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Game Over, Man! 10 Genre Roles of Bill Paxton

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Bill Paxton

The world received some crushing news yesterday when it was announced that veteran actor Bill Paxton had passed away due to complications from surgery. It’s an especially sad piece of news for horror fans, as Paxton holds a special place in many of our hearts for the multiple roles he has portrayed in genre films. While he was mostly well-known for films like Apollo 13TwisterTitanic, True Lies and the exceptional HBO series Big Love, Paxton had a loyalty to the horror genre that many veteran actors lose once they become more established. We thought we would take a moment to look back on some of Paxton’s most memorable roles in genre films in order to celebrate his life and career.

Night Warning

Back in 1982, Paxton was still being billed as William Paxton, so if you stumble upon Night Warning one day be on the lookout for his name. Night Warning is a bizarre horror film that acts as a modern retelling of Oedipus. It’s got incest and murder galore. Paxton’s role as the local bully isn’t a large one, but since this is one of his earliest film roles, that’s not surprising.

Bill Paxton


Mortuary

Paxton re-entered slasher territory with his role as Paul Andrews the mentally disturbed son of a mortician. This isn’t high art here, but it’s worth seeing simply for the fact that the killer is a face-painted man whose weapon of choice is an embalming trocar. It’s super cheesy and hasn’t aged well, but it is a lot of fun.

Bill Paxton


Aliens

Paxton re-teamed with James Cameron (their first collaboration being The Terminator in which Paxton played a thug) for what is arguably his most famous genre role: Private Hudson, a cocky, foulmouthed pretty boy who, as annoying as he was, managed to capture the hearts of genre fans everywhere. He should have been a character that got on your nerves, but Paxton made him endearing enough to the point where you actually feel bad for him when he gets dragged through the floor grates by an Alien.


Near Dark

Paxton teamed up with James Cameron’s future wife Kathryn Bigelow for Near Dark, a vampire film that was a flop upon its initial release but has since garnered a massive cult following. He portrays Severen, the craziest of all the vampires in the film, and boy is he great in the role. He certainly gives Kiefer Sutherland (The Lost Boys) a run for his money when it comes to psychotic ’80s vampires.

Bill Paxton


Brain Dead

The two Bills (Pullman and Paxton) joined forces in Adam Simon’s (CarnosaurBrain Dead, a film that sees Pullman’s character slowly going insane. In all truthfulness, Brain Dead is not a very good movie, but where else are you going to see Pullman and Paxton bantering? Nowhere, that’s where. So give this one a watch.

Bill Paxton

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A journalist for Bloody Disgusting since 2015, Trace writes film reviews and editorials, as well as co-hosts Bloody Disgusting's Horror Queers podcast, which looks at horror films through a queer lens. He has since become dedicated to amplifying queer voices in the horror community, while also injecting his own personal flair into film discourse. Trace lives in Austin, TX with his husband and their two dogs. Find him on Twitter @TracedThurman

Editorials

Finding Faith and Violence in ‘The Book of Eli’ 14 Years Later

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Having grown up in a religious family, Christian movie night was something that happened a lot more often than I care to admit. However, back when I was a teenager, my parents showed up one night with an unusually cool-looking DVD of a movie that had been recommended to them by a church leader. Curious to see what new kind of evangelical propaganda my parents had rented this time, I proceeded to watch the film with them expecting a heavy-handed snoozefest.

To my surprise, I was a few minutes in when Denzel Washington proceeded to dismember a band of cannibal raiders when I realized that this was in fact a real movie. My mom was horrified by the flick’s extreme violence and dark subject matter, but I instantly became a fan of the Hughes Brothers’ faith-based 2010 thriller, The Book of Eli. And with the film’s atomic apocalypse having apparently taken place in 2024, I think this is the perfect time to dive into why this grim parable might also be entertaining for horror fans.

Originally penned by gaming journalist and The Walking Dead: The Game co-writer Gary Whitta, the spec script for The Book of Eli was already making waves back in 2007 when it appeared on the coveted Blacklist. It wasn’t long before Columbia and Warner Bros. snatched up the rights to the project, hiring From Hell directors Albert and Allen Hughes while also garnering attention from industry heavyweights like Denzel Washington and Gary Oldman.

After a series of revisions by Anthony Peckham meant to make the story more consumer-friendly, the picture was finally released in January of 2010, with the finished film following Denzel as a mysterious wanderer making his way across a post-apocalyptic America while protecting a sacred book. Along the way, he encounters a run-down settlement controlled by Bill Carnegie (Gary Oldman), a man desperate to get his hands on Eli’s book so he can motivate his underlings to expand his empire. Unwilling to let this power fall into the wrong hands, Eli embarks on a dangerous journey that will test the limits of his faith.


SO WHY IS IT WORTH WATCHING?

Judging by the film’s box-office success, mainstream audiences appear to have enjoyed the Hughes’ bleak vision of a future where everything went wrong, but critics were left divided by the flick’s trope-heavy narrative and unapologetic religious elements. And while I’ll be the first to admit that The Book of Eli isn’t particularly subtle or original, I appreciate the film’s earnest execution of familiar ideas.

For starters, I’d like to address the religious elephant in the room, as I understand the hesitation that some folks (myself included) might have about watching something that sounds like Christian propaganda. Faith does indeed play a huge part in the narrative here, but I’d argue that the film is more about the power of stories than a specific religion. The entire point of Oldman’s character is that he needs a unifying narrative that he can take advantage of in order to manipulate others, while Eli ultimately chooses to deliver his gift to a community of scholars. In fact, the movie even makes a point of placing the Bible in between equally culturally important books like the Torah and Quran, which I think is pretty poignant for a flick inspired by exploitation cinema.

Sure, the film has its fair share of logical inconsistencies (ranging from the extent of Eli’s Daredevil superpowers to his impossibly small Braille Bible), but I think the film more than makes up for these nitpicks with a genuine passion for classic post-apocalyptic cinema. Several critics accused the film of being a knockoff of superior productions, but I’d argue that both Whitta and the Hughes knowingly crafted a loving pastiche of genre influences like Mad Max and A Boy and His Dog.

Lastly, it’s no surprise that the cast here absolutely kicks ass. Denzel plays the title role of a stoic badass perfectly (going so far as to train with Bruce Lee’s protégée in order to perform his own stunts) while Oldman effortlessly assumes a surprisingly subdued yet incredibly intimidating persona. Even Mila Kunis is remarkably charming here, though I wish the script had taken the time to develop these secondary characters a little further. And hey, did I mention that Tom Waits is in this?


AND WHAT MAKES IT HORROR ADJACENT?

Denzel’s very first interaction with another human being in this movie results in a gory fight scene culminating in a face-off against a masked brute wielding a chainsaw (which he presumably uses to butcher travelers before eating them), so I think it’s safe to say that this dog-eat-dog vision of America will likely appeal to horror fans.

From diseased cannibals to hyper-violent motorcycle gangs roaming the wasteland, there’s plenty of disturbing R-rated material here – which is even more impressive when you remember that this story revolves around the bible. And while there are a few too many references to sexual assault for my taste, even if it does make sense in-universe, the flick does a great job of immersing you in this post-nuclear nightmare.

The excessively depressing color palette and obvious green screen effects may take some viewers out of the experience, but the beat-up and lived-in sets and costume design do their best to bring this dead world to life – which might just be the scariest part of the experience.

Ultimately, I believe your enjoyment of The Book of Eli will largely depend on how willing you are to overlook some ham-fisted biblical references in order to enjoy some brutal post-apocalyptic shenanigans. And while I can’t really blame folks who’d rather not deal with that, I think it would be a shame to miss out on a genuinely engaging thrill-ride because of one minor detail.

With that in mind, I’m incredibly curious to see what Whitta and the Hughes Brothers have planned for the upcoming prequel series starring John Boyega


There’s no understating the importance of a balanced media diet, and since bloody and disgusting entertainment isn’t exclusive to the horror genre, we’ve come up with Horror Adjacent – a recurring column where we recommend non-horror movies that horror fans might enjoy.

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