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A Look At the Afflictions of ‘The Witch’

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“Speak of the Devil and he is bound to appear.” – Proverb

While the 17th century Enlightenment brought about a wave of reason in European politics and religion, those Puritan riffraff over in New England still saw the Devil prowling in every dark corner of the room. Providential messages appeared to them everywhere. Got a toothache? You’re not praying hard enough, pal. Did you dream about your neighbor? Then she’s most certainly a witch. The neighbor’s pig that wandered onto your land isn’t just a pig. In their world consumed with prayer and chores, everything had meaning and that meaning was usually the Devil.

Set against this backdrop of sinful causality is writer-director Robert Eggers’ richly detailed debut film The Witch. Set decades before New England was seized by full-blown witch hysteria, Eggers’ film traces one family’s descent into bewitched paranoia and madness. Adding to the authenticity of the film’s design and language is the laundry list of occult imagery and afflictions ripped straight from historical accounts. Animal familiars, human-animal suckling, the Devil’s book, the man in black, inability to remember prayers – it’s all there in beautiful detail that adds so much terrifying weight to the film. These are all actual things colonialists claim to have seen/experienced. It’s recorded history. That may be the scariest aspect of the entire film.

Since we can’t seem to get enough of this film, I thought it’d be fun to look closer at some of these historical afflictions as they relate to the film.

Massive SPOILERS for The Witch follow.

The Man in Black, His Book, and His Cheap Ass Gifts

Devil's Book

Near the end of the film, Thomasin has a little sit down with Black Phillip, who speaks to her in a disturbingly seductive voice – offering her butter, clothes, and a trip to foreign lands. Enough booty to sell one’s soul for back then, no doubt. All she has to do is sign his book.

This book shows up frequently in accounts of witches and their pact with the Devil. Puritan minister Cotton Mather wrote of afflicted 15-year-old servant girl Mercy Short in 1692, “The devil showed her his book, which was ‘somewhat long and thick’…and filled not only with the names and marks, but also with the explicit…covenants.”

During the trials, many were accused of signing this book and many accusers stated that when tempted with the book, they saw the names of others inside its pages. This was a simple way to accuse somebody else.

In contrast to the gaudy fancy-pants living in England, Puritans dress was as simple as could be. So it wasn’t odd for the Devil to offer them swankier clothes (gold buckles, frilly swag, etc.). Continuing to write about Mercy Short, Mather stated the Devil showed her “very splendid garments…and many more conveniences.” Just a little fashion show between the Devil and a servant girl.

And yes, there are accounts of the Devil offering people butter in exchange for their souls. What a cheap bastard. One account I found dates back to Kalisz, Poland in 1613. Next time you’re picking up that tub of Country Crock in the grocery store, remember, people had to sell their soul for that stuff back in the day.

As the scene continues, Black Phillip transforms into a human dressed up for goth night. Before the 16th century, the Devil was typically depicted as an animal or some kind of hybrid. Y’know the deal: bipedal guy with horns, pointed tail, cloven hooves. A real Dr. Moreau reject. Gradually the Devil became perceived as more human-like and oftentimes dressed in black. During the Salem witch trials of 1692, accusers referred to the Devil as the “black man” – not referring to the color of his skin (although sometimes he appeared as a Native American), but to his dress.

“Thus the people of Salem in New-England pretended to be bewitched, and that a black man tormented them by the instigation of such and such, whom they resolved to bring to the gallows.” – Daniel Defoe’s Political History of the Devil (1726)

“Sucked by Imps”

Witches'Familiars1579

The Witch has its share of animal familiars: the hare, the crow, and Black Phillip. In the chilling scene where Katherine is visited by the specters of Caleb and her baby in the night, she nestles the babe to her breast. This cuts to the crow familiar having a go at her teat – leaving her with a bloody breast in the morning.

The European mythology of animal familiars goes back centuries and trickled over to the colonies with the Puritans. Familiars are magical aides, sent by Satan, in the form of animals that assist witches in their nasty deeds. The most popular example is a cat, which lead to the widespread association with black cats and witches. In exchange, the familiars got to suckle blood from the witch, usually from an unnatural teat that would become damning evidence if discovered on one’s body. As legal proof used to convict several witches, the teat became known as one of the “witch’s marks.”

The teat could be your typical nipple, but sometimes was found in odd places, like in between two fingers or even on a leg, which is where Eunice “Goody” Cole, the only woman convicted of witchcraft in New Hampshire, was said to have one:

“A place in her leg which was provable where she had been sucked by imps…the second testifieth that they heard the whining of puppies or such like under her coats as though she had a desire to suck.”

This nourishing of a familiar wasn’t just for the ladies. John Willard, one of the five men executed in Salem, was said to have done so by one of his accusers:

“I saw this Willard suckle the apparition of two black pigs on his breasts.”

The Lord’s Prayer: Damned If You Do, Damned If You Don’t

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To me, the most disturbing scene in The Witch is Caleb’s death. Not only does little Harvey Scrimshaw deliver an incredibly unnerving performance as he calls out to Jesus and laughs himself into death, but this is also the moment where the family full on turns against one another and spiral into madness.

It’s sparked by twins Mercy and Jonas, who accuse Thomasin of being a witch. In disbelief, William commands his family to pray. The rub is, the twins can’t remember the Lord’s Prayer – something a Puritan knows backwards and forwards. Their excuse for forgetting this staple prayer? Thomasin has bewitched them, of course.

Demanding that the accused recite the Lord’s Prayer word-for-word was a popular tactic during the witch trials. It was believed that witches were not able to speak it, and that if they were unable to or flubbed it in the least bit, it was because they were in league with the Devil. Like the teat and witch’s mark, this was conclusive evidence among authorities. Under such duress – recite perfectly or die – many simply could not handle the pressure.

However, being able to recite the prayer didn’t always work out in one’s favor. During the Salem trials, accused witch and former pastor George Burroughs recited it verbatim while standing up on Gallows Hill. An impossible feat for a witch. He was also said to deliver a plea for his innocence that drew tears from many who attended his execution. After he was killed, it was Cotton Mather who comforted the crowd, stating that, “the devil has often been transformed into an Angel of Light.” Meaning, Burroughs was only able to recite the Lord’s Prayer because of the Devil’s trickery. Hang him high.

If you dig this subject, here’s some suggested reading. And if you read all these books, the Devil will bring you butter, I swear…

A Storm of Witchcraft: The Salem Trials and the American Experience by Dr. Emerson W. Baker. (I’m a bit biased here since Dr. Baker was a professor of mine at Salem State University)

A Delusion of Satan: The Full Story of the Salem Witch Trials by Frances Hill

The Witches: Salem, 1692 by Stacy Schiff

Patrick writes stuff about stuff for Bloody and Collider. His fiction has appeared in ThugLit, Shotgun Honey, Flash Fiction Magazine, and your mother's will. He'll have a ginger ale, thanks.

Editorials

‘Immaculate’ – A Companion Watch Guide to the Religious Horror Movie and Its Cinematic Influences

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The Devils - Immaculate companion guide
Pictured: 'The Devils' 1971

The religious horror movie Immaculate, starring Sydney Sweeney and directed by Michael Mohan, wears its horror influences on its sleeves. NEON’s new horror movie is now available on Digital and PVOD, making it easier to catch up with the buzzy title. If you’ve already seen Immaculate, this companion watch guide highlights horror movies to pair with it.

Sweeney stars in Immaculate as Cecilia, a woman of devout faith who is offered a fulfilling new role at an illustrious Italian convent. Cecilia’s warm welcome to the picture-perfect Italian countryside gets derailed soon enough when she discovers she’s become pregnant and realizes the convent harbors disturbing secrets.

From Will Bates’ gothic score to the filming locations and even shot compositions, Immaculate owes a lot to its cinematic influences. Mohan pulls from more than just religious horror, though. While Immaculate pays tribute to the classics, the horror movie surprises for the way it leans so heavily into Italian horror and New French Extremity. Let’s dig into many of the film’s most prominent horror influences with a companion watch guide.

Warning: Immaculate spoilers ahead.


Rosemary’s Baby

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The mother of all pregnancy horror movies introduces Rosemary Woodhouse (Mia Farrow), an eager-to-please housewife who’s supportive of her husband, Guy, and thrilled he landed them a spot in the coveted Bramford apartment building. Guy proposes a romantic evening, which gives way to a hallucinogenic nightmare scenario that leaves Rosemary confused and pregnant. Rosemary’s suspicions and paranoia mount as she’s gaslit by everyone around her, all attempting to distract her from her deeply abnormal pregnancy. While Cecilia follows a similar emotional journey to Rosemary, from the confusion over her baby’s conception to being gaslit by those who claim to have her best interests in mind, Immaculate inverts the iconic final frame of Rosemary’s Baby to great effect.


The Exorcist

Dick Smith makeup The Exorcist

William Friedkin’s horror classic shook audiences to their core upon release in the ’70s, largely for its shocking imagery. A grim battle over faith is waged between demon Pazuzu and priests Damien Karras (Jason Miller) and Lankester Merrin (Max von Sydow). The battleground happens to be a 12-year-old, Regan MacNeil (Linda Blair), whose possessed form commits blasphemy often, including violently masturbating with a crucifix. Yet Friedkin captures the horrifying events with stunning cinematography; the emotional complexity and shot composition lend elegance to a film that counterbalances the horror. That balance between transgressive imagery and artful form permeates Immaculate as well.


Suspiria

Suspiria

Jessica Harper stars as Suzy Bannion, an American newcomer at a prestigious dance academy in Germany who uncovers a supernatural conspiracy amid a series of grisly murders. It’s a dance academy so disciplined in its art form that its students and faculty live their full time, spending nearly every waking hour there, including built-in meals and scheduled bedtimes. Like Suzy Bannion, Cecilia is a novitiate committed to learning her chosen trade, so much so that she travels to a foreign country to continue her training. Also, like Suzy, Cecilia quickly realizes the pristine façade of her new setting belies sinister secrets that mean her harm. 


What Have You Done to Solange?

What Have You Done to Solange

This 1972 Italian horror film follows a college professor who gets embroiled in a bizarre series of murders when his mistress, a student, witnesses one taking place. The professor starts his own investigation to discover what happened to the young woman, Solange. Sex, murder, and religion course through this Giallo’s veins, which features I Spit on Your Grave’s Camille Keaton as Solange. Immaculate director Michael Mohan revealed to The Wrap that he emulated director Massimo Dallamano’s techniques, particularly in a key scene that sees Cecilia alone in a crowded room of male superiors, all interrogating her on her immaculate status.


The Red Queen Kills Seven Times

The Red Queen Kills Seven Times

In this Giallo, two sisters inherit their family’s castle that’s also cursed. When a dark-haired, red-robed woman begins killing people around them, the sisters begin to wonder if the castle’s mysterious curse has resurfaced. Director Emilio Miraglia infuses his Giallo with vibrant style, with the titular Red Queen instantly eye-catching in design. While the killer’s design and use of red no doubt played an influential role in some of Immaculate’s nightmare imagery, its biggest inspiration in Mohan’s film is its score. Immaculate pays tribute to The Red Queen Kills Seven Times through specific music cues.


The Vanishing

The Vanishing

Rex’s life is irrevocably changed when the love of his life is abducted from a rest stop. Three years later, he begins receiving letters from his girlfriend’s abductor. Director George Sluizer infuses his simple premise with bone-chilling dread and psychological terror as the kidnapper toys with Red. It builds to a harrowing finale you won’t forget; and neither did Mohan, who cited The Vanishing as an influence on Immaculate. Likely for its surprise closing moments, but mostly for the way Sluizer filmed from inside a coffin. 


The Other Hell

The Other Hell

This nunsploitation film begins where Immaculate ends: in the catacombs of a convent that leads to an underground laboratory. The Other Hell sees a priest investigating the seemingly paranormal activity surrounding the convent as possessed nuns get violent toward others. But is this a case of the Devil or simply nuns run amok? Immaculate opts to ground its horrors in reality, where The Other Hell leans into the supernatural, but the surprise lab setting beneath the holy grounds evokes the same sense of blasphemous shock. 


Inside

Inside 2007

During Immaculate‘s freakout climax, Cecilia sets the underground lab on fire with Father Sal Tedeschi (Álvaro Morte) locked inside. He manages to escape, though badly burned, and chases Cecilia through the catacombs. When Father Tedeschi catches Cecilia, he attempts to cut her baby out of her womb, and the stark imagery instantly calls Alexandre Bustillo and Julien Maury’s seminal French horror movie to mind. Like Tedeschi, Inside’s La Femme (Béatrice Dalle) will stop at nothing to get the baby, badly burned and all. 


Burial Ground

Burial Ground creepy kid

At first glance, this Italian zombie movie bears little resemblance to Immaculate. The plot sees an eclectic group forced to band together against a wave of undead, offering no shortage of zombie gore and wild character quirks. What connects them is the setting; both employed the Villa Parisi as a filming location. The Villa Parisi happens to be a prominent filming spot for Italian horror; also pair the new horror movie with Mario Bava’s A Bay of Blood or Blood for Dracula for additional boundary-pushing horror titles shot at the Villa Parisi.


The Devils

The Devils 1971 religious horror

The Devils was always intended to be incendiary. Horror, at its most depraved and sadistic, tends to make casual viewers uncomfortable. Ken Russell’s 1971 epic takes it to a whole new squeamish level with its nightmarish visuals steeped in some historical accuracy. There are the horror classics, like The Exorcist, and there are definitive transgressive horror cult classics. The Devils falls squarely in the latter, and Russell’s fearlessness in exploring taboos and wielding unholy imagery inspired Mohan’s approach to the escalating horror in Immaculate

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