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Trevor Macy and Stacy Title Tell Us Their Favorite Films of 2016…

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…and what they’re looking forward to the most this year.

This week The Bye Bye Man director Stacy Title is acting as a guest editor, and with that comes some editorials she wanted to share with Bloody Disgusting readers. Yesterday she shared the main movie that inspired her as a genre filmmaker, while today she enlists the help of producer Trevor Macy (Hush, The Strangers, Doomsday, Oculus, The Strangers, The Raven) to pick their favorite films of 2016 and what they’re looking forward to most in 2017.

“There were a handful of compelling scary movies this year, but for me the headline goes to a late-breaking entry:  The Autopsy of Jane Doe,” says Macy. “In addition to strong characters, I am drawn to horror that offers a window into other genres as well, and there really aren’t enough cool mysteries out there.  Andre Ovredal’s direction was fresh and interesting (which you know because it isn’t easy to make a dead subject riveting in so many shots), and the performances were really fun.  It let you exhale after the light-hearted jump scares then chilled you to the bone with the slow-build thriller elements.  And while we’re on the subject of horror’s successful marriages with other genres, The Purge:  Election Year was a great reminder that a scary movie can thrive with healthy doses of action and political bite.

Title adds: “There is no doubt in my mind that the best horror film of 2016 is the Korean entry: Train to Busan, directed by Yeon Sang-ho. There were many fun movies this year that worked on different levels and I certainly enjoyed The Witch, too, but for me nothing compares to the fully realized and brilliant apocalyptic amalgam of emotion, zombies, terror and building intensity that is Train to Busan. 

“At the core, this is a story of a dysfunctional, divorced, busy fund manager Seok-Woo and his shut down young daughter Su-An as they’re relationship is put to the test. Fluid and beautifully shot the Busan bound train journeys into a heart of darkness. Harrowing and emotional it delivers beyond a typical comedic zombie story or a tropey violent one. In the end when Su-An sings the song her father missed at her school recital and will now miss because he gave his life for hers– it is deeply moving. A true achievement.”


ALIEN COVENANT via FOX

In regards to 2017, Macys says, “I will be first in line to see Alien: Covenant.  The trailer took me straight back to the original and sent chills up my spine.  Full disclosure:  I don’t know anything else about the movie beyond the trailer, but my hope as a fan is that Ridley Scott embraces the genre-defining tone and execution of the Alien and pins me squarely to the back of my chair.  And since there are a good number of sequels on deck for 2017, I’m hoping an original scary movie or two bubbles to the top.”

As for Title: “Looking ahead I am excited about the new del Toro, The Shape of Water. Though since my favorite Doug Jones aka The Bye Bye Man only mentioned minor plot elements and they’ve kept all the rest of the details under wraps–I can’t say much — ‘cause I have little to go on other than the great master’s past movies. I’m also very excited about Mike Flanagan’s Gerald’s Game. Not because I have seen any of it, but because of his past work and the great Stephen King’s masterful novel that is this movie’s source material. Gerald’s Game is no doubt going to be fascinating and transgressive, two pluses in my book. The movie I can actually opine about the most and have the most zeal for is Jordan Peele’s Get Out. This one is original and unique, a domestic horror movie about racism and hegemony. In it a bi-racial couple heads to her white parent’s house for the weekend and his anxiety about their distaste for their relationship is the least of his problems. He is now in a new kind of hell where white people try to make America great again. A Stepford Wives for race relations, Get Out can’t come soon enough.”

The Bye Bye Man…don’t say his name on Friday the 13th of January.

Horror movie fanatic who co-founded Bloody Disgusting in 2001. Producer on Southbound, V/H/S/2/3/94, SiREN, Under the Bed, and A Horrible Way to Die. Chicago-based. Horror, pizza and basketball connoisseur. Taco Bell daily. Franchise favs: Hellraiser, Child's Play, A Nightmare on Elm Street, Halloween, Scream and Friday the 13th. Horror 365 days a year.

Editorials

Finding Faith and Violence in ‘The Book of Eli’ 14 Years Later

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Having grown up in a religious family, Christian movie night was something that happened a lot more often than I care to admit. However, back when I was a teenager, my parents showed up one night with an unusually cool-looking DVD of a movie that had been recommended to them by a church leader. Curious to see what new kind of evangelical propaganda my parents had rented this time, I proceeded to watch the film with them expecting a heavy-handed snoozefest.

To my surprise, I was a few minutes in when Denzel Washington proceeded to dismember a band of cannibal raiders when I realized that this was in fact a real movie. My mom was horrified by the flick’s extreme violence and dark subject matter, but I instantly became a fan of the Hughes Brothers’ faith-based 2010 thriller, The Book of Eli. And with the film’s atomic apocalypse having apparently taken place in 2024, I think this is the perfect time to dive into why this grim parable might also be entertaining for horror fans.

Originally penned by gaming journalist and The Walking Dead: The Game co-writer Gary Whitta, the spec script for The Book of Eli was already making waves back in 2007 when it appeared on the coveted Blacklist. It wasn’t long before Columbia and Warner Bros. snatched up the rights to the project, hiring From Hell directors Albert and Allen Hughes while also garnering attention from industry heavyweights like Denzel Washington and Gary Oldman.

After a series of revisions by Anthony Peckham meant to make the story more consumer-friendly, the picture was finally released in January of 2010, with the finished film following Denzel as a mysterious wanderer making his way across a post-apocalyptic America while protecting a sacred book. Along the way, he encounters a run-down settlement controlled by Bill Carnegie (Gary Oldman), a man desperate to get his hands on Eli’s book so he can motivate his underlings to expand his empire. Unwilling to let this power fall into the wrong hands, Eli embarks on a dangerous journey that will test the limits of his faith.


SO WHY IS IT WORTH WATCHING?

Judging by the film’s box-office success, mainstream audiences appear to have enjoyed the Hughes’ bleak vision of a future where everything went wrong, but critics were left divided by the flick’s trope-heavy narrative and unapologetic religious elements. And while I’ll be the first to admit that The Book of Eli isn’t particularly subtle or original, I appreciate the film’s earnest execution of familiar ideas.

For starters, I’d like to address the religious elephant in the room, as I understand the hesitation that some folks (myself included) might have about watching something that sounds like Christian propaganda. Faith does indeed play a huge part in the narrative here, but I’d argue that the film is more about the power of stories than a specific religion. The entire point of Oldman’s character is that he needs a unifying narrative that he can take advantage of in order to manipulate others, while Eli ultimately chooses to deliver his gift to a community of scholars. In fact, the movie even makes a point of placing the Bible in between equally culturally important books like the Torah and Quran, which I think is pretty poignant for a flick inspired by exploitation cinema.

Sure, the film has its fair share of logical inconsistencies (ranging from the extent of Eli’s Daredevil superpowers to his impossibly small Braille Bible), but I think the film more than makes up for these nitpicks with a genuine passion for classic post-apocalyptic cinema. Several critics accused the film of being a knockoff of superior productions, but I’d argue that both Whitta and the Hughes knowingly crafted a loving pastiche of genre influences like Mad Max and A Boy and His Dog.

Lastly, it’s no surprise that the cast here absolutely kicks ass. Denzel plays the title role of a stoic badass perfectly (going so far as to train with Bruce Lee’s protégée in order to perform his own stunts) while Oldman effortlessly assumes a surprisingly subdued yet incredibly intimidating persona. Even Mila Kunis is remarkably charming here, though I wish the script had taken the time to develop these secondary characters a little further. And hey, did I mention that Tom Waits is in this?


AND WHAT MAKES IT HORROR ADJACENT?

Denzel’s very first interaction with another human being in this movie results in a gory fight scene culminating in a face-off against a masked brute wielding a chainsaw (which he presumably uses to butcher travelers before eating them), so I think it’s safe to say that this dog-eat-dog vision of America will likely appeal to horror fans.

From diseased cannibals to hyper-violent motorcycle gangs roaming the wasteland, there’s plenty of disturbing R-rated material here – which is even more impressive when you remember that this story revolves around the bible. And while there are a few too many references to sexual assault for my taste, even if it does make sense in-universe, the flick does a great job of immersing you in this post-nuclear nightmare.

The excessively depressing color palette and obvious green screen effects may take some viewers out of the experience, but the beat-up and lived-in sets and costume design do their best to bring this dead world to life – which might just be the scariest part of the experience.

Ultimately, I believe your enjoyment of The Book of Eli will largely depend on how willing you are to overlook some ham-fisted biblical references in order to enjoy some brutal post-apocalyptic shenanigans. And while I can’t really blame folks who’d rather not deal with that, I think it would be a shame to miss out on a genuinely engaging thrill-ride because of one minor detail.

With that in mind, I’m incredibly curious to see what Whitta and the Hughes Brothers have planned for the upcoming prequel series starring John Boyega


There’s no understating the importance of a balanced media diet, and since bloody and disgusting entertainment isn’t exclusive to the horror genre, we’ve come up with Horror Adjacent – a recurring column where we recommend non-horror movies that horror fans might enjoy.

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