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‘The Lego Batman Movie’ is (Surprisingly) a Horror Fan’s Wet Dream

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It’s like The Cabin in the Woods… for kids!

We horror fans are often begging to see our favorite villains mashed together within the same universe, which is probably why so many of us hold movies like The Monster Squad and Freddy vs. Jason so near and dear – it’s also why little Easter eggs like Freddy’s glove in Evil Dead 2 and the Xenomorph skull in Predator 2 made us all so giddy back in the day.

The idea of our favorite villains coming together to wreak havoc is undoubtedly a fun one, and no film to date has proven that more than The Cabin in the Woods. Released in 2012, the self-aware horror flick united (unofficial versions of) cinema’s most iconic monsters under the same umbrella, unleashing a full-on monster mash of insanity in the final act.

Oddly enough, The Lego Batman Movie does much the same thing.

No really. I’m not even kidding.

I totally missed The Lego Batman Movie when it was released in theaters back in February, but I had the chance to check it out last night now that’s it on home video; much to my surprise, the animated DC Film is absolutely loaded with iconic movie monsters. In fact, the entire plot of the film centers around them!

Around the 50-minute mark, Batman banishes the Joker to the Phantom Zone, a space prison that houses the most evil villains in the world. Joker had previously been using an army of DC villains in his attempt to take over Gotham, but when Batman handily defeats them (yet again), he enlists the help of the Phantom Zone’s denizens.

This is when The Lego Batman Movie becomes a monster mash of pretty epic proportions. The Phantom Zone spills out into Gotham, unleashing Gremlins, Dracula, the Mummy, the Creature from the Black Lagoon, King Kong, the Kraken from Clash of the Titans (or Godzilla, if you prefer), and even Sauron from The Lord of the Rings!

Much like The Cabin in the Woods, most of the monsters aren’t directly referred to by their movie names – except for the Gremlins, who fall under the Warner Bros. umbrella – allowing them to cleverly be used within the movie. Other Phantom Zone henchmen include a T-rex and velociraptors which one can assume are from Jurassic Park, as well as a shark that might as well be the shark from Jaws. Generic dinosaurs and sharks are part of existing Lego playsets, mind you, but the intent seems clear: these are movie monsters, banished to the Phantom Zone by movie heroes.

I fully expected The Lego Batman Movie to be a DC fan’s wet dream, and it absolutely is (Egghead, Vincent Price’s “Batman” character, even pops up!), but I had no idea going into the film that it’s also a horror fan’s wet dream. As much fun as I was having watching so many iconic monsters do their thing as a team, I was also smiling ear to ear at the thought of the kids of today being introduced to those villains for the very first time.

Maybe a few new Gremlins fans, for example, will be created thanks to Lego Batman.

Check out screen-grabs of all the Lego Batman monsters below and don’t miss this one!

Writer in the horror community since 2008. Editor in Chief of Bloody Disgusting. Owns Eli Roth's prop corpse from Piranha 3D. Has four awesome cats. Still plays with toys.

Editorials

Finding Faith and Violence in ‘The Book of Eli’ 14 Years Later

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Having grown up in a religious family, Christian movie night was something that happened a lot more often than I care to admit. However, back when I was a teenager, my parents showed up one night with an unusually cool-looking DVD of a movie that had been recommended to them by a church leader. Curious to see what new kind of evangelical propaganda my parents had rented this time, I proceeded to watch the film with them expecting a heavy-handed snoozefest.

To my surprise, I was a few minutes in when Denzel Washington proceeded to dismember a band of cannibal raiders when I realized that this was in fact a real movie. My mom was horrified by the flick’s extreme violence and dark subject matter, but I instantly became a fan of the Hughes Brothers’ faith-based 2010 thriller, The Book of Eli. And with the film’s atomic apocalypse having apparently taken place in 2024, I think this is the perfect time to dive into why this grim parable might also be entertaining for horror fans.

Originally penned by gaming journalist and The Walking Dead: The Game co-writer Gary Whitta, the spec script for The Book of Eli was already making waves back in 2007 when it appeared on the coveted Blacklist. It wasn’t long before Columbia and Warner Bros. snatched up the rights to the project, hiring From Hell directors Albert and Allen Hughes while also garnering attention from industry heavyweights like Denzel Washington and Gary Oldman.

After a series of revisions by Anthony Peckham meant to make the story more consumer-friendly, the picture was finally released in January of 2010, with the finished film following Denzel as a mysterious wanderer making his way across a post-apocalyptic America while protecting a sacred book. Along the way, he encounters a run-down settlement controlled by Bill Carnegie (Gary Oldman), a man desperate to get his hands on Eli’s book so he can motivate his underlings to expand his empire. Unwilling to let this power fall into the wrong hands, Eli embarks on a dangerous journey that will test the limits of his faith.


SO WHY IS IT WORTH WATCHING?

Judging by the film’s box-office success, mainstream audiences appear to have enjoyed the Hughes’ bleak vision of a future where everything went wrong, but critics were left divided by the flick’s trope-heavy narrative and unapologetic religious elements. And while I’ll be the first to admit that The Book of Eli isn’t particularly subtle or original, I appreciate the film’s earnest execution of familiar ideas.

For starters, I’d like to address the religious elephant in the room, as I understand the hesitation that some folks (myself included) might have about watching something that sounds like Christian propaganda. Faith does indeed play a huge part in the narrative here, but I’d argue that the film is more about the power of stories than a specific religion. The entire point of Oldman’s character is that he needs a unifying narrative that he can take advantage of in order to manipulate others, while Eli ultimately chooses to deliver his gift to a community of scholars. In fact, the movie even makes a point of placing the Bible in between equally culturally important books like the Torah and Quran, which I think is pretty poignant for a flick inspired by exploitation cinema.

Sure, the film has its fair share of logical inconsistencies (ranging from the extent of Eli’s Daredevil superpowers to his impossibly small Braille Bible), but I think the film more than makes up for these nitpicks with a genuine passion for classic post-apocalyptic cinema. Several critics accused the film of being a knockoff of superior productions, but I’d argue that both Whitta and the Hughes knowingly crafted a loving pastiche of genre influences like Mad Max and A Boy and His Dog.

Lastly, it’s no surprise that the cast here absolutely kicks ass. Denzel plays the title role of a stoic badass perfectly (going so far as to train with Bruce Lee’s protégée in order to perform his own stunts) while Oldman effortlessly assumes a surprisingly subdued yet incredibly intimidating persona. Even Mila Kunis is remarkably charming here, though I wish the script had taken the time to develop these secondary characters a little further. And hey, did I mention that Tom Waits is in this?


AND WHAT MAKES IT HORROR ADJACENT?

Denzel’s very first interaction with another human being in this movie results in a gory fight scene culminating in a face-off against a masked brute wielding a chainsaw (which he presumably uses to butcher travelers before eating them), so I think it’s safe to say that this dog-eat-dog vision of America will likely appeal to horror fans.

From diseased cannibals to hyper-violent motorcycle gangs roaming the wasteland, there’s plenty of disturbing R-rated material here – which is even more impressive when you remember that this story revolves around the bible. And while there are a few too many references to sexual assault for my taste, even if it does make sense in-universe, the flick does a great job of immersing you in this post-nuclear nightmare.

The excessively depressing color palette and obvious green screen effects may take some viewers out of the experience, but the beat-up and lived-in sets and costume design do their best to bring this dead world to life – which might just be the scariest part of the experience.

Ultimately, I believe your enjoyment of The Book of Eli will largely depend on how willing you are to overlook some ham-fisted biblical references in order to enjoy some brutal post-apocalyptic shenanigans. And while I can’t really blame folks who’d rather not deal with that, I think it would be a shame to miss out on a genuinely engaging thrill-ride because of one minor detail.

With that in mind, I’m incredibly curious to see what Whitta and the Hughes Brothers have planned for the upcoming prequel series starring John Boyega


There’s no understating the importance of a balanced media diet, and since bloody and disgusting entertainment isn’t exclusive to the horror genre, we’ve come up with Horror Adjacent – a recurring column where we recommend non-horror movies that horror fans might enjoy.

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