Editorials
[2012 HORROR MOVIE PREVIEW] RANDOM BIG STUDIOS
My favorite portion of our annual feature film previews are the roundup pieces, you know, the list containing nuggets of release info from various studios.
This year, mini majors like Magnet, Magnolia, CBS Films, Open Road and Relativity didn’t get their own sections, but do have a slew of quality horror on the way. While the major studios appear to be taking a backseat to genre filmmaking, there are others out there who still live and die off the release of horror.
Inside you’ll find our list of new horror from said mini majors arriving in theaters come 2012. Watch for our final piece featuring independent horror tomorrow!
[RANDOM BIG STUDIOS] 2012 HORROR MOVIE PREVIEW
PARAMOUNT / SUMMIT / UNIVERSAL / RANDOM BIG STUDIOS / INDIE
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Dates Subject to Change

Eight months after a disastrous job in Kiev left him physically and mentally scarred, ex-soldier turned contract killer Jay, is pressured by his partner Gal, into taking a new assignment. As they descend into the dark, disturbing world of the contract, Jay begins to unravel once again – his fear and paranoia sending him deep into the heart of darkness.

In ‘The Grey,’ Liam Neeson leads an unruly group of oil-rig roughnecks when their plane crashes into the remote Alaskan wilderness. Battling mortal injuries and merciless weather, the survivors have only a few days to escape the icy elements – and a vicious pack of rogue wolves on the hunt – before their time runs out.

The story follows a young lawyer, Arthur Kipps (Radcliffe), who is ordered to travel to a remote village and sort out a recently deceased client’s papers. As he works alone in the client’s isolated house, Kipps begins to uncover tragic secrets, his unease growing when he glimpses a mysterious woman dressed only in black. Receiving only silence from the locals, Kipps is forced to uncover the true identity of the Woman in Black on his own, leading to a desperate race against time when he discovers her true intent.

‘Silent House’ follows a young woman troubled a childhood trauma. Whilst visiting her family’s isolated summer home with her father and uncle, when they learn they are not alone in the house. The terrifying 80 minute period is told from Sarah’s point of view. Elizabeth Olsen, sister to Mary Kate and Ashley Olsen, takes the lead role.

‘House’ centers on a teen girl (Lawrence) who moves with her mom to a new town and learns that their home is across the street from a house where a double murder took place. Complications ensue when the teen befriends the massacre’s sole surviving son (Thieriot). Elisabeth Shue costars as Lawrence’s mom.

From Tim Burton comes “Frankenweenie,” a heartwarming tale about a boy and his dog. After unexpectedly losing his beloved dog Sparky, young Victor harnesses the power of science to bring his best friend back to life—with just a few minor adjustments. He tries to hide his home-sewn creation, but when Sparky gets out, Victor’s fellow students, teachers and the entire town all learn that getting a new “leash on life” can be monstrous.

From the producers of ‘The Haunting in Connecticut’ comes the chilling true story of the Wyrick family. Upon moving to the small town of Pine Mountain, mother, Georgia, and daughters, Lisa and Heidi Wyrick, begin experiencing disturbing visions and terrifying supernatural entities in their new home. Do the phenomena hint at the onset of a shared family madness, or are they clues to a real-life nightmare that once took place on the property?

When newlywed Molly Reynolds returns to her long-abandoned family home, frightful reminders of a nightmarish childhood begin seeping into her new life. She soon begins an inexorable descent into evil that blurs the lines between psychosis and possession.
Editorials
Taking a Closer Look at the ‘Christmas Carol’ Ghosts of Ti West’s ‘Ebenezer’
The trailer for Ti West’s upcoming adaptation of A Christmas Carol raised a lot of eyebrows when it dropped earlier this week. While plenty of folks initially dismissed Ebenezer as a derivative project meant to cash in on the recent wave of unnecessary prequels that expand the backstory of beloved characters (such as 2023’s Wonka), Charles Dickens’ original novel already made a point of exploring Ebenezer Scrooge’s origins in detail – meaning that this new film is likely just a particularly faithful adaptation of the source material under a different name.
Couple that with the fact that the movie is being helmed by a genuine horror auteur and I think it’s safe to say that the latest iteration of the first modern ghost story is in good hands.
That being said, one detail that immediately jumped out at me during the brief teaser (other than a blink-and-you’ll-miss-it nod to Johnny Depp’s iconic bedroom death scene from the original A Nightmare on Elm Street) is the fact that many of Ebenezer’s ghosts appear to have been directly lifted from the iconic John Leech illustrations that accompanied the first edition of Dickens’ novel.
Here are a couple of stills from the trailer compared to the original artwork:

The Ghost of Christmas Yet to Come in ‘Ebenezer’ and ‘A Christmas Carol’

The Phantoms in ‘A Christmas Carol’ and ‘Ebenezer’

Marley’s Ghost in ‘Ebenezer’ and ‘A Christmas Carol’
Mainly working with old-school wood and steel engravings that would later be transferred to print, Leech was instrumental in crafting the iconic look of history’s most influential phantoms – especially since Dickens is said to have been deeply involved with the creation of these so-called “comic illustrations.”
And since the novel is commonly said to have popularized spiritualism in Victorian England, much of the ghostly iconography that we still see in genre media to this very day (including some of Ti West’s previous films) can be traced back to the author’s partnership with Leech.
Ebenezer won’t be the first A Christmas Carol adaptation to borrow heavily from these designs, but I can appreciate how Ti West is incorporating an important part of horror history into his latest film.
Ebenezer will be available in theaters starting November 13.


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