/half Lycan hybrid that is more powerful than any one species on its own. No one has ever survived a bite from both species but Corvin’s blood just might be the antidote to that little problem.

Kraven, who intends on marrying Selene and making her his queen, is none too thrilled with the investigation. Selene awakens ancient Vampire elder Viktor (Bill Nighy) despite his desire not to be disturbed for at least another 100 years, to explain the impending danger and alert him that Kraven may indeed be a traitor working with the Lycans. Viktor is having none of it, and despite his affection for Selene (he rescued her from a werewolf attack when she was just an infant) demands that she be punished.

Michael, who has been bitten by Lucian and is turning Lycan, has visions of what really happened – there was no Lycan attack on Selene’s family. Viktor was actually feeding on them and decided to spare her because she reminds him of the daughter he burned alive hundreds of years ago for falling in love with Lucian.

This lie greatly informs Selene’s decision in the film’s climax wherein Kraven’s deception is unmasked and Lucian and Michael are mortally wounded. The dying Lucian reminds Selene that since Michael has the genetic component to survive both Vampire and Lycan bites, she can restore him with her power. In doing so she makes Michael Corvin the first Vampire/Lycan hybrid and when it comes time to choose between him and Viktor in their final battle – she kills Viktor.

Underworld: Evolution 2006

Underworld Kate Beckinsale

Underworld: Evolution uses the events and world-building of the first film to create a more contained narrative.

After Selene killed elder Vampire Viktor, only one of the three original elders remains – Marcus. Upon awakening, Marcus (Tony Curran) – who has the ability to grow huge wings with stabbing talons and fly like a bat – learns of Michael’s transformation into a hybrid. As any elder would (remember these Vampires hate Lycans – so they’re definitely not into race mixing.), Marcus goes on the hunt for Selene and Michael.

Selene and Michael visit Marcus’ father, Alexander Corvinus (no accident that Corvinus also has the root Corvin, as in Michael’s last name) to discuss ways in which to stop Marcus. But Corvinus cannot commit to killing his own son – now matter how evil he recognizes he is. Too bad Marcus doesn’t feel the same way about his own father. After arriving on the scene and causing quite the ruckus (and seemingly killing Michael), he mortally wounds Corvinus in order to obtain the key that will lead him to William, a powerful Lycan. Dying, Corvinus forces Selene to drink his blood.

Selene (Michael’s corpse in tow) goes after Marcus via helicopter. By the time she catches up Marcus is in already in process in his plan to take out William and a big tussle ensues between the three parties. Michael comes back from the not-quite dead and together they dispatch of Marcus and Michael. Bonus? That blood that Corvinus made Selene drink has now given her immunity against the sun. She and Michael can keep ‘normal’ hours together!

Underworld: Rise Of The Lycans 2009

Underworld Kate Beckinsale

In some ways, Underworld: Rise Of The Lycans is the Rise Of The Planet Of The Apes of the Underworld series. Clocking in at a brief 90 or so minutes, it’s a brisk and focussed look at the genesis of the Vampire/Lycan war.

Many of the events in the film have been alluded to, shown or whispered of in the previous installments – but here they’re all laid out linearly.

When Viktor happens upon infant Lucian while wiping out a pack of Lycans, he thinks twice about firing his crossbow into the child (I guess this is a theme with Viktor – rescuing infants while out pillaging). Michael Sheen returns to play the adult Lucian, the Lycan slave of Viktor’s vampire clan who slowly moves from obedience into self actualization and rebellion. The Lycans are bred to be slaves after all, chained to guard their Vampire masters as they sleep.

Viktor’s daughter, Sonja (Rhona Mitra – who does remind one of Kate Beckinsale, a necessity outlined by the lore in the original film) takes a liking to Lucian despite his indentured nature (he literally has to wear a collar). In fact, Lucian and Sonja fall in love, a courtship that includes some fairly wild cliff-top romancing if you get my drift. As Lucian learns what it’s like to feel love and equality – his inner Che Guevara begins to take hold.

After he amasses an internal group of Lycan revolutionaries they escape Viktor’s castle and take refuge in the countryside, plotting their new life. But when Viktor discovers the secret of Sonja and Lucian’s courtship he is outrages. He all but disowns his daughter and confines her to her room. He’s also counting on her beckoning to Lucian, drawing him back in so he can exact his revenge when Lucian storms the castle.

After he has Lucian back in his grasp, Viktor chains the Lycan across the room from Sonja. It soon becomes clear that Viktor has planned on sacrificing his own daughter as part of his revenge plot – and indeed when the sun rises and peeks through the opening on the roof Lucian watches Sonja disintegrate and ember into ash.

Lucian transforms and his werewolf army storms the castle – eliminating almost all of the vampires. It’s a temporary victory that marks the beginning of the Vampire/Lycan war – Viktor and the other elders have escaped. We dissolve into the first image with which the series began – Kate Beckinsale’s Selene astride a rooftop, still unaware of the secret knowledge of the war – ready deal death to the Lycans.

Underworld: Awakening 3D 2012

Underworld Awakening

Picking up 12 years after the events of Underworld: Evolution the world Selene confronts in Underworld: Awakening has changed greatly. Humans are now aware of both Vampires and Lycans – and they intend to exterminate both species to protect the human race. The key to the ongoing battle lies with Eve, the first Vampire/Lycan hybrid ever. Whomever gets the girl, wins the war. Awakening also will introduce the first ever Uber-Lycans, twice the size of normal Lycans, to contend with. Sounds like it could be a bumpy ride!

Editorials

Finding Faith and Violence in ‘The Book of Eli’ 14 Years Later

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Having grown up in a religious family, Christian movie night was something that happened a lot more often than I care to admit. However, back when I was a teenager, my parents showed up one night with an unusually cool-looking DVD of a movie that had been recommended to them by a church leader. Curious to see what new kind of evangelical propaganda my parents had rented this time, I proceeded to watch the film with them expecting a heavy-handed snoozefest.

To my surprise, I was a few minutes in when Denzel Washington proceeded to dismember a band of cannibal raiders when I realized that this was in fact a real movie. My mom was horrified by the flick’s extreme violence and dark subject matter, but I instantly became a fan of the Hughes Brothers’ faith-based 2010 thriller, The Book of Eli. And with the film’s atomic apocalypse having apparently taken place in 2024, I think this is the perfect time to dive into why this grim parable might also be entertaining for horror fans.

Originally penned by gaming journalist and The Walking Dead: The Game co-writer Gary Whitta, the spec script for The Book of Eli was already making waves back in 2007 when it appeared on the coveted Blacklist. It wasn’t long before Columbia and Warner Bros. snatched up the rights to the project, hiring From Hell directors Albert and Allen Hughes while also garnering attention from industry heavyweights like Denzel Washington and Gary Oldman.

After a series of revisions by Anthony Peckham meant to make the story more consumer-friendly, the picture was finally released in January of 2010, with the finished film following Denzel as a mysterious wanderer making his way across a post-apocalyptic America while protecting a sacred book. Along the way, he encounters a run-down settlement controlled by Bill Carnegie (Gary Oldman), a man desperate to get his hands on Eli’s book so he can motivate his underlings to expand his empire. Unwilling to let this power fall into the wrong hands, Eli embarks on a dangerous journey that will test the limits of his faith.


SO WHY IS IT WORTH WATCHING?

Judging by the film’s box-office success, mainstream audiences appear to have enjoyed the Hughes’ bleak vision of a future where everything went wrong, but critics were left divided by the flick’s trope-heavy narrative and unapologetic religious elements. And while I’ll be the first to admit that The Book of Eli isn’t particularly subtle or original, I appreciate the film’s earnest execution of familiar ideas.

For starters, I’d like to address the religious elephant in the room, as I understand the hesitation that some folks (myself included) might have about watching something that sounds like Christian propaganda. Faith does indeed play a huge part in the narrative here, but I’d argue that the film is more about the power of stories than a specific religion. The entire point of Oldman’s character is that he needs a unifying narrative that he can take advantage of in order to manipulate others, while Eli ultimately chooses to deliver his gift to a community of scholars. In fact, the movie even makes a point of placing the Bible in between equally culturally important books like the Torah and Quran, which I think is pretty poignant for a flick inspired by exploitation cinema.

Sure, the film has its fair share of logical inconsistencies (ranging from the extent of Eli’s Daredevil superpowers to his impossibly small Braille Bible), but I think the film more than makes up for these nitpicks with a genuine passion for classic post-apocalyptic cinema. Several critics accused the film of being a knockoff of superior productions, but I’d argue that both Whitta and the Hughes knowingly crafted a loving pastiche of genre influences like Mad Max and A Boy and His Dog.

Lastly, it’s no surprise that the cast here absolutely kicks ass. Denzel plays the title role of a stoic badass perfectly (going so far as to train with Bruce Lee’s protégée in order to perform his own stunts) while Oldman effortlessly assumes a surprisingly subdued yet incredibly intimidating persona. Even Mila Kunis is remarkably charming here, though I wish the script had taken the time to develop these secondary characters a little further. And hey, did I mention that Tom Waits is in this?


AND WHAT MAKES IT HORROR ADJACENT?

Denzel’s very first interaction with another human being in this movie results in a gory fight scene culminating in a face-off against a masked brute wielding a chainsaw (which he presumably uses to butcher travelers before eating them), so I think it’s safe to say that this dog-eat-dog vision of America will likely appeal to horror fans.

From diseased cannibals to hyper-violent motorcycle gangs roaming the wasteland, there’s plenty of disturbing R-rated material here – which is even more impressive when you remember that this story revolves around the bible. And while there are a few too many references to sexual assault for my taste, even if it does make sense in-universe, the flick does a great job of immersing you in this post-nuclear nightmare.

The excessively depressing color palette and obvious green screen effects may take some viewers out of the experience, but the beat-up and lived-in sets and costume design do their best to bring this dead world to life – which might just be the scariest part of the experience.

Ultimately, I believe your enjoyment of The Book of Eli will largely depend on how willing you are to overlook some ham-fisted biblical references in order to enjoy some brutal post-apocalyptic shenanigans. And while I can’t really blame folks who’d rather not deal with that, I think it would be a shame to miss out on a genuinely engaging thrill-ride because of one minor detail.

With that in mind, I’m incredibly curious to see what Whitta and the Hughes Brothers have planned for the upcoming prequel series starring John Boyega


There’s no understating the importance of a balanced media diet, and since bloody and disgusting entertainment isn’t exclusive to the horror genre, we’ve come up with Horror Adjacent – a recurring column where we recommend non-horror movies that horror fans might enjoy.

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