Editorials
Remembering Ronnie James Dio
Today bears no anniversary for the metal legend Ronald James Padavona, known to the music world as Ronnie James Dio. It’s a month before the anniversary of his passing and his birthday isn’t until July 10th. However, that doesn’t change the fact that Dio‘s influence is felt every day, with every modern day metalhead owing him tribute.
Lately, I find that I’ve been listening to a lot of Dio’s work over the years, which stretched from well before his time in Rainbow with Richie Blackmore (Deep Purple) until his final days, which saw him in both Dio and Heaven & Hell, the group comprised of Black Sabbath members Tony Iommi, Geezer Butler, and Vinny Appice, who recorded and toured as Black Sabbath in the early 80’s. In fact, Dio’s legacy stretched over five decades, the man tirelessly touring, recording, and promoting the metal community. It’s a life full of trials, difficulties, and accomplishments.
Dio was born July 10th, 1942 in Portsmouth, New Hampshire, where he lived for a short while before moving to Cortland, New York. He stated, “My childhood was safe and sane. No abuse and no traumas. I was surrounded by a large and loving family who taught me the importance of hard work and a meaningful education.” [Source]
Dio got his start musically at an early age, cutting his teeth on the trumpet while also listening to a lot of opera in his home, which almost certainly contributed to his iconic vocal prowess. His first rock and roll band was formed in high school and was the beginning of a nonstop career in music, one that would shape and define the metal genre.
Surprisingly, Dio has stated that he, “…never had vocal training” [Source], instead attributing his vocal talents to the breathing control he learned while playing trumpet. Despite this lack of formal training, Dio’s voice has won him spots on countless “Greatest Metal Vocalists” lists, all focusing on his range, his strength, his presence, and his lyrical output.
The first real rise to fame was Dio’s first major band Elf, which regularly opened for Deep Purple. This would ultimately lead to the formation of Richie Blackmore’s Rainbow, which featured Dio as the vocalist for three studio albums and one live LP. Dio and Rainbow would part ways in 1979 and soon afterwards joined one of the greatest heavy metal bands in the history of the genre: Black Sabbath.
The relationship between Dio and Black Sabbath wasn’t a long one but it did result in the release of two studio albums before he moved on to form his own solo project, the now infamous Dio. He would ultimately return for one more album, 1992’s Dehumanizer, but it was a short-lived reunion, Dio ultimately being the more important project in the singer’s eyes.
In his final years, Dio once again joined forces with members of Black Sabbath to form Heaven & Hell. Taken from the name of the first album Dio recorded with Black Sabbath, Heaven & Hell not only toured the world but also recorded a new album, The Devil You Know, which received positive reviews and landed on charts across the globe. A follow-up album was planned for 2010, but never materialized.
On November 25th, 2009, Dio’s wife Wendy released a statement saying that her husband was diagnosed with the early stages of stomach cancer. Less than a year later, on May 16th, this illness would take his life.
His death was one of those moments that rocked the music community. It was the loss of an icon, someone that seemed larger than life. When the phrase “Rock Gods” is uttered, Dio’s legacy proves that he belongs in that pantheon, alongside Hendrix, Darrell, and countless others who came and went before their time.
May 15th through 17th, the Ronnie James Dio Stand Up And Shout Cancer Fund will be held and will feature special attendees like Tenacious D, Christian Martucci and Roy Mayorga (Stone Stour), Chris Broderick (ex-Megadeth), Sean McNabb (Lynch Mob, ex-Dokken), and more. The event will be held in Los Angeles, CA and event details can be found via the official website.
We’re now officially in the back half of 2026 now that July is here, but what a year it’s been for horror so far. The sequels and reboots are still holding strong at the box office with films like Scream 7 and Scary Movie, but it’s also been a year where new voices are shattering records in unexpected ways.
Markiplier eschewed conventional production and distribution channels with his feature adaptation of Iron Lung, for example. We’re also still in the midst of Backrooms and Obsession-mania, with the former back in theaters with bonus footage and the latter extending its box office reign. Liminal horror has exploded, and low-budget indie horror is seeing just as much, and sometimes even more, success as big studio-backed fare.
All of which to say that 2026 has been a hell of a year so far for the genre, and it’s only getting warmed up. Still on the way are Evil Dead Burn, Insidious: Out of the Further, Resident Evil, Clayface, Whalefall, and Werwulf, just to name a few.
Also catch up with the Best Horror Books and Best Horror Games of the year so far.
Here are the ten best horror movies of the year (so far).
10) Chime
Horror master Kiyoshi Kurosawa is back with one of his most haunting yet, though one that’d likely be higher on this list if it were more accessible. The 45-minute feature was initially produced and distributed as an NFT before receiving a theatrical run earlier this year, with no plans to distribute digitally or on home media. It spins a somewhat cryptic tale, introducing a culinary teacher, Takuji Matsuoka (Mutsuo Yoshioka, Never After Dark), whose classroom becomes disrupted by a strange sound that leads to violence. It’s a quiet but haunting unraveling, one that leaves no aspect of Matsuoka’s life untouched, in true Kiyoshi Kurosawa style. That it defies any easy explanation also ensures Chime embeds itself under your skin.
9) Send Help
Sam Raimi’s splatstick return to form is a delightfully deranged two-hander that doubles as infectious catharsis for anyone who’s ever had a bad boss. Rachel McAdams (Doctor Strange) and Dylan O’Brien (The Maze Runner) face off when their characters are shipwrecked on an island, prompting a bid for survival in more ways than one. While O’Brien often matches her, It’s McAdams who shines as she deftly handles everything that Raimi, working from a script by Damian Shannon & Mark Swift (Freddy vs. Jason), throws at her. Send Help is full of vibrant personality, packed with all of Raimi’s signatures, making for one of the most entertaining films of the year.
8) Mārama
New Zealand filmmaker Taratoa Stappard’s gothic tale begins in familiar fashion, with Mary Stevens (Ariāna Osborne) arriving in Yorkshire upon invitation to learn more about her parents, only to find the remote manor haunted. Just when Stappard’s period horror story feels doomed to succumb to familiar gothic trappings and jump scares, though, its true horror emerges. The more Mary uncovers about her heritage and her Māori culture, the clearer it becomes that this grim home is built on violence and exploitation. Stappard’s vision comes into its own when it leaves behind its gothic influences and embraces its Māori identity; few scenes are as powerful as when Osborne’s Mary performs a haka in response to her vile oppressors, heralding in a righteous bloodbath.
7) Touch Me
Writer/Director Addison Heimann draws from retro Japanese horror, exploitation cinema, and perhaps even hentai for his campy, psychosexual sophomore feature. A toxic friendship plagued by trauma, codependency, and addiction gets tested to the extreme when Brian (Lou Taylor Pucci), a hip-hop-loving, tracksuit-sporting alien, gets between them. Olivia Taylor Dudley and Jordan Gavaris have an easy rapport and play off each other well as directionless, depressed Millennial besties prone to ignoring their problems until they become insurmountable. But it’s Pucci’s inspired, childlike take on the chicken nugget-loving extraterrestrial with tentacled secrets of his own that steals the show. Heimann has a lot on his mind with his sophomore feature and neatly condenses it all into a quirky, eccentric psychosexual camp odyssey that leans heavily into humor.
6) Backrooms
Director Kane Parsons translates the vast liminal labyrinth of his web series to the big screen in his feature debut, one that instills existential dread with its atmospheric horror and narrative. The ‘ 90s-set horror movie introduces a protagonist with a serious chip on his shoulder over life’s many disappointments, who then discovers his furniture store harbors a hidden door that leads to an endless labyrinth. It’s not just the incredible production design that instills a disorienting sense of doom and terror, but the lead characters’ palpable and profound sense of loneliness and isolation. Parsons exudes impressive confidence and control as he methodically entrusts his quiet worldbuilding and talented leads to carry the dramatic weight. While Backrooms does deflate by the film’s cryptic, cliffhanger-y end, it’s arguably the most effective and scariest yet at capturing the uncanny valley of generative AI.
5) Leviticus
Writer/Director Adrian Chiarella uses an It Follows-like supernatural entity that relentlessly stalks its prey as a launchpad to immerse audiences in the horror of constantly living in fear for simply existing. A conversion therapy ritual among a deeply conservative community plunges a pair of erstwhile lovers into a nightmarish bid for survival when it summons a force that takes the shape of those whom the afflicted desires most. Chiarella refines the horror mechanics and metaphor with much sharper precision, ensuring that the scares and emotional gravity of the young couple’s terrifying predicament reach their intended impact. It’s the central layered performances by Joe Bird (Talk to Me) and Stacy Clausen (Thrash) that clinch emotional investment in their heartbreaking plight, ensuring that the social horror cuts deep.
4) Redux Redux
The McManus Brothers, writer/director duo Matthew and Kevin McManus (The Block Island Sound), dials up the intensity of a classic revenge story by setting it within a multiverse, where Irene Kelly (Michaela McManus) seeks to snuff out every single iteration of her daughter’s murderer, Neville (Jeremy Holm). The more she stalks and slays every world’s Neville, the more she risks losing her humanity entirely. Through a narrative foil in Mia (Stella Marcus), Redux Redux smartly bypasses repetition as it explores the moral complexities and vulnerabilities of Irene’s extremely violent quest. Holm becomes utterly terrifying in the climax, ensuring that no matter whether Irene loses herself to vengeance for good or not, it’s justified if it means ridding the world of this sick maniac.
3) 28 Years Later: The Bone Temple
Director Nia DaCosta takes the reins in the second entry in writer Alex Garland and original director Danny Boyle’s trilogy, picking up from the previous conclusion that saw Spike (Alfie Williams) fleeing from the infected straight into the welcoming arms of Sir Jimmy Crystal (Sinners’ Jack O’Connell). From here, DaCosta presents a stark contrast between humanity’s best and worst. The former sees the tender studies of Dr. Kelson (Ralph Fiennes) make poignant strides toward humankind’s future, while the latter unleashes more pain and bloodshed courtesy of the Jimmies. The dual paths of light and dark collide in one epic conclusion, an inspired confrontation between good and evil on a stunning set piece of heavy metal insanity. Yet it’s DaCosta’s handling of both extremes that impresses most, teeing up one epic conclusion to this trilogy.
2) Obsession
Sketch comedian turned horror filmmaker Curry Barker (Milk & Serial) wrings blood-curdling terror from a classic Monkey’s Paw wish fulfillment scenario in a way that no one could have ever anticipated. To say that it’s taken the box office by storm would be a massive understatement; Obsession is the top horror movie of the year in terms of gross. It’s not hard to see why, either. While Monkey’s Paw scenarios often yield predictable outcomes, and this outcome is practically telegraphed from the start, Barker manages to surprise with the journey itself. And it’s one insane journey paved with blood-soaked violence and no shortage of nightmare fuel. What truly sets it apart, though, is leads Michael Johnston and Inde Navarrette as the central pair undone by one vicious wish. Expect to see a lot more from breakout Navarette.
1) Hokum
A surly, traumatized writer must break free from his self-imposed shackles of guilt when confronted by a wicked witch haunting a quaint Irish inn in the latest by writer/director Damian McCarthy (Oddity). Adam Scott’s Ohm makes for an atypical but rewarding protagonist, and his complicated emotional journey gives way to a deeply moving story of a man so thoroughly broken by personal trauma that he constantly dwells in darkness. In true McCarthy style, expect the creepy as hell witch to dole out some supernatural retribution for crimes committed, but never in the way you’d expect. The filmmaker has a way of making whimsy pure nightmare fuel; Hokum distorts a kids’ show into eerie, uncanny valley-induced terror in its torment of Ohm. Channeling Stephen King, this creeper plays like a traditional campfire tale in mood and style, infusing genuine scares with a sense of magic and heart.
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